CALIFICACIÓN DE IMDb
7.5/10
51 k
TU CALIFICACIÓN
Un joven artista marcial se ve atrapado entre respetar los deseos de su padre pacifista o impedir que un grupo de extranjeros irrespetuosos roben objetos preciosos.Un joven artista marcial se ve atrapado entre respetar los deseos de su padre pacifista o impedir que un grupo de extranjeros irrespetuosos roben objetos preciosos.Un joven artista marcial se ve atrapado entre respetar los deseos de su padre pacifista o impedir que un grupo de extranjeros irrespetuosos roben objetos preciosos.
- Dirección
- Guionistas
- Elenco
- Premios
- 3 premios ganados y 1 nominación en total
Chia-Liang Liu
- Master Fu Wen-Chi
- (as Lau Kar-Leung)
Wai-Kwong Lo
- John
- (as Low Houi Kang)
Ka-Lok Chin
- Fo Sang
- (as Chin Ka Lok)
Chi-Kwong Cheung
- Tso
- (as Tseung Chi Kwong)
Yi-Sheng Han
- Uncle Hing
- (as Hon Yee Sang)
Wing-Fong Ho
- Fun
- (as Ho Wing Fong)
Kar-Yung Lau
- Marlon
- (as Kar Yung Lau)
Yvonne Hung Yung
- Lady in Coffee Shop #1
- (as Evonne Yung)
Wai Yee Chan
- Lady in Coffee Shop #2
- (as Chan Wai Yee)
Opiniones destacadas
Well, Jackie Chan has had an interesting career. On one hand, he's made some classics like Project A and Dragons Forever. On the other hand, he's made some less-than-spectacular movies like Crime Story and First Strike. This movie is easily his best film ever...and also one the best martial arts movies ever made. He revisits the role that made him famous: Wong Fei Hung, the drunken master. The plot deals with smugglers trying to steal China's treasures, but in the end it isn't important. The fights are what matters, and Chan fights like a son of a gun. There are some excellent traditional fight scenes like him fighting Lau Kar Leung and one w/ a Choy li fut stylist. There's a memorable fight against an Ax Gang (Ax army is more like it). The finale, where he takes on the smugglers led by a super kicking Thai boxer, is probably the greatest fight scene choreographed. This movie doesn't cease to entertain. A must see for any fans of action, martial arts, HK movies, or just Jackie Chan himself.
I may be wrong about this, but I think Chan is responsible for the avalanche of ironic performance fights we have now.
Here's the deal: movies need to be cinematic and fights are cinematic so we have them.
Movies fall into two rough buckets: various concepts of sincerity and those that have (incorrectly as it turns out) been conflated under the concept of irony. Anything that exists in the first eventually has a sibling in the second; that's the way the world works.
So if you have fights, even elaborate kung fu productions that are sincere, sooner or later someone will figure out how to annotate them. Chan was the guy that found a way to turn fights into a show and at the same time produce a simultaneous commentary that says: "watch this, its funny."
To do the annotation, a requirement is that first level be excellent. Chan IS an excellent fight performer, and key to this awareness is the much publicized fact that no cheating is done on the effects. But he also a great humorist as well.
This particular film isn't the turning point for all fight irony that follows. That was much earlier, but this is probably the best and most explicit.
Ted's Evaluation -- 3 of 3: Worth watching.
Here's the deal: movies need to be cinematic and fights are cinematic so we have them.
Movies fall into two rough buckets: various concepts of sincerity and those that have (incorrectly as it turns out) been conflated under the concept of irony. Anything that exists in the first eventually has a sibling in the second; that's the way the world works.
So if you have fights, even elaborate kung fu productions that are sincere, sooner or later someone will figure out how to annotate them. Chan was the guy that found a way to turn fights into a show and at the same time produce a simultaneous commentary that says: "watch this, its funny."
To do the annotation, a requirement is that first level be excellent. Chan IS an excellent fight performer, and key to this awareness is the much publicized fact that no cheating is done on the effects. But he also a great humorist as well.
This particular film isn't the turning point for all fight irony that follows. That was much earlier, but this is probably the best and most explicit.
Ted's Evaluation -- 3 of 3: Worth watching.
Awesome movie! totally awesome fights!
Ken Lo owned the **** out of this movie. His final fight against Jackie is awesome. Jackie plays WFH (the often portrayed Wong Fei Hung), a martial artist of great skill and also a drunken boxer. His father, also a master, dislikes Drunken boxing.
The plot of this movie isn't all that bad, but you watch it for the action anyways and there's plenty to go around and it's simply astounding!
It's a classical Jackie movie, with some silly moments and prop using during the fights, wicked stunts (some of which are (naturally) really dangerous) and brilliantly choreographed combat!
Ken Lo owned the **** out of this movie. His final fight against Jackie is awesome. Jackie plays WFH (the often portrayed Wong Fei Hung), a martial artist of great skill and also a drunken boxer. His father, also a master, dislikes Drunken boxing.
The plot of this movie isn't all that bad, but you watch it for the action anyways and there's plenty to go around and it's simply astounding!
It's a classical Jackie movie, with some silly moments and prop using during the fights, wicked stunts (some of which are (naturally) really dangerous) and brilliantly choreographed combat!
I recently saw "The Legend of "Drunken Master" not knowing anything about it and it was a grwat suprise to find how good this movie is. I have new respect for Chan after seeing this film. The fights scenes in this movie are simply amazing, the final fight that takes place in a steel mill made my jaw hit the floor, it lasts for about 20 minutes and Chan does some amzing stunts. This is the best martial ats movie I have ever seen.
Jackie Chan is the trouble prone son of a local doctor and martial arts instructor. In an attempt to help his Dad avoid paying taxes on some ginseng he is bringing home for one of his patients, Jackie stows the root in luggage belonging to a local political official. When he attempts to retrieve it, he finds someone else digging in the same baggage and a battle ensues. Jackie is stymied at every turn, even when he uses his famous Drunken Boxing, but finally retrieves the precious package and makes it back to the train as it is leaving the station. Unfortunately as all Jackie Chan fans can figure, Jackie got the wrong box. It seems the official was smuggling out a famous Chinese artifact and the man who was going through the luggage was a special investigator trying to get evidence. This local official is using the factory in Jackie's town to hide all the other relics he has stolen and becomes enraged when he discovers the theft has been committed. He ships his men all over town searching and they final track down Jackie and his spitfire step-mother and try to steal the artifact back. Jackie is a ball of fire rolling through the group but is vastly outnumbered. His step-mother takes matters into her hands and begins throwing bottles of liquor at him since what could better help a master of Drunken Boxing than getting drunk. Jackie ends up beating the gang and disgracing his father in the process who has always told him not to use this style. His father knows that many practitioners of this style end up as drunks in the end and worries the same will happen to his son. Finally Jackie is forced into helping rescue some of his friends who are trapped in the factory. The battle that follows is a dazzling display of Drunken Boxing at it's finest. This movie succeeds at all levels. It doesn't promise any hidden agenda and fail to deliver. It promises a martial arts packed movie with dazzling stunts and comedy to boot...and it works. Jackie was trained in the Hong Kong Opera at an early age and his talents are never more on display. The opening fight which takes part under a train is something that must be seen to be believed. The two combatants use a spear and a sword in their battle and basically are in a crouch the entire length of the car. Subsequent scenes incorporating the drunken movies are both hilarious and awesome in the ease of the choreography. Another good point for this movie is the dubbing is better than any many I have seen. They even allow Jackie to dub his own voice which is something that doesn't always happen for English speaking foreign actors. As usual with a Jackie Chan movie you must also watch the deleted scenes that are shown during the credits.
¿Sabías que…?
- TriviaJackie Chan actually crawled over the burning hot coals two times. He felt he "didn't have the right rhythm" the first time he did it.
- ErroresJust at the beginning of the first street fight drunken boxing scene, Fei-hung's Step-Mother pushes past a tall blond man in a grey suit and tie to go inside with her girlfriends and get Fei-hung some wine. In the next scene, we see them go up to the bar and grab some bottles, first pushing past the exact same blond man from outside.
- Citas
Wong Fei-hung: [Drinking some very strong alcohol in the middle of a fight] What the hell is that?
Mrs. Wong: What does it mean when there's a picture of a skull?
Wong Fei-hung: Good stuff!!!
- Créditos curiososOpening credits list Jackie Chan as "His stuntperson's double".
- Versiones alternativasSome versions open with an introduction from Jackie Chan, wishing viewers a happy new year.
- ConexionesEdited into Fist to Fist (2000)
Selecciones populares
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idiomas
- También se conoce como
- The Legend of Drunken Master
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,555,430
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,845,278
- 22 oct 2000
- Total a nivel mundial
- USD 11,555,430
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