- Ganó 1 premio Óscar
- 37 premios ganados y 35 nominaciones en total
Andrew Livingston
- Terry
- (as Andrew Livingstone)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Unemployment is no joke (as an ex-pat Brit living and sometimes working in the US, I can confirm that with a vengeance). But sometimes, with a little vision and a lot of confidence (or desperation - take your pick), you can either find a way out of the depths of despair, or at the very least lighten the load a little, even if only for a short time. You take your pleasure wherever you can find it.
This movie will undoubtedly strike chords with those who have been unemployed long term, especially in the north of England (or in the Midlands or indeed anywhere. Depression - economic, social or clinical - knows no boundaries).
It's a smile, unless of course it *doesn't* strike a chord with you. Then you'll see it as a politically charged documentary with a few unnecessary laughs that ring very hollow.
But this isn't another Boys from the Blackstuff and I don't think it ever intended to be. The characters in this story are less focussed on pleading "Gissajob" and more inclined to say "Gissasmile". There is social commentary, yes, and it's well made (in my opinion, obviously), but the bigger message, I think, is that when life sucks - and it can do, most of the time - you don't have to give in to the feelings of utter despair.
You can fight back, you can refuse to be bowed, and for everyone in the awful predicament of being willing and able to work but being unable to find anyone willing to give you a chance, there is the possibility of finding a ray of sunshine, even if only temporarily, in an otherwise grey and depressing condition.
And it's those little rays of sunshine that help to give you hope. A laugh here, a giggle there, a bit of extreme silliness once in a while - it all helps keep you sane.
And that's what is enjoyable about this movie: it's the story of a group of men trying to stay sane even if it means losing some of their dignity in the process. And the one thing you notice towards the end of the story - and it's certainly capable of being true of real life - is that in raising their own spirits, the main characters here also raise the spirits of those around them.
They also remind me of myself and some of my friends. I could see myself taking part in something like this, albeit reluctantly (since I'm pathologically shy), just for the hell of it.
And doing something just for the hell of it is what makes this movie one of my favourites.
This movie will undoubtedly strike chords with those who have been unemployed long term, especially in the north of England (or in the Midlands or indeed anywhere. Depression - economic, social or clinical - knows no boundaries).
It's a smile, unless of course it *doesn't* strike a chord with you. Then you'll see it as a politically charged documentary with a few unnecessary laughs that ring very hollow.
But this isn't another Boys from the Blackstuff and I don't think it ever intended to be. The characters in this story are less focussed on pleading "Gissajob" and more inclined to say "Gissasmile". There is social commentary, yes, and it's well made (in my opinion, obviously), but the bigger message, I think, is that when life sucks - and it can do, most of the time - you don't have to give in to the feelings of utter despair.
You can fight back, you can refuse to be bowed, and for everyone in the awful predicament of being willing and able to work but being unable to find anyone willing to give you a chance, there is the possibility of finding a ray of sunshine, even if only temporarily, in an otherwise grey and depressing condition.
And it's those little rays of sunshine that help to give you hope. A laugh here, a giggle there, a bit of extreme silliness once in a while - it all helps keep you sane.
And that's what is enjoyable about this movie: it's the story of a group of men trying to stay sane even if it means losing some of their dignity in the process. And the one thing you notice towards the end of the story - and it's certainly capable of being true of real life - is that in raising their own spirits, the main characters here also raise the spirits of those around them.
They also remind me of myself and some of my friends. I could see myself taking part in something like this, albeit reluctantly (since I'm pathologically shy), just for the hell of it.
And doing something just for the hell of it is what makes this movie one of my favourites.
When I first saw this movie, I absolutely loved it. With each successive viewing, I noticed the characters' emotions as they coped with the dirty hand that has been dealt to them and making the most of it. I also saw the immense bond between the men as they already shared the low-class existence and a rather bleak future but seeing nothing but an opportunity to be rich. And they were all willing to endure the humiliation in front of hundreds of people to achieve it.
Like M*A*S*H, the Full Monty shows people placed in a harrowing existence with seemingly no end in sight. Yet the laughs are sprinkled throughout nicely, and even though each man has their own personal fears to overcome, they find strength in each other, which makes the experience all the more fruitful.
The actors were absolutely top notch, particularly Robert Carlyle. I was already impressed with his performance from Trainspotting to know that he is very capable of carrying the central figure of the movie. Peter Cattaneo's direction was inspired, and he knew the right angles to use (check out the scene when the lads were auditioning new members, particularly Guy) for perfect comedic effect.
I admit that some of the sub-plots needed more fleshing out, particularly between Gaz and Nathan as well as Gerald and his wife. And as many times as I've seen the movie, I don't know much about Guy other than his love for Singing in the Rain and his obvious natural endowment that took the breath away from his mates!
The music was terrific as well. I dare anyone to deny that they had to consciously stop tapping their feet when hearing "Hot Stuff" after watching this movie.
I have been to Sheffield recently, so the movie holds even more personal meaning for me. And for all those complaining about the accents being difficult to understand, watch it again. It's in English not Chinese! The accents are part of the charm. I rate this movie a solid 8.5 out of 10 and worth seeing many times over.
Like M*A*S*H, the Full Monty shows people placed in a harrowing existence with seemingly no end in sight. Yet the laughs are sprinkled throughout nicely, and even though each man has their own personal fears to overcome, they find strength in each other, which makes the experience all the more fruitful.
The actors were absolutely top notch, particularly Robert Carlyle. I was already impressed with his performance from Trainspotting to know that he is very capable of carrying the central figure of the movie. Peter Cattaneo's direction was inspired, and he knew the right angles to use (check out the scene when the lads were auditioning new members, particularly Guy) for perfect comedic effect.
I admit that some of the sub-plots needed more fleshing out, particularly between Gaz and Nathan as well as Gerald and his wife. And as many times as I've seen the movie, I don't know much about Guy other than his love for Singing in the Rain and his obvious natural endowment that took the breath away from his mates!
The music was terrific as well. I dare anyone to deny that they had to consciously stop tapping their feet when hearing "Hot Stuff" after watching this movie.
I have been to Sheffield recently, so the movie holds even more personal meaning for me. And for all those complaining about the accents being difficult to understand, watch it again. It's in English not Chinese! The accents are part of the charm. I rate this movie a solid 8.5 out of 10 and worth seeing many times over.
Robert Carlyle and Mark Addy combine with a great support cast to bring one of the freshest comedies in years to the big screen. Set in Sheffield after the great 'City of Steel' Days, there are more people in the dole queue, than out at work.
Struggling for money the pair decide that if the Chippendale's can get the kit off and make a packet, then why can't they. They recruit some more strippers, all desperate for some cash, and promise the city the Full Monty. Now all they need is to learn how to dance, learn how to overcome there fear of the Full Monty and sell some tickets.
This film is a very funny view of a struggling community in what was once a thriving city. Great characters, slick and realistic dialogue and great direction, this is one of the finest British comedies ever.
8/10
Struggling for money the pair decide that if the Chippendale's can get the kit off and make a packet, then why can't they. They recruit some more strippers, all desperate for some cash, and promise the city the Full Monty. Now all they need is to learn how to dance, learn how to overcome there fear of the Full Monty and sell some tickets.
This film is a very funny view of a struggling community in what was once a thriving city. Great characters, slick and realistic dialogue and great direction, this is one of the finest British comedies ever.
8/10
One thing I've always appreciated in British films is that the actors look like Real People. I don't mean unattractive, but just normal everyday looking, unlike Hollywood actors who are exceedingly pretty with perfect teeth and stylish clothes, and unlimited bank accounts, no matter what their occupation. In this film, a group of unemployed steelworkers decide to put on an amateur strip show to make ends meet. It is presented as a comedy, but it does have some very moving moments, as it shows the despair and desolation of unemployment. And it subtly displays the economic conditions of Thatcher's England, where entire industries were shut down, taking jobs and local economies along with them. As in other British films, the characters seem real, like people we would know if we lived in their town. I can picture having a pint down at the local pub with Gaz and Gerald more than, say, Tom Cruise.
I want to start off by saying, if you're looking for slap-shtick comedy and low- rent toilet humor, this is NOT the movie for you. It has its moments of "belt-in- the-face" fun, but they are consistently grounded in the real problems the lead characters face -- unemployment, loss of family, lack of self-respect, fear of ridicule and a bleak future that promises even greater failure. This is not a Farrelly Brothers kind of story...and that is what makes it so special.
Gaz is broke, on welfare, lives in the projects, is behind on his child support and is threatened with losing his son to his ex-wife unless he can pull together 700 pounds (about $1100). But this is Sheffield, England -- once a boomtown but now a deadening city of shopping malls and garment mills, where the factories (and the guys that worked in them) are empty shells of themselves. The women have jobs; the men have job fairs. Into this comes a touring "Chippendale's" dance troupe (aimed at women only; after all, they have the spare money) and an idea is born. Gaz and some mates will strip all the way, give the ladies "the full monty", as a way to earn some quick change.
The idea is preposterous. Only one of the six men in the new dance troupe is good-looking enough to pull it off (pun intended); the rest are either fat, skinny, old and/or ugly. But the movie's gentle suggestion is that not only is beauty in the eye of the beholder, but so is self-respect...and in following through with their plans, they gain a LOT more than just 2000 pounds each.
Robert Carlyle is good as the anchor of the piece, always pushing and planning and cajoling and begging and even stealing, as need be, but it's the rest of the cast that makes this movie work -- from Tom Wilkinson as a manager ashamed to tell his wife he's lost his job to Mark Addy as a man who's so ashamed of how fat and unattractive he is, he's driving his wife away right down to Hugo Speer and his joyful "let's have a blast" attitude.
"The Full Monty" is a gem of human comedy aimed not at the gut but at the sense of hope we all carry. I recommend it for anyone who needs a lift.
Gaz is broke, on welfare, lives in the projects, is behind on his child support and is threatened with losing his son to his ex-wife unless he can pull together 700 pounds (about $1100). But this is Sheffield, England -- once a boomtown but now a deadening city of shopping malls and garment mills, where the factories (and the guys that worked in them) are empty shells of themselves. The women have jobs; the men have job fairs. Into this comes a touring "Chippendale's" dance troupe (aimed at women only; after all, they have the spare money) and an idea is born. Gaz and some mates will strip all the way, give the ladies "the full monty", as a way to earn some quick change.
The idea is preposterous. Only one of the six men in the new dance troupe is good-looking enough to pull it off (pun intended); the rest are either fat, skinny, old and/or ugly. But the movie's gentle suggestion is that not only is beauty in the eye of the beholder, but so is self-respect...and in following through with their plans, they gain a LOT more than just 2000 pounds each.
Robert Carlyle is good as the anchor of the piece, always pushing and planning and cajoling and begging and even stealing, as need be, but it's the rest of the cast that makes this movie work -- from Tom Wilkinson as a manager ashamed to tell his wife he's lost his job to Mark Addy as a man who's so ashamed of how fat and unattractive he is, he's driving his wife away right down to Hugo Speer and his joyful "let's have a blast" attitude.
"The Full Monty" is a gem of human comedy aimed not at the gut but at the sense of hope we all carry. I recommend it for anyone who needs a lift.
¿Sabías que…?
- TriviaRobert Carlyle has said that filming was chaotic and that 20th Century Fox were so unhappy with the first cut that they considered scrapping its theatrical release and going straight to video. Carlyle has stated that it was the hard work of producer Uberto Pasolini and editor Nick Moore that rescued the film.
- ErroresWhilst the guys are watching Electrodanza (1983), Dave criticizes the girl welding saying the mixture is all wrong and she's using too much acetylene. Shows how much he knows - she is actually arc welding.
- Créditos curiososThe film shown behind the opening credits is "Sheffield...City on the move", made in 1971 for the Sheffield Publicity Department.
- Versiones alternativasThere are two English versions of the film: one is the original UK version, the other is the US version which is partly re-dubbed to replace some British dialects and slang phrases.
- ConexionesEdited into Tough Guise: Violence, Media & the Crisis in Masculinity (1999)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Everything New on Hulu in August
Everything New on Hulu in August
There's a whole lot to love about Hulu's streaming offerings this month — get excited for brand-new series premieres and film favorites to watch at home.
- How long is The Full Monty?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- The Full Monty
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,500,000 (estimado)
- Total en EE. UU. y Canadá
- USD 45,950,122
- Fin de semana de estreno en EE. UU. y Canadá
- USD 176,585
- 17 ago 1997
- Total a nivel mundial
- USD 257,938,649
- Tiempo de ejecución1 hora 31 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta