Young Catherine

For all us costume drama lovers, this one really fits the bill: splendiferous castles, expensive costumes, madness and mayhem!!! When Peter squshes the rat (thankfully off-camera) you know another movie milestone has been passed: how to best express sadism without showing blood. By the time the poor maniac is murdered, you are very thankful to whomever.

One certainly gets a strange look at the German-born Catherine the Great from the nymphomaniacal pictures one has read elsewhere. She is quite righteous, but one does wonder at the truth of her standing down the Russian Army during one of the palace revolts. I would think from all these historical monarchy movies that the life of a ruler is NOT a happy one....see "Anne Boleyn", "Elisabeth and Essex", "Mary, Queen of Scots" and "Richard III" for a few examples.

It is no wonder that this movie captures top dollar on the auctions. I had to wait out the big money spenders at least 11 times to get it at my price ($17.) Really glad I did. This will be well worth my new big screen TV and will get a re-screening along with "Nicholas and Alexandria". Pick up the old 1934 Douglas Fairbanks movie of "Catherine the Great" for comparison. Then head for the Brittanica for perhaps a little closer version of the truth.,,although this hits it pretty closely.

I absolutely love this film! Having seen it for the first time as a pre-teen Russophile, I became enamored with the scenery, costumes, and history of imperial Russia. I got to see these things and places for real during college, and it was literally the most thrilling experience! The "empress' own sleigh" is in the Kremlin museum, as is Catherine's coronation gown, and some of Peter III's suits--he was such a tiny little man!

I must admit, however, a great disappointment when I finally, just last week, read Carolly Erikson's well-researched biography of Catherine, and found many inaccuracies in the film. For one, Catherine actually had several children, not just Paul. It does simplify the story, however, to keep him as an only child (like how in Gone With The Wind, Scarlett's children by her first two husbands are completely left out of the film). The most frustrating inaccuracy, however, was that she really did not even meet Orlov til she was nearly 30 years old, and had already had several lovers.

The love story in the film is much more screen-worthy, however, so I can forgive their decision, it was just saddening to me to have my understanding of this amazing woman altered after so many years. The film's portrayal of the struggles of Catherine's early life is true-to-life in its essence, however, as it introduces a modern audience to this bold, brave, and incredibly intelligent historical figure.

Young Catherine is superb. It may not be totally 100% accurate but it is sweeping and powerful drama. The cast are superb and it is fantastic to see that it was actually filmed in real settings in Russia. It is wonderful to see the magnificent Catherine Palace at Tsarskoe Selo used. There are many wonderful actors in this drama. I think my favourite must be Vanessa Redgrave as the Empress Elizabeth. She is superb. Julia Ormond is also wonderful in the lead role. At the end of the film I wanted to see her continue in the role with more of Catherine II. Mark Frankel is such a dashing Gregory Orlov. It is so sad that he was killed in an accident so young. He had much to give as a performer. Reece Dinsdale is suitably made as the Grand Duke Peter while Maximilian Schell is fantastic as King Frederick the Great of Prussia. I particularly liked Marthe Keller as Catherine's mother Johanna. She is a wonderful actress. Anna Kanakis and Franco Nero are deliciously evil as Count and Countess Voronstov and Christopher Plummer is superb as the British Ambassador. Katharine Schlesinger is grotesquely wonderful as the whorish crippled mistress of Grand Duke Peter. Harmut Becker as Catherine's father and Laurie Holden as Princess Dashkova are also very good. John Shrapnel is also excellent as the Russian Orthodox Archimandrite Todorsky. All in all if you like sweeping romantic drama with lots of interesting characters, Young Catherine is well worth seeing. I know I enjoyed it.

in this story with lot of historical mistakes. There are two big miniseries in the 90 about Catherine The Great, the second one with Catherine Zeta Jones was much better. Zeta Jones character was cult but intringuing, while Ms. Ormond (even when she shines with her beauty and acting skills) is little more than a damsel in destress. However there is a thing that save this miniseries for the total melodrama. And that's it Vanessa Redgrave as Elisabeth Petrovna. She really rules, and she looks young, the Empress Elisabeth died in her early fifties, while she met Catherine in her last thirsties. And Redgrave look young, passionated and energic, the quite opposite of the pale version of Jeanne Moreau who was too old for the role in Zeta Jones miniseries.

Released in two episodes for television, "Young Catherine" has a lot going for it.

Young Julia Ormond plays Catherine and manages to convey both the naivete of the young German princess (named Sophie), who was selected to marry the Russian heir to the throne, and the resolution of the more experienced Catherine who must marshal all of her strength and all of her allies to overthrow her husband, Peter, and assume the throne.

Peter is wonderfully played by Reece Dimsdale as a childish, spoiled, and inept young man. In reality, Catherine met Peter when he was only age 10. This is one of many diversions from historical fact that the film includes, often for convenience.

But if one watches the film as a fairy-tale, it is quite enjoyable--at least up until the death of Empress Elizabeth (Lynn Redgrave), who sponsors Catherine and, in fact, gives her the new name. At that point, the film devolves into melodrama, though it still affords some enjoyment.

Redgrave is convincing as the imperious royal, demonstrating governance by whim so well, providing a framework for understanding the extent of royal indulgence. Another actor who shines in this piece is Christopher Plummer, as Sir Charles, a British diplomat assigned to Russia and a confidant of Catherine.

In addition to the acting, this film offers fine production values all around. The opulence and ostentation of the court and the church is on full display. The costuming is stunning.

Unfortunately, my grade must be reduced by several points for the film's divergence from fact. Its pace is courtly, allowing the viewer to really enjoy the story's unfolding; it's a shame that the producers felt that the patience of viewers could not accommodate a more accurate rendering.