Historias del barrio negro

An eccentric funeral director shares four tales of horror from an African American perspective with three young thugs. The first involves a man who exacts his revenge from beyond the grave after being murdered by crooked cops. The next tells of a boy alleged torment at the hands of a monster may not be tall tales. A white supremacist politician haunted by forces of injustices past highlights the third story, while the fourth focuses on a gangbanger undergoing frightening behavior modification.

TALES FROM THE HOOD benefits enormously from solid writing and an entertaining pace. With a running time of under 100 minutes, director Rusty Cundieff does an admirable job of cramming everything he's got into each vignette. Few of us have the stomach for a horror movie with a message, but this is one that succeeds. It has things to say about racism in our society and says them in ways in which they've never been said before. Though definitely not for all tastes, TALES FROM THE HOOD is a surprisingly solid horror anthology.

* *Cast Note: Clarence Williams III, who plays the funeral director, is best known as Linc from THE MOD SQUAD television series.

A tribute to movies like "Dr. Terror's House of Horrors" and "Tales from the Crypt", "Tales from the Hood" presents some horror vignettes centering on life in the black ghetto. Some drug dealers go to a funeral home to pick up their stuff, only to have the eccentric owner (Clarence Williams III) tell them about the fates of some recent customers...with a twist at the end. At once a fun horror flick and also warning about getting mixed up with the wrong people, this is a cool one. A particular scene in the fourth vignette appears to be a tribute to "A Clockwork Orange". All in all, a real credit for director Rusty Cundieff and executive producer Spike Lee.

Featuring Tom Wright (the hitchhiker in "Creepshow 2"), David Alan Grier, Corbin Bernsen and Rosalind Cash (in her final role).

An interesting, at times totally innovative take on the horror film genre. Three young black hoodlums go to a funeral home where a bizarre mortician (an eerie Williams) takes them on a tour and shares four terrifyingly twisted ghost stories. The first involving corrupt cops is routine and obvious; the second is a unique take on child abuse that is creative and fairly creepy; the third involving vengeful voodoo dolls is at times shocking, at times corny, but eerie and crafty in its own right; the fourth about gang violence and rehabilitation is highly imaginative and something to marvel at; the film's unique amalgam of horror and social commentary isn't always on target, but the special effects are convincing, and the performances rock solid, making this a fairly impressive showing for all those involved. **½

Very bizarre - just the way I like things! Ridiculous amount of profanity, cool horror & the editing is spot on. Not bad for a crazy a$$ African American flick, I don't mind these type occasionally.

Not really scary of a movie, but this movie really did serve a good purpose. I noticed that the four stories in this movie touched on four topics in today's society: Domestic Violence(David Alan Grier, Brandon Hammond, Paul Jai Parker, Rusty Cundieff), Police Brutality(Anthony Griffith, Tom Wright, Michael Massee), Racism(Corbin Bernsen, Art Evans, Roger Guenveur Smith) and Black-on-black crime(Lamont Bentley, Joe Torry, De'Aundre Bonds, Samuel Monroe Jr., Ricky Harris). There is basically a message in all of them but the 4th story in this film was probably the best one. Not an unpredictable movie but not at all bad, and the ending was fantastic as well...