CALIFICACIÓN DE IMDb
6.8/10
18 k
TU CALIFICACIÓN
Un grupo de adolescentes adora la música prohibida en la Alemania nazi justo antes del estallido de la II Guerra Mundial.Un grupo de adolescentes adora la música prohibida en la Alemania nazi justo antes del estallido de la II Guerra Mundial.Un grupo de adolescentes adora la música prohibida en la Alemania nazi justo antes del estallido de la II Guerra Mundial.
- Dirección
- Guionista
- Elenco
- Premios
- 1 premio ganado y 1 nominación en total
Jessica Hynes
- Helga
- (as Jessica Stevenson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Four German teenage boys (Leonard, Bale, Whaley, and Batrok), living under Nazy reign in World War II, secretly play Swing music, American stuff that's been forbidden, and embrace the concepts of the musical heritage. But this is clearly an act of rebellion, so they must do it in secret clubs at night, avoiding the Gestapo. Their relationships and the outcomes are the study of this film, which is both uneven and, ultimately, very powerful.
Roger Ebert detested this film for the fact that, to him, is unclear in it's message. He feels that the motives behind these teen's rebellion are stupid: It seems as if Hitler hadn't banned Swing music, then they would have thought that he was a swell guy.
Actually, this observation on Mr. Ebert's behalf might be the film's point. They thought Hitler was a loser because of he didn't let them play their music. Through this fact, they learn that there is a much bigger problem here, and they know that they can't conform to it. So how do they rebell? Through the music that they cherish.
Along the way, two of the boys, Leonard and Bale, are forced to join the Gestapo. Leonard doesn't embrace the teachings, but Bale is slowly brainwashed into conforming. Whaley is a cripple, and he therefore observes the Nazis from a different position. He soon begins to despise his two friends for their uniforms. While his character might be an arrogant jerk, it is clear that he's got a better idea about the evil that's going on than anyone else. Bartok is just sort of along for the ride, just wanting to hang out with his friends and play in his music...oblivious to what happens with the Jews or Nazis.
So here we have four chief characters that pretty much represent probably the most basic attitudes of German citizens during the war: Brainwashed, aware, torn in between, and indifferent. The characters are well acted, and the balance and chemisty between them work. The message at the end is very clear and VERY powerful....I am often reminded of its subtle excellence, though I haven't seen it in a good while.
Unfortunately, the film itself is uneven. Almost too much time is spent on the swing music itself. So much that it takes away from the message of the film. The music should have only served as a backdrop, and endless scenes of dancing almost threaten to take away from the impact of the theme. "Almost" is the key word. All in all, this is a most intriguing film. Kenneth Branagh appears unbilled, as a central Gestapo character.
*** out of ****
Roger Ebert detested this film for the fact that, to him, is unclear in it's message. He feels that the motives behind these teen's rebellion are stupid: It seems as if Hitler hadn't banned Swing music, then they would have thought that he was a swell guy.
Actually, this observation on Mr. Ebert's behalf might be the film's point. They thought Hitler was a loser because of he didn't let them play their music. Through this fact, they learn that there is a much bigger problem here, and they know that they can't conform to it. So how do they rebell? Through the music that they cherish.
Along the way, two of the boys, Leonard and Bale, are forced to join the Gestapo. Leonard doesn't embrace the teachings, but Bale is slowly brainwashed into conforming. Whaley is a cripple, and he therefore observes the Nazis from a different position. He soon begins to despise his two friends for their uniforms. While his character might be an arrogant jerk, it is clear that he's got a better idea about the evil that's going on than anyone else. Bartok is just sort of along for the ride, just wanting to hang out with his friends and play in his music...oblivious to what happens with the Jews or Nazis.
So here we have four chief characters that pretty much represent probably the most basic attitudes of German citizens during the war: Brainwashed, aware, torn in between, and indifferent. The characters are well acted, and the balance and chemisty between them work. The message at the end is very clear and VERY powerful....I am often reminded of its subtle excellence, though I haven't seen it in a good while.
Unfortunately, the film itself is uneven. Almost too much time is spent on the swing music itself. So much that it takes away from the message of the film. The music should have only served as a backdrop, and endless scenes of dancing almost threaten to take away from the impact of the theme. "Almost" is the key word. All in all, this is a most intriguing film. Kenneth Branagh appears unbilled, as a central Gestapo character.
*** out of ****
Ok for you people who refer to all the Germans as "worthless human beings" and talk about how this movie didn't focus on the holocaust, etc....WAKE UP! The point of this movie was to give another perspective on the war. Not all Germans were souless killers. Throughout the movie you could see the consciences of the main characters being pushed and pulled about what was happening. Over here in Western culture, everything is portrayed in black and white: all the Germans were completely evil, and we were the good ones. No one is denying that the Germans committed some horrific atrocities, but there were some who resisted doing those crimes, and others who actually believed that they were morally in the right because of centuries of ingrained anti-semitism. Geez, North America was anti-semitic then too! Swing Kids looks at Germany from the inside, and the different forces that were at work. Everyone knows what happened during the Holocaust....this movie wasn't about that. I think people should look at all different viewpoints before classifying all the people in a certain group (ie all of the German nation) into one cubbyhole of evil.
This movie does a great job of showing a different angle on the WW2 time period. The struggles the youth of Germany went through during that time were portrayed very well. People complain that this movie doesn't show the horror of the holocaust and the awful persecution the Jews faced, but that is not what it's trying to do! We all read or hear about what the Nazis did to the Jews (& other minorities) and think that the Germans must have been horrible people to have even gone along with this. But this shows how the propaganda they were constantly fed--as well as the activities & sense of belonging the HJ (Hitler Jungen) experienced--could slowly twist their minds to the Nazi way of thinking. One of the excellent things about this movie is how it shows how the main characters change. The changes in Peter & Thomas come very slow and natural, and only when you get to the end (and maybe re-watch it) do you realize how drastically they have changed their views. (Thomas especially)
There were some not-so-great things about the movie, like some characters or scenes which, when you think back, seem to have been included for an unknown reason. But the good points of the movie out-weigh the minor nit-picks. The swing music and dancing in the movie was awesome, and I thought all the characters were acted very well by the actors. They did a good job of showing the confusion that the young Germans must have felt, not knowing who was right. All in all, I really enjoyed this movie, and I think it makes you think as well.
There were some not-so-great things about the movie, like some characters or scenes which, when you think back, seem to have been included for an unknown reason. But the good points of the movie out-weigh the minor nit-picks. The swing music and dancing in the movie was awesome, and I thought all the characters were acted very well by the actors. They did a good job of showing the confusion that the young Germans must have felt, not knowing who was right. All in all, I really enjoyed this movie, and I think it makes you think as well.
i have read the comment about SWING KIDS not being authentic. well, after doing a bit of research on this topic (swing scene in germany in the third reich) i have to say that there was quite a big scene there. yes, the film might have exaggerated a bit (the hair was not quite as long and they had to cut down on the way they dressed even though they tried as much as they could on the zoot suit front). but it is a fact that there were dances in different cafes and they didnt like the Nazi regime. so i would say give the film makers some slack and a bit of artistic freedom! they tried to portray a group of youngsters that found cure in music and stuck together in a difficult time. i really appreciated this film as normally you wouldnt know about them at all!!! two thumbs up from me as well!!!
One of the basic reasons I like this movie is because it was one of the first movies I watched with my older brother that we both enjoyed. I don't have a lot in common with him, but this one movie opened up lots of opportunities for other movies.
Other than that, I love this movie for its unique point of view. We always get the movies like Saving Private Ryan or Pearl Harbor, which are very important stories in themselves (and good movies of course) but how often do we get a movie about people who were part of the war from the beginning. people that didn't necessarily have a direct threat, but were still greatly affected. The story of Peter and Thomas and Arvid are wonderfully done. Peter is the kind of person any girl would like. Thomas, the rich brat that speaks his mind too much, helps put internal conflict in the group. Arvid seems to be the voice of reason, seeing what the Nazis are doing and doesn't want to be a part of it.
The acting is great, of course. Peter, played by Robert Sean Leonard, is portrayed as soft spoken, confused, and even a little bitter. Thomas, played by the beautiful Christian Bale, is the kind of people that drive me nuts - just "go along with it. We can have it both ways." It is virtually impossible to have it "both ways." The guy who plays Arvid is a lovely actor, obviously talented, and shows emotion so well you'd think he went through this himself. The history of the movie might be a little tweaked to make a few interesting scenes, but to see what the Nazis were doing to the youth of their country, brainwashing them and telling them to spy on people, is appalling. No wonder a few former Nazi soldiers still think they were right.
The music is like a whole nother character. This movie is what really got me to enjoy listening to swing music. Even though I can do very few steps, I realize now the feeling they got when they heard it and I get the same feeling, just not quite as strong probably.
All around, this movie is wonderful. I love showing it to my friends, and it is very interesting and jerks at your emotions.
Other than that, I love this movie for its unique point of view. We always get the movies like Saving Private Ryan or Pearl Harbor, which are very important stories in themselves (and good movies of course) but how often do we get a movie about people who were part of the war from the beginning. people that didn't necessarily have a direct threat, but were still greatly affected. The story of Peter and Thomas and Arvid are wonderfully done. Peter is the kind of person any girl would like. Thomas, the rich brat that speaks his mind too much, helps put internal conflict in the group. Arvid seems to be the voice of reason, seeing what the Nazis are doing and doesn't want to be a part of it.
The acting is great, of course. Peter, played by Robert Sean Leonard, is portrayed as soft spoken, confused, and even a little bitter. Thomas, played by the beautiful Christian Bale, is the kind of people that drive me nuts - just "go along with it. We can have it both ways." It is virtually impossible to have it "both ways." The guy who plays Arvid is a lovely actor, obviously talented, and shows emotion so well you'd think he went through this himself. The history of the movie might be a little tweaked to make a few interesting scenes, but to see what the Nazis were doing to the youth of their country, brainwashing them and telling them to spy on people, is appalling. No wonder a few former Nazi soldiers still think they were right.
The music is like a whole nother character. This movie is what really got me to enjoy listening to swing music. Even though I can do very few steps, I realize now the feeling they got when they heard it and I get the same feeling, just not quite as strong probably.
All around, this movie is wonderful. I love showing it to my friends, and it is very interesting and jerks at your emotions.
¿Sabías que…?
- TriviaDespite the fact that Kenneth Branagh plays a major role in this movie, he is uncredited. Reportedly, Branagh refused to be credited out of concern that he would be billed above Robert Sean Leonard, Christian Bale, and the other boys, whom Branagh proclaimed were the real stars of the film.
- ErroresAt the end of the film, when Willy is running after Peter and stops, there is clearly nothing at Willy's feet. Later, after being told "Swing Heil", he grabs an umbrella on a wet poster at his feet that clearly wasn't there before.
- Citas
Arvid: I would rather belong to any one... ANYONE, than belong to the Nazis like you do.
Thomas Berger: That's because you have everything backwards. Nazis go anywhere they want, do anything they want, everyone gets out of our way.
Arvid: Quiz time. Got your glasses on.
Thomas Berger: What?
Arvid: It means you don't know who your friends are.
- Bandas sonorasLife Goes to a Party
Written by Harry James and Benny Goodman
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Swing Kids?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 12,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 5,632,086
- Fin de semana de estreno en EE. UU. y Canadá
- USD 1,967,957
- 7 mar 1993
- Total a nivel mundial
- USD 5,632,086
- Tiempo de ejecución
- 1h 52min(112 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta