CALIFICACIÓN DE IMDb
6.1/10
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TU CALIFICACIÓN
Dos padres se ocupan de los efectos cuando su hijo es acusado de asesinar a su novia.Dos padres se ocupan de los efectos cuando su hijo es acusado de asesinar a su novia.Dos padres se ocupan de los efectos cuando su hijo es acusado de asesinar a su novia.
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Opiniones destacadas
The locations are pleasing to the eye, and Meryl Streep is effortlessly convincing as the mother. But Liam Neeson's performance doesn't ring true for a moment, Edward Furlong appears to be less shocked by the gruesome events than simply stoned, and the outcome of the plot is awkward and unconvincing. "Before and After" is basically a small-scale family melodrama that belongs on the TV screen; without these high-profile actors, I wonder if it would ever have gotten theatrical distribution. (**1/2)
BEFORE AND AFTER
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
Aspect ratio: 1.85:1
Sound format: Dolby Digital
A middle-class New England family is forced to confront a range of difficult issues when the eldest child (Edward Furlong) is accused of murdering his girlfriend (Alison Folland).
Barbet Schroeder's earnest drama looks and feels like a big-screen TV movie, toplined by A-list stars and filmed with professional elegance on wintry New England locations. Schroeder struggles to avoid melodrama and mawkishness, resulting in a lack of tension, as parents Meryl Streep and Liam Neeson become torn between protecting their son and telling the truth about his possible involvement in Folland's death. Frustrated lawyer Alfred Molina makes the point that 'truth' has little or no bearing on the criminal justice system, where defence and prosecution teams become engaged in brinkmanship designed to sway the jury one way or another. Ted Tally's screenplay makes a number of similar points, but the narrative begins to drift around the halfway mark and never really recovers. Some will be won over by the cast and production values, others won't be so forgiving.
I was pleasantly surprised by this movie. I had put off watching it for a long time because I thought it would fall on standard clichés in the telling of its murder mystery. But there's a lot to like here. For starters, the performances by the lead actors are first rate. Streep and Neeson come across as real people tackling a real problem. I should also add that Alfred Molina also gives a solid performance as the defense attorney. (Though the fact he looks like idiot movie critic Michael Medved gave me a few chuckles at times.)
The script gives most of its characters a fair shake. The parents are sympathetic at times, but sometimes they make decisions we disapprove of. The townspeople and police are not one-note characters, showing off more than one side.
The movie unfolds at a pace that keeps us interested and informed. It's directed with an appropriate bleak look that suits the subject matter.
There is one flaw with the movie, however. I thought that Edward Furlong's character was repulsive, stupid, and hateful. I don't blame Furlong for this, but his direction and his parts of the screenplay. I think a better way the movie could have gone would be to give him a mixed view, neither overly sympathetic or hateful. This would make the viewer think long and hard about him, and wonder if his fate at the end of the movie is correct or not.
The script gives most of its characters a fair shake. The parents are sympathetic at times, but sometimes they make decisions we disapprove of. The townspeople and police are not one-note characters, showing off more than one side.
The movie unfolds at a pace that keeps us interested and informed. It's directed with an appropriate bleak look that suits the subject matter.
There is one flaw with the movie, however. I thought that Edward Furlong's character was repulsive, stupid, and hateful. I don't blame Furlong for this, but his direction and his parts of the screenplay. I think a better way the movie could have gone would be to give him a mixed view, neither overly sympathetic or hateful. This would make the viewer think long and hard about him, and wonder if his fate at the end of the movie is correct or not.
'Before and After' is the kind of movie that you expect to be really fantastic. Great actors, good plot. It has huge potential. Unfortunately, the actual script seriously flaws this movie. There stand brilliant actors such as Liam Neeson, Meryl Streep, and Edward Furlong. But the actual words coming out of their mouths were often so silly, it makes you wonder how the same person who wrote 'The Silence of the Lambs' also wrote this screenplay. Overall, despite the script flaws, it has quite a good mystery, and besides the young daughter, a brilliant cast. It is worth a watch, if just for the main casts' beautiful performances.
"Before and After" has a fine premise - the girlfriend of their 16-yr-old son is found apparently murdered in the snow and the parents struggle with what to do. Eventually, when the son goes A.W.O.L., they suspect he commited a murder, and the whole family struggles with what to do. The father finds bloody items in the trunk of the car and is able to dispose of them before the sheriff returns with a search warrant. Eventually the son shows up, the father and mother disagree on what to do, the younger sister gets upset.
"Before and After" also has some of the finest actors of our day - Liam Neeson as the father, Meryl Streep as the mother, Daniel Von Bargen as the sheriff.
But, somehow the movie only works moderately well. Some of the dialog is a bit dubious, some of the scenes are over-dramatic. I suppose it is a function of so-so writing and directing.
Still, it is a film that kept my interest very well. The story got me to thinking what I would have done if any of my teenage children had gotten into a similar bind. With a great writer and director this could have been a "10" movie. I rate it 7 of 10.
"Before and After" also has some of the finest actors of our day - Liam Neeson as the father, Meryl Streep as the mother, Daniel Von Bargen as the sheriff.
But, somehow the movie only works moderately well. Some of the dialog is a bit dubious, some of the scenes are over-dramatic. I suppose it is a function of so-so writing and directing.
Still, it is a film that kept my interest very well. The story got me to thinking what I would have done if any of my teenage children had gotten into a similar bind. With a great writer and director this could have been a "10" movie. I rate it 7 of 10.
¿Sabías que…?
- TriviaIn the scene where Meryl Streep enters a court room to appear in front of the grand jury in the front row (in the middle of the frame) sits a young Paul Giamatti as an extra his head turned around to have a look at her.
- ErroresAfter Jake and his girlfriend pull over, their car gets stuck in the snow and the two are unable to drive away. It is unexplained how Jake is able to dive out of the rut alone after his girlfriend's fall if the two could not do the job while working together.
- Citas
Jacob Ryan: That's juts a bunch of sentimental bullshit.
Carolyn Ryan: Wait, sentimental bullshit
Jacob Ryan: Yeah everyone's parents say that.
Carolyn Ryan: Oh really, and do everyone's parent destroy evidence and lie... to the police?
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Detalles
Taquilla
- Presupuesto
- USD 35,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 8,797,839
- Fin de semana de estreno en EE. UU. y Canadá
- USD 4,023,815
- 25 feb 1996
- Total a nivel mundial
- USD 8,797,839
- Tiempo de ejecución1 hora 48 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was Antes y después (1996) officially released in India in English?
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