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Imagen de perfil de Wuchakk

Wuchakk

dic 2004 se unió
Write me at: dltoes@msn.com

My All-Time Favorite Movies: http://www.imdb.com/list/ls070122364/

Film Axioms:

  • No genre is beyond redemption or above contempt.


  • Just because a movie's good doesn't mean you'll like it; just because you like it doesn't mean it's good.


  • Italians have been making the worst movies for a hundred years.


  • Howard Hawks supplied the simplest definition of a good movie: "Three great scenes. No bad scenes."


  • Nine out of ten times when there's a bar scene in a movie there's a fight.


  • Every great auteur/actor has a bad or dubious film; but, remember, even God created the cockroach.


  • People who go overboard with criticism -- e.g. "This is the worst film ever!" or "I'd give this 0/10 if I could!" -- lose credibility as reviewers. The same goes with overrating a movie.


  • Honest reviewers must resist the influence of mass hype when a popular film debuts. Separating it from the initial epidemic fervor is mandatory in determining it's true worth. (Remember when Roger Ebert gave Peter Jackson's "King Kong" a perfect rating of 4/4 Stars? Why sure!).


  • Movies are life with the boring bits taken out.


  • A movie can be technically well-made, but void of depth. The reverse is also true: A movie can be technically deficient (usually due to low-budget), but thematically wealthy. Whereas the ideal is to have both, sometimes a movie's budget doesn't allow for top-notch filmmaking, but it can still soar in the realm of worthy mindfood. Some excellent examples from my reviews include "From Within," "Billy Jack" and "Tribes." Many episodes of the original Star Trek TV series are great examples as well, such as "Space Seed," "The Naked Time" or "The City on the Edge of Forever."


  • Movies must be critiqued and graded according to what they are and aspire to achieve. For instance, 1998's "Godzilla" is a colossal-creature movie and should therefore be reviewed on that level. Compared to the original "Apocalypse Now" it's dreck, but how does it stack-up to other gigantic-monster movies?


  • Reviewers who intentionally say false things about a film reveal a personal vendetta against it and lose all credibility as reviewers. Don't even give these types of "reviewers" and their "reviews" the time of day.


  • Movies are the modern-day campfire tales of centuries past. They entertain, amuse, inspire and mentor. Generally speaking, they provide the mythology that helps the modern world cope with reality.


  • I see a lot of reviewers giving movies 10/10 Stars or 1/10 Stars when, the reality is, most movies fall between 5/10 Stars and 7/10 Stars.


  • Disregarding profits, the main purpose of a movie is to entertain; the secondary purpose is to convey a message. The better the entertainment and message, the better the movie. The reverse is also true.


  • In 99 out of 100 movies, if something doesn't happen by the end of the first reel, nothing's gonna happen (at least nothing compelling, effective, original or inspiring).


  • Popularity at the box office is very important for people who's opinion of an artistic work needs validated by others (rolling my eyes).


  • A movie that doesn't do well at the box office isn't always an indicator that it's bad; it could mean something interesting is going on that's too far out of the norm for mass consumption. "Watchmen" and (believe it or not) "The Wizard of Oz" are good examples ("Wizard" bombed when it debuted in 1939).


  • Watching a movie is like seeing someone else's hallucination. You have to be willing to enter into the film's 'world' to appreciate it. If you can't, you won't.


  • The rating of a movie is irrelevant (G, PG, PG-13, R). Does more gore, more nudity, more cussing, more overt sexual situations determine the worthiness of a film? Maybe for 13 year-olds. Is "The Wizard of OZ" a lousy film because it's rated G? How about the original "Planet of the Apes"?


  • While good movies can be made with big budgets, big names, big stunts and incredible F/X, they can also be made with small budgets, creative writers & directors and no-name-but-quality actors.


  • No one sets out to make a bad movie.


  • It's always preferable to watch an entertaining mess over a competent bore-fest.


  • Art (including film) is not meant to be an imitation of reality, but rather an interpretation of it.


  • Never watch a movie starring Jean-Claude Van Damme.

=========================

RATING GUIDE:

10/10 Stars: A+ (Top-of-the-line)
9/10 Stars: A (Excellent)
8/10 Stars: A- (Breaks the threshold of greatness)
7/10 Stars: B+ or B (Very good or, at least, good)
6/10 Stars: B or B- (Marginal "thumbs up")
5/10 Stars: C+ or C (Too flawed to recommend, but some worthwhile aspects)
4/10 Stars: C or C- (Severely mediocre or flawed)
3/10 Stars: D+ or D (Cinematic flotsam)
2/10 Stars: D or D- ("Brain and brain, what is brain?")
1/10 Star: F (Worthless garbage for one important reason or another)

Note: Like everyone else, I tend to watch movies I think I might like, which explains my numerous positive ratings.

=========================

Favorite Film of All Time:

Apocalypse Now

TV Axiom:

  • Every ten years or so a TV show comes along that doesn't suck.
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos6

Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Explora los distintivos

Calificaciones3.3 k

Clasificación de Wuchakk
Stillwater: Cuestión de sangre
6.66
Stillwater: Cuestión de sangre
Desert Blue
6.16
Desert Blue
Dos destinos
6.67
Dos destinos
Popeye the Slayer Man
3.56
Popeye the Slayer Man
Evil Judgment
5.26
Evil Judgment
Los Expedientes Secretos X: Quiero creer
5.97
Los Expedientes Secretos X: Quiero creer
Las aventuras de Jim West
4.98
Las aventuras de Jim West
The Kid
5.97
The Kid
Motorama
6.35
Motorama
Vendaval en Jamaica
6.57
Vendaval en Jamaica
Solo contra África
7.06
Solo contra África
Aullido IV
3.46
Aullido IV
Sanctified
5.47
Sanctified
Scream... and Die!
5.05
Scream... and Die!
El dulce cuerpo de Deborah
5.95
El dulce cuerpo de Deborah
Gemelos
6.27
Gemelos
Abigail
6.56
Abigail
El vampiro y la bailarina
5.66
El vampiro y la bailarina
Scooby-Doo
5.46
Scooby-Doo
Escalofrios
6.36
Escalofrios
The Craving
3.56
The Craving
The Lucky Ones
6.88
The Lucky Ones
The Eagle Has Landed
6.98
The Eagle Has Landed
La Venganza de Popeye
3.26
La Venganza de Popeye
Dos bribones tras la esmeralda perdida
6.96
Dos bribones tras la esmeralda perdida

Wish list17

  • Marlon Brando and Martin Sheen in Apocalipsis (1979)
    My All-Time Favorite Movies
    • 184 títulos
    • Público
    • Modificado el 02 jul 2025
  • Robin Williams in La sociedad de los poetas muertos (1989)
    Best Dramas
    • 67 títulos
    • Público
    • Modificado el 02 jul 2025
  • Kevin Costner in Danza con lobos (1990)
    Best Westerns
    • 93 títulos
    • Público
    • Modificado el 19 jun 2025
  • Marlon Brando and Martin Sheen in Apocalipsis (1979)
    Memorable Movie Lines
    • 207 títulos
    • Público
    • Modificado el 09 abr 2025
Ve todas las listas

Reseñas3.3 k

Clasificación de Wuchakk
Stillwater: Cuestión de sangre

Stillwater: Cuestión de sangre

6.6
6
  • 7 sep 2025
  • It's a brutal world

    An Okie roughneck (Matt Damon) goes to Marseille, France, to exonerate his daughter (Abigail Breslin) by possibly finding the real murderer. Meanwhile he finds work and makes friends with a theater actress & her daughter (Camille Cottin and Lilou Siauvaud).

    "Stillwater" is a quality drama with a reverent ambiance and the gorgeous locations of the westernmost part of the French Riviera. It has the confidence to take its time while Damon works well as the respectful protagonist for whom you root. The little girl is precious and you effectively get to know the city of Marseille, including its current social issues, largely due to unfettered immigration.

    It turns out, the movie was inspired by the Amanda Knox story from November, 2007, to October, 2011, which involved the murder of Meredith Kercher in Perugia, Italy, and Amanda's eventual acquittal, not to mention the acquittal of Kercher's beau Raffaele Sollecito. The most glaring difference is that Knox and Kercher weren't lesbians and the latter was a Caucasian from the London area, not of Arab descent. This was changed into an interracial lesbian relationship for the film (rolling my eyes). This factor and the revelations in the last act moved Amanda to denounce the film for profiting from her wrongful conviction and outrageously distorting the facts.

    Needless to say, to appreciate the movie, it's necessary to separate it from Knox's real-life story and value it as its own story and piece of art. I did and did.

    It runs 2 hours, 19 minutes, and was shot in Oklahoma and Marseilles.

    GRADE: B.
    Desert Blue

    Desert Blue

    6.1
    6
  • 6 sep 2025
  • Long stop at a desolate settlement in the Southwest and the peculiar people thereof

    A TV actress and her professor father (Kate Hudson and John Heard) stop at a dying mining town in the desert to see a roadside attraction and inadvertently become stuck there for a few days. The eccentric citizens include a young man preoccupied with his late father's dream (Brendan Sexton III), a girl obsessed with pipe bombs (Christina Ricci), an ATV racer (Casey Affleck) and a woman who runs a diner (Lucinda Jenney).

    "Desert Blue" (1998) is a quirky indie drama influenced by TV's Northern Exposure. It's comparable to Australia's "Rikky and Pete" from ten years prior and a little "Gas Food Lodging," as well as later movies like "3 Nights in the Desert" and a bit o' "Don't Come Knocking."

    There's an air of emptiness and the story is kind of boring, throwing in a curious subplot about an ominous cola factory. Still, the flick has its points of interest, like finding inspiration in the least likely places.

    You'll see some snow here and there, which, by happenstance, was the most snow the isolated town had seen in three decades during shooting.

    It runs 1 hour, 27 minutes, and was shot in Goldfield in southwest Nevada with the Los Angeles Aqueduct scenes done in Jawbone Canyon, which is almost a 4-hour drive southwest of Goldfield and a 2-hour drive north of Los Angeles.

    GRADE: B-/C+
    Dos destinos

    Dos destinos

    6.6
    7
  • 5 sep 2025
  • Lost hearts in New Mexico with rooms vacant

    A single mother (Brooke Adams) and her two teenage daughters (Ione Skye and Fairuza Balk) live in a bleak small town in the desert. They each struggle with the boredom of mundane life and pursue romance.

    "Gas Food Lodging" (1992) is part reverent coming-of-age drama, similar to the future "Dreamland," and part aging mother looking for love in the remote American West, à la "Alice Doesn't Live Here Anymore." Others that come to mind include: "Desert Bloom," "What's Eating Gilbert Grape," "Desert Blue" and "Tumbleweeds."

    It's a quality drama with a barren dust bowl milieu that creatively fleshes out the three protagonists, offering interesting insights on life in general and, especially, the pursuit of love and everything that goes with it. Unfortunately, all three females make the mistake of getting intimate on the first date, but I suppose that kind of folly is one of the real-life issues on which the film zeroes-in. It could also be argued that writer/director Allison Anders only had 1 hour and 41 minutes to tell the story and so had to condense time.

    Fairuza was 16 during shooting and would turn 17 in a few months. She arguably never looked better. Meanwhile Ione was 20 whereas Brooke turned 42 during the shoot. Blonde Leigh Hamilton has a small but somewhat memorable bit part.

    Anyway, I like the way the flick often takes the subtle route in detailing things. It's not necessary to spell everything out when it's all there for the viewer to discover and understand.

    It was shot in Deming and Las Cruces, New Mexico, which are located in the southwest side of the state.

    GRADE: B.
    Ver todas las reseñas

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