[go: up one dir, main page]

    Calendario de lanzamientosTop 250 películasPelículas más popularesBuscar películas por géneroTaquilla superiorHorarios y entradasNoticias sobre películasPelículas de la India destacadas
    Programas de televisión y streamingLas 250 mejores seriesSeries más popularesBuscar series por géneroNoticias de TV
    Qué verÚltimos trailersTítulos originales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    EmmysSuperheroes GuideSan Diego Comic-ConSummer Watch GuideBest Of 2025 So FarDisability Pride MonthPremios STARmeterInformación sobre premiosInformación sobre festivalesTodos los eventos
    Nacidos un día como hoyCelebridades más popularesNoticias sobre celebridades
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de visualización
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar app
  • Elenco y equipo
  • Opiniones de usuarios
  • Trivia
  • Preguntas Frecuentes
IMDbPro

Nema-ye nazdik

  • 1990
  • Not Rated
  • 1h 38min
CALIFICACIÓN DE IMDb
8.2/10
25 k
TU CALIFICACIÓN
Nema-ye nazdik (1990)
DocudramaLegal DramaPsychological DramaTrue CrimeBiographyCrimeDrama

La historia real de Hossain Sabzian, un cinéfilo que se hizo pasar por el director Mohsen Makhmalbaf para convencer a una familia de que protagonizara su nueva película.La historia real de Hossain Sabzian, un cinéfilo que se hizo pasar por el director Mohsen Makhmalbaf para convencer a una familia de que protagonizara su nueva película.La historia real de Hossain Sabzian, un cinéfilo que se hizo pasar por el director Mohsen Makhmalbaf para convencer a una familia de que protagonizara su nueva película.

  • Dirección
    • Abbas Kiarostami
  • Guionista
    • Abbas Kiarostami
  • Elenco
    • Hossain Sabzian
    • Mohsen Makhmalbaf
    • Abolfazl Ahankhah
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    8.2/10
    25 k
    TU CALIFICACIÓN
    • Dirección
      • Abbas Kiarostami
    • Guionista
      • Abbas Kiarostami
    • Elenco
      • Hossain Sabzian
      • Mohsen Makhmalbaf
      • Abolfazl Ahankhah
    • 71Opiniones de los usuarios
    • 58Opiniones de los críticos
    • 92Metascore
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Premios
      • 2 premios ganados y 2 nominaciones en total

    Fotos46

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 39
    Ver el cartel

    Elenco principal16

    Editar
    Hossain Sabzian
    Hossain Sabzian
    • Hossain Sabzian (Bazigar)
    Mohsen Makhmalbaf
    Mohsen Makhmalbaf
    • Mohsen Makhmalbaf (Kargardan)
    Abolfazl Ahankhah
    • Abolfazl Ahankhah (Pedar-e Khanevadeh)
    Mehrdad Ahankhah
    • Mehrdad Ahankhah (Pesar-e Ahankhah)
    Nayer Mohseni Zonoozi
    • Nayer Mohseni Zonoozi (Hamsar-e Ahankhah)
    Ahmad Reza Moayed Mohseni
    • Ahmad Reza Moayed Mohseni (Doost-e Ahankhah)
    Hossain Farazmand
    • Reporter
    Mahrokh Ahankhah
    • Self
    Monoochehr Ahankhah
    • Self
    Haj Ali Reza Ahmadi
    • Judge
    Mohammad Ali Barrati
    • Soldier
    Davood Goodarzi
    • Sergeant (Darajeh dar)
    Abbas Kiarostami
    Abbas Kiarostami
    • Self
    Hassan Komaili
    • Court Recorder
    Davood Mohabbat
    • Court Recorder
    Hooshang Shamaei
    • Taxi Driver (Ranande-ye Ajans)
    • Dirección
      • Abbas Kiarostami
    • Guionista
      • Abbas Kiarostami
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios71

    8.225.2K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Opiniones destacadas

    10fmoslehi

    a unique and exceptional movie

    Not the usual Kiarostami movie, this is a half documentary, half reenactment by the actual people who were involved! That alone makes it a very unique movie.

    While the story was unfolding, Kiarostami found out about it through a magazine article and as luck would have it, he was all geared up to make a movie (Pocket Money) but he decided to talk the executive producer into making this movie! It's shot in 40 days and all the events that happen after Kiarostami started to make the movie are a documentary, and all the events that had happened before are reenacted by the original people after the fact.

    The movie works much better if one is familiar with Iranian cinema and particularly with Kiarostami and Makhmalbaaf (an equally famous, some would even say "the other" Iranian director who is not just the subject of this film but also appears in it as himself!) The documentary also gives a rare look inside the typical post revolution Iranian court system. Much of what people know about the Iranian judicial system has to do with high profile political cases which are very different than the overwhelming majority of cases that are about everyday legal problems that would typically not make the international news! In fact, when Kiarostami is trying to get the judge's permission to film the court room events, the judge tries to convince him to pick another trial, something more interesting!something having to do with a much bigger crime! Kiarostami has to explain to the judge that it is this particular case (having to do with Makhmalbaaf and cinema) that he's interested in! During the actual court proceedings, Kiarostami, with the judge's approving smiles, occasionally interjects and asks for more details and explanations! And some of the finest parts of the movie are the exchanges that take place during the trial between Kiarostami and the accused. When the accused mentions that he has finally realized that he is the "traveler" (a 1974 Kiarostami movie) Kiarostami is somewhat caught off guard! Many have suggested that the movie is a profound statement about the loss and the subsequent search for identity by an entire nation after a revolution. To his credit, in an interview recorded much later, Kiarostami claimed that although he agrees with that interpretation, he wasn't aware of it while he was making the movie! It is unusual for a director to pass up an interpretation like that as not having been part of his original vision! artistic integrity like that is truly a rarity, but then again, that's what makes Kiarostami the unique director that he is and why Kirosawa considered him the finest at his craft! In short, not your usual Kiarostami movie, yet for my money, an absolute treat. Here's a movie that engages the audience completely without a single car chase, without a single shot being fired, no aliens, no UFOs, no bad guys, no good guys, and it goes without saying that no one falls in love, let alone sex and cheating and the rest of what makes up 95% of the movies today! Yet, without using any of these standard tricks of the trade, Kiarostami keeps his audience glued to the screen from the first to the very last frame! At the end, I tend to agree with the great Kirosawa. Kiarostami has come pretty close to perfecting his craft!
    8Marianthi_M

    Wonderful and humane

    This is a wonderful film of a very special kind. Not your average movie in the sense that it is highly realistic and its subject somehow pedestrian. But the humanity with which it is shot and delivered is amazing: a world of humility, pride and grace is portrayed which at the present time could be much more than what we expect. It brings home the fact that whatever we might think of people and their ability to act as horribly as possible, there's always art and the art of the heart.
    8Xstal

    Art Imitating Life...

    You've been in court, for being someone that you're not, under a light that's put you right under the spot, a cinema director, or a fraudulent prospector, against a family who perceived your foolish plot. But events then take a turn, become surreal, as endeavours are inscribed on cine reel, re-enacting your conviction, with the family of victims, you play the lead in your own life and their ordeal.

    An imaginative and inspired way to portray the events that the Ahankhah family went through when Hossain Sabzian decided to take on the persona of a well-known Iranian film director, with the cast playing themselves for the most part.
    n1016679

    Cinema so fresh, you can taste the difference

    Truly the best, freshest, most truly independent cinema is coming from Iran - or at least was in the nineties. Time will tell. My favourite is "Salaam Cinema", a film I would love to see again. This film, from Iran's Goddard (I spose you'd call him) Abbas Kiarostami is in the docu-drama tradition. It uses the real people who took part in the real events portrayed in the movie, it uses a documentary style, but it is a film - not a documentary. I feel you could add, but is it not a documentary? Because at times, you just don't know. A truly great film because it really sucks you in, time passes, I have no idea how long it ran because it was over too soon. Magic!
    10His Girl Friday

    Kiarostami Captivates

    One day on a bus, an out of work father of two is mistaken for Mohsen Makhmalbaf, a famous Iranian filmmaker. He carries through with the ruse until he gets caught, and the family takes him to court, accusing him of fraud. The story is told through layers of flashback and shifting points of view. The look of the film is just as dynamic, using all sorts of film techniques - handheld, grainy 16 mm stock, the subtle use of shifting focus, and the all important close-up.

    People tend to say that Abbas Kiarostami's style is a dead-crawl pace coupled with dry documentary images, but I've found his films to be wonderfully unravelling puzzles, full of frustrations and moments of perfect understanding. At times I think the key to Kiarostami's work is to simply earn it - the film may seem hard at first, you might be lost in the story, but don't give up! If you hang in there, you'll be rewarded with an unforgettable ending, like the one here in Close-up.

    Más como esto

    El sabor de las cerezas
    7.7
    El sabor de las cerezas
    Zire darakhatan zeyton
    7.7
    Zire darakhatan zeyton
    Zendegi va digar hich
    7.9
    Zendegi va digar hich
    El viento nos llevará
    7.4
    El viento nos llevará
    Mashgh-e Shab
    7.8
    Mashgh-e Shab
    Dah
    7.4
    Dah
    Copia fiel
    7.2
    Copia fiel
    Noon o goldoon
    7.7
    Noon o goldoon
    Bicycleran
    7.2
    Bicycleran
    Gaav
    7.8
    Gaav
    Darbareye Elly
    7.9
    Darbareye Elly
    Chaharshanbe-soori
    7.6
    Chaharshanbe-soori

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      One of Safdie Brothers's five favorite films of all time.
    • Errores
      When Sabzian and Makhmalbaf meet, there is a bundle in Sabzian's hand. He gets on the motorbike with the bundle in his hand. Later on, during their ride on the motorbike, the bundle is not there any more.
    • Créditos curiosos
      The film's title doesn't appear on screen until almost sixteen minutes into the film.
    • Conexiones
      Featured in Stardust Stricken - Mohsen Makhmalbaf: A Portrait (1996)

    Selecciones populares

    Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
    Iniciar sesión

    Preguntas Frecuentes17

    • How long is Close-Up?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de octubre de 1991 (Francia)
    • País de origen
      • Irán
    • Sitio oficial
      • sourehcinema
    • Idiomas
      • Persa
      • Azerbaiyano
    • También se conoce como
      • Close-Up
    • Locaciones de filmación
      • Teherán, Irán
    • Productoras
      • Kanun parvaresh fekri
      • Kanun parvaresh fekri
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Total en EE. UU. y Canadá
      • USD 2,670
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 2,670
      • 2 ene 2000
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      1 hora 38 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.37 : 1

    Contribuir a esta página

    Sugiere una edición o agrega el contenido que falta
    Nema-ye nazdik (1990)
    Principales brechas de datos
    By what name was Nema-ye nazdik (1990) officially released in Canada in French?
    Responda
    • Ver más datos faltantes
    • Obtén más información acerca de cómo contribuir
    Editar página

    Más para explorar

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación de IMDb
    Inicia sesión para obtener más accesoInicia sesión para obtener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación de IMDb
    Para Android e iOS
    Obtener la aplicación de IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Publicidad
    • Trabaja con nosotros
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una compañía de Amazon

    © 1990-2025 by IMDb.com, Inc.