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Eastern State University football coach Sam Winters (James Caan) is under pressure after a second year unable to get into a bowl game. His quarterback Joe Kane (Craig Sheffer) is dealing with an alcoholic father and a Heisman campaign. He falls for tennis player Camille Shafer (Kristy Swanson). The big recruiting effort is tailback Darnell Jefferson (Omar Epps) and they use female student Autumn Haley (Halle Berry) as the lure. Once in school, he finds that she already has a boyfriend who is the starting tailback. Alvin Mack promises to buy his mother a house counting on signing an NFL contract. Andrew Bryniarski is the muscle-bound lineman found using steroids and attacking a girl.

This seems like a greatest hit of college football scandals. The scattered approach leaves this problematic. I don't have a big problem with any of the stories but none of them really takes the lead. Sheffer isn't compelling enough to be the star. Omar Epps comes close to be star material and it would be interesting to have him as the lead character. There are just too many main story material.

OK, so this movie isn't a big Academy Award winner. OK, so it doesn't rank up there with Brian's Song or is as flashy and symbolic as Any Given Sunday.

Maybe it doesn't have the attitude of The Last Boy Scout or North Dallas Forty; it lacks the comic appeal of Necessary Roughness. But you know what it does have that all of those above-mentioned films lack, a connection to any person that has ever stepped out on that field and experienced the pressures and bliss that comes with the nitty gritty game of football. I remember seeing this movie in the sixth grade and having never been into football that much, I didn't expect a lot. Yet,I walked away in awe at the sheer excitement experienced from this movie. This was an instant classic and even years later in my high school football days, the players were still talking about it. It is one of the best and most realistic football movies made. It puts you in the mindset of a big play maker like Jefferson or a back-breaking linebacker like Alvin Mack. It also has its human side displaying the pressures of trying to live up to expectations and coping anyway you know how. In Joe's case it's through a bottle. Lattimer sees enhancement drugs as the only way out...the film just takes you down to their level. Better yet, it's a college experience that you haven't experienced yet, or are trying to remember (it goes so fast!). After viewing this movie so many times every year when the college ball season starts, or even back in the day before two-a-days began; I can't help but to get excited and giddy from viewing it. My tape has worn out and I now own the DVD, I just wish they would add the deleted scenes. The Program will always be on my top ten list and that's why I give it a great rating.

That's the best way to describe 1993's "The Program" in as few words as possible. It's a realistic drama/sports film focusing on a handful of players and their stories as individuals and members of the ESU Timberwolves.

I was well into the second half of the film when it dawned on me that I was into the characters' stories and had forgotten I was watching a movie, which is always a good sign. The characters include the quarterback (Craig Sheffer) who has to deal with the incredible pressure of his position and the fact that his Dad's an aloof drunkard who's given up on life; the linebacker who takes steroids to compete and starts to become a rage-oholic; the black dude from the ghetto who memorizes big words to appear smart; and more. For most of them, their lives and futures hinge on the game and so getting seriously injured can wipe out their very reason for existence. James Caan is notable as the coach.

As for women, there's Halle Berry in her prime and Kristy Swanson, but their roles are too limited and there are essentially no other women to be found, except cheerleaders & students in the background.

People who have played university football have pointed out that "The Program" is realistic in its depiction. It's a really good sports film for sure, but 1999's "Varsity Blues," which focuses on Texas high school football, edges it out. In fact, "Varsity Blues" ranks with my all-time favorite movies; it's got a more compelling story & characters, a funner vibe and better women. But both of them are must-see sports flicks.

The film runs 112 minutes and was shot at Duke University, Durham, North Carolina, and the University of South Carolina, Columbia, SC.

GRADE: B+

This is a great football movie. Being a former college footballo player I can speak from experience of the pressures of the field and the perks you get off it. Craig Sheffer was outstanding as Joe Kane the star Quarterback dealing with demons, his demon was a big one alcohol. Kristy Swanson was great as Camile Joe's love interest. These two have excellent chemistry. Andrew Bryhanski roll as Lattimer was dead on. He played a steroid abuser perfectly. The best part of the movie is the last game when Latts makes the goal line play and The coach(played by James Caan) grabs him looks at him and they both know latts is back on the juice. All in all this is a outstanding movie and I would recommend it to anyone.

I'm not a football fan, although it's not like I haven't enjoyed football films from the past.... such as "North Dallas Forty," "Semi-Tough," and "The Longest Yard." Not that any of those were pure football movies, but maybe that's why I enjoyed them. So I didn't look at "The Program" from the eyes of a football fan, but from the perspective of whether it's a good movie or not. Certainly it's very professionally made and acted, and the football scenes are pretty exciting. (The point-of-view shots with the football helmet's bars in the foreground made you feel like you were there, as in any self-respecting shoot 'em up video game.)

The main reason why I was attracted to give "The Program" a peek was that I was in a James Caan state of mind... having recently seen him in "Warden of Red Rock," and rediscovering what a fine actor he can be. My first disappointment is that Caan, as the coach, is present mainly as a vehicle to keep the film moving along. He fixes things when the boys screw up, acts tough, makes appropriate facial expressions... and is basically a one-dimensional character with no depth. Naturally, the film has decided to focus on the lives of the football players, as youth sells.

Basically, we pursue the love lives of two jocks. Joe makes a play for Camille (played by the original Buffy, Kristy Swanson), while Darnell zeroes in on Autumn (Halle Berry... who helps make the movie come alive), after suckering her to tutor him. In both instances, both women are vehemently against dating these guys. (Camille, in fact, flat out states that she does not go out with football players; she ultimately does so by losing a bet.) Now, it's nothing new in movies... as sometimes in real life... for a fellow to court a reluctant girl only to win her over at the end. I know we like to see that sort of thing. However, neither of these young men had the kinds of characteristics that would turn these girls' pretty heads in the manner that they did. Darnell's sweet, but not educated enough to hold a sharp gal like Autumn for long; and Joe can be a smarty-pants, smirking jerk at times, especially for a hard-nosed and demanding sort that Camille is initially established to be.

However, not only do the girls fall for these guys (and, granted, some women have been known to fall in love for no good reason)... but they do so in a totally devoted and nearly altruistic way. I could have bought one of the female characters doing so, but both? How very unrealistic; in real life, unless a woman feels that immediate click... before surrendering so completely... usually she will make a man jump through many more hoops than what these lucky b******s go through. We're just moving the plot along, folks.

This is a great display of how Hollywood movies are made... I can imagine the screenplay being discussed by the marketing whizzes at Disney, where the committee of account executives decided that everything should safely and neatly fall into place. All the predictable cliches have that neat, happy ending... Darnell finally bonds with his rival, for example; Joe's neglectful father is shown tuning into to his son's big game. Yes, the movie pushes the right buttons, but there is no soul within; like in so many Hollywood cookie-cutter films... films that are, too often, hard to distinguish one from the next.