CALIFICACIÓN DE IMDb
7.1/10
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TU CALIFICACIÓN
El sinvergüenza brutal y cazador de fortunas Petruchio domestica a su rica y astuta esposa, Katharina.El sinvergüenza brutal y cazador de fortunas Petruchio domestica a su rica y astuta esposa, Katharina.El sinvergüenza brutal y cazador de fortunas Petruchio domestica a su rica y astuta esposa, Katharina.
- Dirección
- Guionistas
- Elenco
- Nominado a 2 premios Óscar
- 7 premios ganados y 7 nominaciones en total
Opiniones destacadas
This is a lavish presentation of William Shakespeare's classic comedy, highlighted by the ideally cast coupling of Elizabeth Taylor and Richard Burton in the pivotal roles. Hers was the questionable characterization, but Ms. Taylor keeps "Katharina" well within her range, and sparks the original role with an appealing update. Burton balances with a fine interpretation of "Petruchio". The bombastic Burtons are only hindered by the relatively slight material; some of this humor doesn't transcend the centuries, although much is appreciated. Director Franco Zeffirelli and several in this company soon went to work on "Romeo and Juliet" (1968), which was a greater use of their skills.
******* The Taming of the Shrew (2/27/67) Franco Zeffirelli ~ Elizabeth Taylor, Richard Burton, Michael York, Natasha Pyne
******* The Taming of the Shrew (2/27/67) Franco Zeffirelli ~ Elizabeth Taylor, Richard Burton, Michael York, Natasha Pyne
I saw the movie on DVD and liked it. I think if Shakespeare were alive today he would have like. Taylor and Burton do justice to their roles and the movie also introduced a brilliant actor Michael York as Lucentio. I had read the play and had seen the movie 10 THINGS I HATE ABOUT YOU which was loosely based on the play. When I got a chance to see the movie, I grabbed it. Elizabeth Taylor as Katharina the shrew is brilliant. She shows why is much more than a celebrity. Richard Burton shines as Petruchio. Franco Zeffirelli is a reputed director and he shows why. A must see movie for the fans of Shakespeare and the play.
There is no denying Franco Zeffirelli's visual sensibility, nor his dramatic strength. He takes this Shakespearean comedy, chops and cuts and edits the text to his liking, and regurgitates a wonderful film. If one were to watch the film without sound, it would still be entertaining, that is how well Zeffirelli put it together. But it wouldn't be enough without a terrific Kate, and Elizabeth Taylor, certainly in her prime in 1967, more than fills the bill. She hams it up when hamming is appropriate to the moment, and plays it with more subtlety when that is required. She is well matched by Richard Burton as Petruchio. He is good, but there is something not quite there. I think perhaps he seems more jaded and a tad less calculating than I'd expect in the role. I think I prefer the more caustic performance of John Cleese in this role.
I can't help but wonder what Zeffirelli would've done with an operatic version of this play.
I can't help but wonder what Zeffirelli would've done with an operatic version of this play.
Liz and Dick, you gotta love them in this...somehow you feel you may be getting more insight into their personal life than intended. One of the great things about this film is that it's made Shakespeare accessible to many more folks who might not have even bothered otherwise. Zefferili does for Shakespeare what Emeril does for cuisine--makes it entertaining while keeping all the quality. And what a fun production--great costumes, a young Michael York, lots of sexy repartee. A good choice for a snowy night when you'd rather stay in. It keeps you pretty entertained throughout, simplifies some of the plot intricacies. One drawback is that Miss Taylor appears to be a little long in the tooth to be playing a young, never-married, girl.
Shakespeare's bawdy comedy was perhaps the perfect vehicle for the Burtons four years into their real-life stormy marriage. Although Liz Taylor had no experience of playing the bard' she is actually entertaining as Kate, that fiery girl who has no intention of becoming any man's plaything or possession. Richard Burton is on surer ground as Petruchio and doesn't disappoint, this is a rip-roaring performance and one of his best.
In Zeffirelli's cast we also see Michael Hordern, Cyril Cusack, Natasha Pyne (as Kate's sister Bianca), and Michael York (making his film debut as Bianca's suitor). The action can drag a bit when away from the leads (who always did tend to swamp other players in their movies), but the wit and mischief of the original play shines through. My only quibble would be with Kate's final speech. Interesting that Taylor plays it this way, but my guess is that it isn't the end of the bumpy ride for these two!
In Zeffirelli's cast we also see Michael Hordern, Cyril Cusack, Natasha Pyne (as Kate's sister Bianca), and Michael York (making his film debut as Bianca's suitor). The action can drag a bit when away from the leads (who always did tend to swamp other players in their movies), but the wit and mischief of the original play shines through. My only quibble would be with Kate's final speech. Interesting that Taylor plays it this way, but my guess is that it isn't the end of the bumpy ride for these two!
¿Sabías que…?
- TriviaIn his memoirs, writer and director Franco Zeffirelli said that making this movie was the most fun he had in his entire career.
- ErroresIn the film, Katharina's angry line to Bianca "[tell] whom thou lovest best" (which William Shakespeare actually wrote and which is grammatically correct) is changed to the grammatically incorrect "whom thou dost lovest best". In his review of the film, critic John Simon caught the error.
- Créditos curiososInstead of the screen credit "The End" appearing at the end of the film, the line "God give you goodnight" appears, after which the rest of the closing credits are seen.
- Versiones alternativas70 mm and some 35 mm film prints feature an overture before the start of the film with a purple flower background and white words on it reading "OVERTURE" (this is not included on non-letterboxed video prints). This overture can be heard on letterboxed video prints on LD, DVD and some broadcast editions, including Turner Classic Movies.
- ConexionesFeatured in Mona: The Virgin Nymph (1970)
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- También se conoce como
- William Shakespeare's The Taming of the Shrew
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 4,000,000 (estimado)
- Tiempo de ejecución2 horas 2 minutos
- Color
- Relación de aspecto
- 2.35 : 1
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By what name was La fierecilla domada (1967) officially released in India in English?
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