35 Up

The best thing i have ever seen in my life. By far. Go on my profile. Look at how many films there are. And look how many 10's. Look how many reviews i've made. Not one review since 2016. 10 10's since then. And not once have i been compelled to write a review for them. Only to hold them forever. This, i will more than hold forever. I will think of it forever. My goodness. To watch 28 up. To decide it a 10. And to then watch 35 up. And decide it in the category of it's own, the reviewed 10. Well, it says it all. It is planet earth with people and therefore the planet earth. It everything, the word "everything" here, most certainly important. It is what god intended with the moving image. Please, god, let them do 70. God, i'm a die hard. Crowdfund it, anything. Make this essential viewing. It is just amazing what we were, how we are and what we come to be. I have been looking for 35 up all my life. It would be unfair to hold it against anything. It is its own. Consider it un-rateable. Merely the feeling and impact. Unquantifiable. My one review and so utterly deserving. Never say never, but i am to perhaps never top it. In fact, i strongly believe i never will top it. For me, as far as films, movies go - well, i'd have to review another damn thing for you (if anyone) or i to know. If you are reading this; go on, have a look. See if i've reviewed anything since. If not, you have your answer. If not, it was all i ever needed to see. I'll come back to it in 7 years, though i suspect the feeling to last a lifetime.

This was the first of the UP series that has since led onto 42 UP. for anybody who doesn't know, the series was created to document childrens attitudes and behaviour over the years. The first was entitled 7 Up (the children were 7) and ever since, every seven years the film makers return into the peoples lives to see what has changed since the last film.

The combination of the series of films from the past is interesting. We are shown what the subjects had to say seven years ago (i.e. their hopes and dreams, expectations for the future) and we actually see if the carried out those actions. One of the highlights is a section where we are shown footage from the original 7 Up, where the children were allowed to play in an adventure playground. And after seeing the lifestyle of a builder for example we are shown footage of him building a playhouse, etc.

I watched an interview of the film maker shortly after seeing 35 Up, in which he admitted that 35 Up seemed to have a very down, gloomy feeling to it. A lot of the "subjects" were at a stage in their lives when their parents were dying and various challenges were facing them.

The part of the movie that people can really sink their teeth into is one of the "subjects" who's life has taken an extremely interesting path. He developed (possibly because of his involvement in the Up series?) a number of personality disorders, and has found it difficult to lead normal life.

The film 28 Up saw him homeless and hiking his way across Britain. 35 Up sees him in a small abode, with a job, but still having difficulties in functioning normally.

The entire series is an extremely interesting project, that the subjects are lucky to have been involved in. The viewers find themselves helplessly drawn to the people and we actually start to care about what happens to them.

35 Up though is of particular interest, for this movie sets up the crossroads that most of them are undertaking. The future of the series looks like it will be extremely healthy.

In a sense it is remarkable that over the 28 years up to this film, all of the original subjects are still alive.

I still wonder if way back then, Michael Apted had this great vision for, or if he just stumbled upon, this superb study of human nature and how humans grow up. The whole series has been a fascination for me. Now my public library has the whole DVD series, 6 films on 5 discs, and right now it is in my viewing room. Having seen "42 UP" a few years ago, the DVD series has given me the opportunity to see all of them. What a fine series it is. Now I want to see "49 UP"!!

At 35 each of the subjects are well into their lives and it is fascinating to see into how many directions they have gone. And, in a real sense, all of them are successful, when we define success as finding fulfillment in where you are and in what you do. Neil is the only possible exception, but Neil is bright and, although he thinks he may be slowly going mad, he accurately sizes up the whole mad world around all of us. So, from my point of view, even Neil is successful.

The fifth chapter in the ongoing seven-year cycle of documentaries catches up with all but two of the original kids, after following their development from childhood through repressed adolescence to (mostly) hopeful young adulthood, and here to a more or less stable maturity. The changes in the past seven years are less dramatic than those revealed in '28 Up', but with each new installment the series grows more rich and provocative, and seeing the latest episode is like visiting old friends.

Some of the stories have taken surprising turns: the upper class snobbery of Andrew and John (who refused to appear in the previous film) has mellowed with age. Destitute Neil is doing community theater in the Shetland Islands. And the trio of friends (Jackie, Lynn and Sue), whose lives were the least interesting seven years earlier now each deserve their own separate film (one of them is suffering, with bitterness, from an obscure neurological disorder). Director Michael Apted's socio-political assumptions have long since fallen by the wayside; the series might have started as an experiment in social upbringing with an eye on class distinctions, but if anything the films prove that time is the great equalizer.

Life continues; a parent's life ends (and it is never one that ends too early and you never get over it);; new life is created and comes into family; one of the subject (Tony's) wife takes up some extra work duties and it is clear she has to run the house; life springs some horses to ride around and feel merry; life is a little more awkward when a figure gets recognized in public (though "you get the odd one who is rude..."); life leads you sometimes to Bangladesh (what a mess) or Wisconsin (there are deer, surprised); life is harder because the government under Thatcher was (lightly put) a grave disappointment; another parent died and you can see every bit of the devastation in their eyes and the 30s is the time when people start losing their parents; and life is going to keep going on even if things looked grim (or quite good) for the particular subject at hand.

I find 35 Up to be as on par with the absorbing feeling and interest into this series as the rest - when it comes to absorption and the Up films, just call me a big pack of paper towels - but one of the fascinating parts here is how some of the subjects (like Nick) look back on the previous Up film and how they thought, or really the spouses thought, they came across made it so they were not sure to want to appear in the next film. Charles doesn't appear here at all, a shame as he was one of the more low-key captivating ones from 21 and 28 Up (working for the BBC perhaps ironically he didn't want to appear on TV in this film).

Sometimes seeing oneself on film can do that, and I think that it is remarkable just how many of the subjects agreed to be in the series up till 35 much less than this continued for decades afterward. And in the case of John, of course, they didn't appear in the previous entry and that means we are seeing then go from 21 to 35 and that is also another sort of jump (he didn't even get interviewed by Apted due to a falling out, who knows why, and he's speaking with an assistant here) as he makes his case for Bulgarian charity. Because who doesn't want to give to... Bulgaria!

I'm not sure what else I can add that Roger Ebert didn't touch on in his multiple write-ups on the films in this series, and I'm sure there will be even more to get out of seeing how these adults and their spouses and (if they choose to be included) the kids in 42, but this segment in particular is so striking because of how these children are not only in full adulthood but now, more or less, parents and losing their parents and finding that living any decent life means finding peace in one's work and social situation and, moreover, responsibilities.

Take it from someone who knows: when you're 14 or even 21, you literally don't know how much you are going to bristle and smile and maybe look away from how you were at that age by the time you're 35 (or, if you have kids which I don't, you'll see those qualities in them). That's the power of this series and 35 Up in particular.