El juguetero del diablo 4

PUPPET MASTER IV

🌕🌕🌕🌘🌑 3.2

I thought this was entertaining enough. Not as good as the third, but fun. And the puppet FX were good once again. Th whole puppet vs. Puppet concept works great on providing action and effects, and the demon-puppets are a good villain. I found there is plenty of clever stop motion here, all done very well. The acting ain't to bad either, but the psychic girl is a tad annoying. There are three issues I had with the film. The first, a small bug, is the buildup, which like in 1 or 2 takes a bit. The second, a much larger issue, is that the plot seems to feel very scrapped together, like a bunch of little pieces of a script. So when it's all patched together it feels a little disjointed. The third, another problem, is the lack of blood. I don't mean gore I mean blood. Other than a severed finger the action is never violent or bloody enough to be horror-y. Even so this film is entertaining and I recommend it to fans of the series ('sept for gore hounds) and the younger horror audience too.

I though that PM4 and 5 were the best of the series. the puppets are fighting the Totems, minions of Sutek, who want the secret Toulon stole from him back. To help the Puppets, a new one, Decapitron (originally an idea for an unmade Empire Pictures filck) is made. This has always been my favorite Full Moon flick, and I love part V. Keep up the work Mr. Band. As usual, the video contains an excellent videozone, and the video itself was distributed by Paramount. A Puppet Master Box Set was released in 2000 by Full Moon, but was quickly recalled by Paramount because they still claimed the rights to these films. Paramount needs to stop being an ass and let Mr. Band release all of his great films through Full Moon, not the Paramount "Full Screen Collection". Bless Full Moon.

I remember not particularly caring much for the rest of Full Moon's direct-to-video Puppet Master films that followed on after third instalment, but I managed to come across Parts 4 and 5. I had inkling to see if I still felt the same way and after getting through the fourth film it was actually better than I remembered. Nevertheless I didn't really liked how the puppets are turned into the good guys (although you could say that was the case in the third film, but I preferred that one's revenge angle) facing off against a Sutek the ancient Eygptian God and its minions that can control totems, but credit is due to somewhat (as some familiar staples do crop up) not completely repeating itself. Directed by Jeff Burr (a regular to the genre and to sequels… who would also direct the back-to-back made filth film), does quite competently polished if mechanical job, knowing that it's the puppets themselves that are the main attraction, as the animation is well-executed and the personalities of each one of them standing out with Blade taking centre stage. I always find something unsettling about the puppet Six Shooter and his laugh and again it's no exception here. The only two that didn't appear were leech woman and torch.

The whole angle has the puppets finding a new master and protecting him from the demon who wants to destroy the late Andre Toulon's work and the tone has kind of changed, while some dark glimmers I didn't find it all that creepy (with nastiness mainly occurring off-screen) and even the cliff side hotel they occupy doesn't have that dominating presence either. Some instances fell on the funny side, but the change of pace and whole drama moves by quick enough. Also it looked like it had a little more money behind it and Richard Band chimes in with an airy, majestic score. Reasonable performances by Gordon Currie and Chandra West in the leads with Guy Rolfe returning as Andre Toulon.

The notorious Bodega Bay Inn is now inhabited by a whiz-kid science major named Rick Myers who is working for an elite team of scientists in hopes of finding out the secret of artificial intelligence. Meanwhile, in Hell, at the EXACT SAME MOMENT, a legion of evil rubbery demons send a horde of minions to the surface to kill anyone who has anything to do with Andre Toulon's elixir of animation. It certainly would be bad luck if Rick just happened to stumble upon a vial of the damning potion, now wouldn't it? Even though the plot of this particular chapter in the Puppet Master series is razor-thin and the acting stays consistently mundane throughout, it has a certain flair that most of the other entries don't. The puppets are much more likeable this time around, and their movements, although not as detailed or complex, are a lot more amusing and believable.

The ancient demon God Sutek is finally angry enough that Andre Toulon (Guy Rolfe) stole his life-giving formula that it sends some demons (tiny, of course) to the "upperworld" to get those responsible. Somehow that means scientists from a Government company, despite them having nothing to do with it. Who is involved is kid genius Rick Myers (Gordon Currie), who has discovered the puppets while doing his experiments at the Bodega Bay Inn while acting as a caretaker. Running only 75 minutes, this mess of a film actually has 5 screenwriters credited with the nonsense plot. The main point seems to be about resurrecting new puppet Decapitron (a hold over idea from Band's Empire days) and Toulon telling Rick he is the new puppet master. About the only good thing in the film is the stop motion work by Dave Allen and his crew, but it seems to be less and less with each entry. This marks a turning point with the tiny terrors being full blown good guys now. This was also the first in the PM series to feature no nudity. PUPPET MASTER 4 came out in November 1993 and the fifth entry, despite being filmed back-to-back, came out almost a year later in September 1994. Felton Perry has two scenes as a murdered scientist.