A Murder of Quality

Strongly agree with your own comments, this early Le Carre novel is one of my favourites but this version lacks one thing to make it complete. Denholm Elliott is very good as Smiley but Alec Guinness, for any who saw him in the role in "Tinker Tailor, Soldier, Spy" and "Smileys People" will understand that he IS George Smiley. The rest of the cast are superb and in answer to that question 'Why can't Americans make Movies like this?" the Answer is that you do! Look for them in odd places, "Chiefs", "Centennial" and so on. The Movie follows the book and only really misses on that strange and quintessentially English feeling of claustrophobia that exists in Public School Towns. The Constant battle between school and town. Both deeming the other to be the outsiders. Pickup is wonderful as D'Arcy. I would love to have seen Ian Cuthbertson as Fielding but well you cant have everything can you? I strongly urge all to view this at least twice, the first time to enjoy and the second time to pick up on all the Le Carre touches. I also urge you to find an old English movie of his "A Call For The Dead" All in all a great production and as stated faithful to the original.

John LeCarré has been lucky in the adaptations of some of his books on to film. 'A Murder of Quality', though quite different from 'Tinker Tailor Soldier Spy' and 'Smiley's People', not to forget 'The Spy Who Came in From the Cold', is a perfectly crafted murder mystery.

Denholm Elliot's George Smiley does not try to imitate the famous portrayals by Alec Guinness but creates a similarly fascinating character out of LeCarré's most famous creation. Glenda Jackson plays his spinsterish "pal", Ailsa Brimley, a former colleague of Smiley's from The Circus during the war years. She is akin to Connie Sachs, memorably played by the great Beryl Reid in other LeCarré adaptions. Both Ailsa and Connie were in love with George and enraged at his reprobate wife, Ann. This and other LeCarré themes are used in 'A Murder of Quality' to their usual intriguing effects; the inclusion of homosexuality, misogynistic tendencies in some of the male characters and the hint of Smiley's darker, perhaps murderous past.

It is good to see Joss Ackland and Thorley Walters, old hands from earlier LeCarré adaptations. There isn't a weak link in the cast. Christian Bale makes a sexually tantalizing school boy, complete with his "criminal mind" and vulnerable consciousness. Diane Fletcher, the Lady Macbeth-like Mrs Urquehard from 'House of Cards' appears here as the tough dramatic arts mistress, the archetype gorgon, hearty and heartless.

Billie Whitelaw is a poignant mad-woman, Ronald Pickup a wonderfully spineless worm who lives with his "manly" sister, Fiona Walker. Matthew Scurfield is a fascinating police chief, a working grunt with many-faceted depths to his personality.

The cinematography is on the dark and gloomy side, as befits the story and setting. The music is superb, another wonderfully evocative score by the late great Stanley Myers.

This is now available on DVD from Acorn Media and I urge all LeCarré addicts to get it.

Great television like this is extremely rare, and getting scarcer all the time.

This movie is a fine work of art. Changes to the original story are very scarce and the acting is quite flawless. So is the period feel as well as camera and directing. Denholm Elliot was magnificent as Smiley. "So sad - so few of us left" (Shane Hecht in the novel, for those who have not read it.)

My favorite DVD bar none. Denholm Elliott's Smiley was a brilliant interpretation in the shadow of Alec Guinness, not a surprise if one remembers his role in Woody Allen's "September." Glenda Jackson and Diane Fletcher might have been given more screen time. Christian Bale was smartly cast.

I've watched the DVD perhaps 30 times, more than either Tinker Tailor 1979 or Smiley's People 1982 (but they are several hours longer, I'd have to reload the DVD player for these, and each have gotten 10 or more viewings). To digress, Bernard Hepton's part in Smiley"'s People is scary good. To digress again, Cyril Cusack's "Control" in Spy Who Came in from the Cold" is chilling (though the style of the film is badly dated).

Is this program a mystery at all? I think "A Murder of Quality" is mostly a commentary by Le Carre on the sins and pretensions and hypocrisy of the decayed British Empire of the 1950's. To me, the mystery is much in the background - it provides a great format. In contrast, Tinker-Tailor and Smiley's People use the complex mystery to illuminate the hypocrisies of the East and West, but are strong core mysteries.

When I first viewed "A Murder of Quality" I was slightly put off by the structure, particularly the quick scene changes. I now think it was clever and possibly the reason I view the story over and over. I'm not sure who might get my credit/praise. Perhaps it's J Le Carre himself since he has screen writing credit.

On my DVD, Diane Fletcher's photo appears for Glenda Jackson in her (Glenda's) biography. There is no Diane Fletcher biography.

I saw this recently and remembered how good English TV drama can be. Denholm Elliot's Smiley is so good that I didn't even feel urged to compare it with Alec Guinness'. They both took the character on so well that in each case it was a very complete performance. They both captured the deceptively calm and inoffensive persona - and the sharp biting anger that seems to come from nowhere. The story is good, the mood and supporting cast are all tops. Some of the answers to the mystery can be picked up early on but who cares? The entire production is so well crafted that it's a pleasure just watching it all roll out scene by scene.