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IMDbPro

Juego peligroso

Título original: The Program
  • 1993
  • R
  • 1h 52min
CALIFICACIÓN DE IMDb
6.5/10
12 k
TU CALIFICACIÓN
Juego peligroso (1993)
Home Video Trailer from Touchstone Pictures
Reproducir trailer1:31
1 video
46 fotos
FútbolAcciónDeporteDramaRomance

Varios jugadores de diferentes orígenes intentan hacer frente a las presiones de jugar al fútbol en una gran universidad. Cada uno afronta la presión de forma diferente, algunos recurren a l... Leer todoVarios jugadores de diferentes orígenes intentan hacer frente a las presiones de jugar al fútbol en una gran universidad. Cada uno afronta la presión de forma diferente, algunos recurren a la bebida, otros a las drogas y otros al estudio.Varios jugadores de diferentes orígenes intentan hacer frente a las presiones de jugar al fútbol en una gran universidad. Cada uno afronta la presión de forma diferente, algunos recurren a la bebida, otros a las drogas y otros al estudio.

  • Dirección
    • David S. Ward
  • Escritura
    • David S. Ward
    • Aaron Latham
  • Estrellas
    • James Caan
    • Halle Berry
    • Omar Epps
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.5/10
    12 k
    TU CALIFICACIÓN
    • Dirección
      • David S. Ward
    • Escritura
      • David S. Ward
      • Aaron Latham
    • Estrellas
      • James Caan
      • Halle Berry
      • Omar Epps
    • 42Opiniones de los usuarios
    • 14Opiniones de los críticos
    • 51Metascore
  • Ver la información de producción en IMDbPro
  • Videos1

    The Program (1993)
    Trailer 1:31
    The Program (1993)

    Fotos46

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    Elenco principal60

    Editar
    James Caan
    James Caan
    • Sam Winters
    Halle Berry
    Halle Berry
    • Autumn Haley
    Omar Epps
    Omar Epps
    • Darnell Jefferson
    Craig Sheffer
    Craig Sheffer
    • Joe Kane
    Kristy Swanson
    Kristy Swanson
    • Camille Shafer
    Abraham Benrubi
    Abraham Benrubi
    • Bud-Lite Kaminski
    Duane Davis
    Duane Davis
    • Alvin Mack
    Jon Pennell
    • Bobby Collins
    • (as Jon Maynard Pennell)
    Joey Lauren Adams
    Joey Lauren Adams
    • Louanne
    • (as Joey Adams)
    J.C. Quinn
    • Joe's Father
    Andrew Bryniarski
    Andrew Bryniarski
    • Steve Lattimer
    Leon Pridgen
    Leon Pridgen
    • Ray Griffen
    • (as J. Leon Pridgen II)
    Michael Flippo
    • Coach Humes
    • (as Mike Flippo)
    Jeff Portell
    • Reporter #1
    Ernest Dixon
    • Coach Clayton
    George Rogers
    • Coach Myers
    Bernard Mixon
    • Reverend Wallace
    Mary Holloway
    • Alvin's Mother
    • Dirección
      • David S. Ward
    • Escritura
      • David S. Ward
      • Aaron Latham
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios42

    6.512.1K
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    Opiniones destacadas

    Gluck-3

    Professionally Made, but Don't Expect Surprises

    I'm not a football fan, although it's not like I haven't enjoyed football films from the past.... such as "North Dallas Forty," "Semi-Tough," and "The Longest Yard." Not that any of those were pure football movies, but maybe that's why I enjoyed them. So I didn't look at "The Program" from the eyes of a football fan, but from the perspective of whether it's a good movie or not. Certainly it's very professionally made and acted, and the football scenes are pretty exciting. (The point-of-view shots with the football helmet's bars in the foreground made you feel like you were there, as in any self-respecting shoot 'em up video game.)

    The main reason why I was attracted to give "The Program" a peek was that I was in a James Caan state of mind... having recently seen him in "Warden of Red Rock," and rediscovering what a fine actor he can be. My first disappointment is that Caan, as the coach, is present mainly as a vehicle to keep the film moving along. He fixes things when the boys screw up, acts tough, makes appropriate facial expressions... and is basically a one-dimensional character with no depth. Naturally, the film has decided to focus on the lives of the football players, as youth sells.

    Basically, we pursue the love lives of two jocks. Joe makes a play for Camille (played by the original Buffy, Kristy Swanson), while Darnell zeroes in on Autumn (Halle Berry... who helps make the movie come alive), after suckering her to tutor him. In both instances, both women are vehemently against dating these guys. (Camille, in fact, flat out states that she does not go out with football players; she ultimately does so by losing a bet.) Now, it's nothing new in movies... as sometimes in real life... for a fellow to court a reluctant girl only to win her over at the end. I know we like to see that sort of thing. However, neither of these young men had the kinds of characteristics that would turn these girls' pretty heads in the manner that they did. Darnell's sweet, but not educated enough to hold a sharp gal like Autumn for long; and Joe can be a smarty-pants, smirking jerk at times, especially for a hard-nosed and demanding sort that Camille is initially established to be.

    However, not only do the girls fall for these guys (and, granted, some women have been known to fall in love for no good reason)... but they do so in a totally devoted and nearly altruistic way. I could have bought one of the female characters doing so, but both? How very unrealistic; in real life, unless a woman feels that immediate click... before surrendering so completely... usually she will make a man jump through many more hoops than what these lucky b******s go through. We're just moving the plot along, folks.

    This is a great display of how Hollywood movies are made... I can imagine the screenplay being discussed by the marketing whizzes at Disney, where the committee of account executives decided that everything should safely and neatly fall into place. All the predictable cliches have that neat, happy ending... Darnell finally bonds with his rival, for example; Joe's neglectful father is shown tuning into to his son's big game. Yes, the movie pushes the right buttons, but there is no soul within; like in so many Hollywood cookie-cutter films... films that are, too often, hard to distinguish one from the next.
    9bkoganbing

    Getting With The Program

    The Program may very well be the best film on college football ever done in that it shows its not quite the way it was when Pat O'Brien was playing Knute Rockne or even when Knute Rockne himself was coaching at Notre Dame.

    During the Nineties another classic film about professional football was done, Any Given Sunday. The main theme about Any Given Sunday was that sports was now more business than anything else. But pro football has always been a business. What The Program shows is just how much a business college football is, yet it maintains the fiction that this is amateur athletics.

    As is so eloquently put, no one is going to pay for a ticket to see a chemistry exam. Football with its ticket revenue, its alumni contributions, it's TV and radio rights, it's memorabilia rights is a very big business. It brings in money for the colleges, hence the colleges have a vested interest in a winning team. And some will do quite a bit more than others.

    James Caan does a fine job as the coach of mythical ESU who is a decent man caught up in the system. He operates his program straining the bounds of ethics. He knows full well that some of his kids are being greased right through college without an education, but football is his life and living and Caan operates the best he can.

    His players are a cross section of young America. Craig Sheffer is the very talented quarterback from a white trash background trying hard to rise above it. Omar Epps is the inner city ghetto kid who sees football as his ticket out. Andrew Bryniarski is the defensive player that steroids gave us, something Caan pretends not to notice until it really smacks him in the face. By the way Bryniarski was also in Any Given Sunday.

    My favorite in the entire film is Duane Davis who is another kid from the ghetto who both really loves the game, can barely read and write, and who also sees it as a way of rising from poverty. He's a nice kid, but a bad influence on Epps who he constantly tells that The Program will grease him through. Davis just lives for that National Football League contract.

    I do love the way Davis psyches himself before a scrimmage. You have to see the film to appreciate. Sad to say his is the saddest of all the stories here. You have to be made of stone to not be moved by seeing him at home, leg in a cast, listening to the final championship game with his mother, knowing the future he foresaw for himself is blasted to smithereens.

    Halle Berry and Kristy Swanson are there as love interests to both Epps and Sheffer respectively. There characters are quite a bit more than the usual air-headed cheerleaders cast in these parts.

    Another good performance is John Maynard Pennell as Sheffer's second string backup. He romances and talks Caan's daughter into taking an exam for him. When she's caught both are expelled. Caan personally kicks him out of the university and then has to swallow his pride and a good deal more to bring Pennell back when Sheffer has to go into rehab. That's also a classic scene.

    The Program is one of the finest, if not the finest film on college football ever done. I think more than sports fans will appreciate this finely crafted piece of cinema.
    7Wuchakk

    Football at a major university

    That's the best way to describe 1993's "The Program" in as few words as possible. It's a realistic drama/sports film focusing on a handful of players and their stories as individuals and members of the ESU Timberwolves.

    I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.

    As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.

    People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.

    The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.

    GRADE: B+
    8walters-21

    What makes this movie a classic...

    OK, so this movie isn't a big Academy Award winner. OK, so it doesn't rank up there with Brian's Song or is as flashy and symbolic as Any Given Sunday.

    Maybe it doesn't have the attitude of The Last Boy Scout or North Dallas Forty; it lacks the comic appeal of Necessary Roughness. But you know what it does have that all of those above-mentioned films lack, a connection to any person that has ever stepped out on that field and experienced the pressures and bliss that comes with the nitty gritty game of football. I remember seeing this movie in the sixth grade and having never been into football that much, I didn't expect a lot. Yet,I walked away in awe at the sheer excitement experienced from this movie. This was an instant classic and even years later in my high school football days, the players were still talking about it. It is one of the best and most realistic football movies made. It puts you in the mindset of a big play maker like Jefferson or a back-breaking linebacker like Alvin Mack. It also has its human side displaying the pressures of trying to live up to expectations and coping anyway you know how. In Joe's case it's through a bottle. Lattimer sees enhancement drugs as the only way out...the film just takes you down to their level. Better yet, it's a college experience that you haven't experienced yet, or are trying to remember (it goes so fast!). After viewing this movie so many times every year when the college ball season starts, or even back in the day before two-a-days began; I can't help but to get excited and giddy from viewing it. My tape has worn out and I now own the DVD, I just wish they would add the deleted scenes. The Program will always be on my top ten list and that's why I give it a great rating.
    lizard_k1ng

    I liked it.

    During the course of high school and college, we always come across numerous stereotypes. The 'jock' stereotype is possibly the most recognized. This movie transcended that and only focused on the brotherhood and comradery that arises from playing an organised sport. Not only did I enjoy this movie to a great extent I thought it to be both hilarious and dramatic. I believed the quality of acting in this film to have been superb, as well as the football scenes.

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    Intereses relacionados

    Denzel Washington in Duelo de titanes (2000)
    Fútbol
    Bruce Willis and Taniel in Duro de matar (1988)
    Acción
    Brad Pitt and Jonah Hill in El juego de la fortuna (2011)
    Deporte
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Luz de luna (2016)
    Drama
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Argumento

    Editar

    ¿Sabías que…?

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    • Trivia
      The original release of the film contained a scene where several ESU players lay on the yellow dividing line of a busy local road as a test of their courage. When two young men were killed, and several others injured, by imitating the stunt, Buena Vista cut the scene from the film. The scene is included on the Hong Kong Laserdisc and the Australia Region 4 DVD.
    • Errores
      The endzone design frequently changes colors from Maroon and Yellow to Red and Black. At one point "Carolina" appears visible (during the Michigan game) in the end zone.
    • Citas

      Alvin Mack: Let's open up a can of kick ass and kill 'em all, let the paramedics sort 'em out.

    • Versiones alternativas
      A scene showing college students lying in a street in the middle of car traffic as a way to prove their courage. A few weeks after the film's release, the studio recalled all copies and deleted this sequence from the film in response to public outrage, A teen boy, Michael Shingledecker, was killed attempting this. The only known versions containing this scene is the Hong Kong Laserdisc and the Australia Region 4 DVD.
    • Conexiones
      Featured in Siskel & Ebert & the Movies: The Good Son/The Program/A Bronx Tale/Bopha!/Dazed and Confused (1993)
    • Bandas sonoras
      Good Things
      Written by Kurt Neumann and Sammy Llanas (as Sam Llanas)

      Performed by BoDeans

      Courtesy of Slash/Reprise Records

      By Arrangement with Warner Special Products

    Selecciones populares

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    Preguntas Frecuentes18

    • How long is The Program?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 24 de septiembre de 1993 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
    • También se conoce como
      • The Program
    • Locaciones de filmación
      • Duke University, Durham, Carolina del Norte, Estados Unidos
    • Productoras
      • Touchstone Pictures
      • The Samuel Goldwyn Company
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 15,000,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 23,032,565
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 6,821,931
      • 26 sep 1993
    • Total a nivel mundial
      • USD 23,032,565
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 52min(112 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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