The Deli

A messy movie with the occasional unnecessary scene that gos nowhere and appears to have nothing to do with the plot. One of the most annoying films I have seen in years. I guffawed once so I guess it gets one star. Truly arduous viewing!

Very funny, if slightly longish, look at odd-balls somewhere in darkest, ethnickest New York. Some of the jokes don't work, but if you don't like one, there's another along in 30 seconds and that's sure to be a pleaser. Any film that has Iman demanding an avocado, no pit (she's off pastrami) is worth one's time.

All through "The Deli", a movie centered around a New York City deli and its gambling-addict owner through the course of a weekend, the film shakes the audience by the shoulders again and again and shouts with the desperation of a drug addict in need of a fix (or a filmmaker in need of a positive buzz for his project)"I'm a quirky independent film with even quirkier independent-film-characters, I swear!!" Plot be damned! Scenes in "The Deli" are set up again and again to showcase the whacky ensemble cast of semi-familiar names playing loser-like, yet sometimes endearing characters that must inhabit the middle class neighborhoods of New York City's outer boroughs like locusts: one prime example is a scene involving a slimy Italian couple with over-the-top Brooklyn accents in a shouting match over some insipid topic as their stepdaughter dances around yelling with them, with rapper Ice T between them. The scene ends with Ice T stamping his foot in frustration and shouting with mighty gusto: "Damn! This place be crazier than my own hood!" Ha-ha. Boy, quirky independent films don't get any quirkier than this. Mike Starr, after a career of second-fiddle-at-best roles as the big, beefy working class guy with the big New York accent, finally lands a lead, and now he most likely never will again. Quentin Tarantino spawned a horrble plague on us all, and it is that of the bratty independant filmmaker who thinks Tarantino is successful only because he made "Reservoir Dogs" first. As a lifelong New York City resident, I've seen this breed of artists (and I use the term quite loosely) flock to Manhattan's trendier districts to jumpstart their careers, and the few who do just that, usually make B-Grade films like "The Deli", and paint their canvas with colorful New York characters who are mere figments in their imagination of what real New Yorkers must be like. I can't say it's all that insulting, at least when it's a mediorce quality film like this one, but it sure gets tiring after awhile, and makes one long for the days when Tarantino was still a waiter, and his army of wanna-bes still in Anytown, USA.

I understand that back then, this may have felt like just another one of those. One that tries to capture the feeling of movies like Smoke/Blue in the Face and so forth. But watching this with years gone by, the perspective helps the movie. I'd go as far as to say that it aged quite well overall.

The casting is amazing (I'm guessing a lot of favors got called in) and the story is alright overall, while not being anything special at all. It is about the interactions of the characters it is about "episodes" in life or the store. Again that may not appeal to you specifically, but that doesn't make this a bad movie - and vice versa. Decent enough for those interested in movies like this

Definitely not worth the rental, but if you catch it on cable, you'll be pleasantly surprised by the cameos--Iman's appearance is especially self-deprecating. It's also an opportunity to watch all the male supporting cast members from The Sopranos typecast themselves.