El juguetero del diablo: el regreso

Retro puppet master This tale precedes the events of Puppet Master III, and explores the origins of the puppets themselves. Sadly, as grand a concept as this has- a story starting in Egypt in the late 1800's where the secrets of a God's power are stolen and then moving to a young Toulon running a puppet show in Paris in the early 1900s, the whole affair is a little too drawn out to fulfil it's potential.

It's a shame because director Decoteau has previously directed two of the stronger Puppet Master entries- part 3 (perhaps my favourite) and 6- a fun return to form after a couple of really bad sequels.

This is not to say it's a film without merit- any fan of the Puppet Master series will enjoy finding out about how it all began, the cronies of the god are fairly sinister in an Agent Smith/ Matrix kind of way, and there are a couple of new puppets to keep you entertained.

The film could be described as ambitious too, considering budgetary constraints. Creating a period piece obviously creates complications in filming, so this, as with Puppet Master III, is admirable- the simplest route was not selected.

On the downside, the puppets themselves move especially badly in this entry- it's a far cry from the beautiful stop-motion animation of earlier films- we really are talking about movement like a 4 year old's Barbie. Also considering these are meant to be early versions of the puppets we know and love, some of these wooden versions really miss the mark. Blade especially. When looking at the cover I actually assumed Dr Death's skeletal appearance was an early, and quite impressive, early version of Blade, when in fact he's this bizarre troll-faced puppet, with only the hair and costume in common. Quite sad really, as the puppets are after all the stars. And the male lead, Greg Sestero as a young Andre Toulon, is perhaps more wooden than the puppets.

Still, it's worth renting perhaps rather than buying, (I'm not sure how much replay value it has) for those who have to know how it all began. Just don't expect anything super special.

The film follows on Puppet Master 3, but is actually also intended as the first film in the franchise, as it takes us back to 1902 when Andre Toulon learnt the secret to bringing the puppets to life. The majority of the film is set in 1902.

Bad acting. Bad accents. Silly dialogue. Silly plot. Very poor effects - even for a B-movie, and the puppets are stocky and lifeless. This was annoyingly bad on every level. It is also a vessel for religious mockery. You won't miss anything by not watching this installment.

This is where it was said that the Puppet Master series begins, but it has also been the last Puppet Master movie made before "Puppet Master: The Legacy", so in a way you can say that it acts as a beginning and an end to Full Moon's brilliant movie series. The puppets all have a new (or since this movie has the word "retro" in the title, I suppose it's an old) look to them, but not all of them do. The ones that were left out were Torch, Jester and Leech Woman (thank God). This movie relates mostly to the storyline of Puppet Master #4 and #5. There were some scenes in this movie that I found to carry on and have less action then they deserved, such as random fight scenes. If you're ever planning on watching the Puppet Master movies, watch this one first. This was actually the last Puppet Master film that Guy Rolfe starred in, which really is a shame; he portrayed the role of Andre Toulon better than any of the previous actors. Guy Rolfe passed away in the year 2003, so that means that if any more Puppet Master movies are made (other than "Puppet Master vs Demonic Toys"),an other actor will have to play as Toulon. Let's hope that person is as good as Guy Rolfe, although that will be impossible.

In 1989, writer Charles Band and director David Schmoeller created "Puppet Master", an inventive horror film about a group of puppets magically brought to life by its maker, Andre Toulon, and took to America during World War II. While the original film and its sequel were basically straightforward slashers, the third film made an important big change in the format, moving away from horror to fantasy and setting the movie in the WWII, explaining how Toulon escaped from the War and moved to America. The following three films in the series had the Puppets as heroes and took place in the present, returning the gore and violence to the series by walking the fine line between horror and fantasy. "Retro Puppet Master", the seventh chapter of the Puppets' saga, takes the series again further into fantasy, telling the story about the origins of Andre Toulon and the Puppet's first adventure.

In turn of the century Paris, young puppeteer Andre Toulon runs a small puppet theater where every night he and his crew make a living. One night after a show, he meets Ilsa, the Swiss Ambassador's daughter who secretly watched his act, however, the circumstances of their meeting are not nice as Ilsa found the body of the mysterious Afzel after he was brutally attacked by a pair of thugs. Andre takes care of the wounded Afzel, who claims to be a 3000 years old sorcerer, but while at first he believes the man is crazy, soon Andre begins to believe, as the dying Afzel tells him the secret that will put Andre in danger for the rest of his life: the ancient gods' secret of giving life to inanimate things.

Ever since it was released, "Retro Puppet Master" became quite a controversial movie among fans of the series, as the screenplay (by Benjamin Carr) is definitely more a fantasy adventure than a horror film, making it receive many critics due to the lack of gore and suspense. Personally, I think the move really helps to the story, as for the first time in years the focus of the film is not on the Puppets, but on the Puppetmaster himself, so the toning down of the horror is a reasonable change. The story is also about how he met his future wife Ilsa, so romance plays a very important part of the story (another difference with the previous installments).

Directed by a long time Full Moon regular, the notorious David DeCoteau, "Retro Puppet Master" is surprisingly a change of tone from the typical late 90s Full Moon releases. It's a lot subtler, and even classier than other DeCoteau films, and is probably his best film in a long time. While the cinematography looks like the average TV movie and the special effects are of a terribly bad quality (due to budgetary constrains), the movie looks very good considering its a period piece, and even the score (by John Massari) fits the new tone of the film as a glove.

Newcomer Greg Sesstero has a big challenge when playing the younger version of a character that basically was created by the great Guy Rolfe (who has a cameo), however, Sestero makes a terrific job and adds a lot of charm to the role. Brigitta Dau makes a good job as Ilsa, and like Sestero often make sup her lack of experience with her charming personality. Jack Donner does a terrific low-key performance as Afzel, but the efforts of these three actors get ruined by the average performance of basically everyone else in the film.

Worth to point out are the terribly bad performances of the three servants (the main villains of the movie), who easily are the worst part of the film. While some of this may not be entirely their fault (as their lines are also the less inspired part of the script), their lack of talent make a bad role atrocious, as it literally kills what could had been a good movie. While I praised Carr's original take on Band's idea, it's safe to point out that his work does not help the film to reach its true potential, as some lines of dialog are simply awful. Many has been written about the simplistic special effects, and while sadly they are not on the level of the previous films (they are of TV Series quality at best), at least there isn't an overuse of them through the movie.

"Retro Puppet Master" has received a lot of what I think is an undeserved bash through the years, however, it's safe to say that it's one of the best film sin the series. While it certainly could had been a lot better, it really shows that Band was concerned in saving his beloved franchise (he would do a better job in "Legacy"), and DeCoteau's direction is remarkably effective (almost reminiscent of his better earlier work). While many fans don't like the change to fantasy, I think it was what this particular chapter needed. Watch it with an open mind and low expectations, and you'll be rewarded.

6/10

If you've seen the Puppet Master movies and enjoy them, then yes, watch this one too. But if you are an average person who has never seen any Puppet Master movies, then I will warn you. This movie as a stand alone is terrible. Nothing about it is scary in any way. There's no gore, no blood, no heart pounding moments. You can tell it's all staged and the acting is very B rated. All in all it feels more like a play that was acted out in the theatre, then a well acted film. The story is super cheesy and cliche. But as a fan of the Puppet Master movies, it was nice to see where it all started. I was happy for an origin story.