Being Human

Unfortunately, many people who have seen and reviewed this movie have not taken the time to see its true meaning. Being Human is not the story of man's development over time, it is the story of one man (Robin Williams) and the stages his life has passed through. I watched this movie in an Advanced Cinematography class, and I hated it. But as I began to see the connections between water and shoes as symbols, I began to appreciate it even more. Perhaps I am giving it away, but to really "get" this movie, just look at the title. Forsyth's movie is about being a human being. Hector (Williams) is simply being human, and having a tough time of it. My advice in watching this movie is to pay careful attention to the last segment. It is the key to understanding Being Human.

The life you live will be the same over and over again. You will repeat your lessons again and again in various forms until you have learned them. After learning it, there's evolution and wisdom. This is what can be said about this film except that it presents its stories without having this sort of spiritual value. It brings this idea of the eternal returning throughout this main character but it is developed almost like a fairy tale taken out of a children's book.

Travelling through different countries and periods of time, going from the Celts cavemen to the modern New York businessman, "Being Human" has Robin Williams playing a character named Hector and his appearances in distinct centuries trying to learn what means to be a human being. In the five short stories created here, Hector, living as a Celtic in the highlands, had his wife and children taken away by barbarians; was the slave of a dumb master (John Turturro) in a more civilized era; a married man who fell in love with a foreign woman, a few centuries later; a military during the Portugual's Maritime Expansion on Africa, conquering new lands and new treasures; and as a troubled divorced man trying to reconciliate with his children of whom he hasn't seen since the end of his marriage. The movie fails in being real or accurate enough in all of the stories except in the last one which is very close to us.

Slow, of mannered delivery and hardly getting better as the stories unfold, "Being Human" is the kind of film that really follows its lessons, it'll only grow on you after countless views. In my case four attempts, of these in two I fell asleep (but always believing that there was something interesting there), one in which I watched the whole thing and didn't like and the last one in which my perception changed and end up being a good film, far from being a masterpiece that it could be. So, you'll have to watch this film over and over until you get something from it, then you can evolve into really saying if this is a good or a bad film.

This whole idea of a man trapped in strange and quite horrendous situations where every kind of decision ruin his life but always running to something else thinking it'll be better and lead him to a good life, was brilliantly presented in a book called "The Star Rover" by Jack London. In it, the main character is a prisoner that can recall his past lives as a way of escaping from his current pain of being tortured. But in those lives things don't get any better and he's always getting into more and more trouble. "Being Human" falls as a pretentious art film with symbolisms that never work and stories that are difficult to be involved with. Luckily, they have Williams as a main actor and we root for him whatever the Hector he's playing. We care for Hector in all of his situations because there's something there that is involving enough to make us imagining what kind of decisions we would make if we were him. In at least, one of the stories you'll put yourself into Hector's shoes.

Won't blame director/writer Bill Forsyth for the flaws presented here since this is not his original project, Warner Bros. Forced him to cut the film and include a narration that is quite excessive and too much explanatory. The narration (provided by Theresa Russell) of a film destined to grown up's treats its audience as children, explaining many things we're seeing on the screen. It ruined some parts of the film. Result: poor criticism, a box-office failure and now who knows this film? I sincerely hope that one day Forsyth come out of the shadows and show to the world this film in its integrity in a director's cut DVD (even the known version is hard to find).

The things that attracted me into "Being Human" are the quality of the performances, not only Williams but also Turturro, Lorraine Bracco, Hector Elizondo, Jonathan Hyde, Anna Galiena, William H. Macy among others; the beautiful cinematography; Michael Gibbs fantastic musical score (specially the music presented when the movie enters into the 20th Century, a highly agitated theme). The story, at times, knows how to hold our interest but only for those who have an open mind to accept the concept of a man living over and over a similar life that bears only difference of costumes and periods of time. Hector's conditions and the way love acts in his life are quite the same, yet he fails to learn something from these experiences.

Very problematic but not enough to make you feel bad about it, "Being Human" comes as a good film about valuable and noble lessons that sometimes crosses our paths in this long journey of life. 7/10.

This is one of those comfortable Sunday-afternoon-while-it's-raining films. It is one of Robin Williams more serious characters.

A little moody in places, the film offers reflections on what it might have been like to live at other times, as a sort of social history (no being a king or queen or royalty). The main character plays his life issues out through time, from ancient Rome, a Viking raid, a 16th or 17th century continental vagrant, to the present. Love, life's tragedies, children, and home are all themes. There is a light-heartiness to the film, and it plays on the contemporary character's life as it unfolds. Robin Williams turns in a typically great performance.

The themes and emotions all play in their times. Settings are as varied as the emotions. Sweet and sentimental, the movie captures and makes a statement about the human condition.

Contrary to some negative reviews, this is neither a bad film nor one of Forsythe's "worst." Such criticism issues from the fact that this film is about the lives of ordinary people, with Robin Williams playing a succession of classic Everyman characters. As such, most people won't find it "entertaining" enough, particularly if they're of the gimme-gimme-now post-MTV generations. This film tells stories about small people, not notable ones, and the emotions which they feel.

*Being Human* is a slow and philosophical story--as the title suggests, it's a story about what it is to be human. Love, loss, slavery, hopelessness, faithfulness, lust, hope--all these themes are touched upon as the story moves throughout the ages, presenting us with various Everyman characters all played by Robin Williams in what are surely his best dramatic performances.

This film is much like *My Dinner with Andre*--a truly meaningful and important film which isn't meant to appeal to everyone, just a more intellectual crowd. Its unfortunate spate of negative reviews comes from the fact that, unlike *My Dinner with Andre*, it was targeted for broader public consumption with a fairly large theatrical release, and to this day plays on premium cable channels to audiences who want to be watching fast-paced blockbusters rather than introspections into our humanity.

If you can appreciate a film with a slower and more deliberate pace and real insights into humanity, watch *Being Human*. It's a masterpiece.

The first scene, sometimes referred to as cavemen, Goths or Vikings in reviews seems more accurately to be ancient Celts. The language they speak is made of broken Scottish or Irish Gaelic. On the other hand, maybe it was Robin Williams who was the Celt and the marauders spoke broken Gaelic because it was foreign to them. Hmmm. Without more information (they are a fairly laconic lot) I would assume they are probably a rival tribe of fellow Gaelic-speaking Celts of Scotland or Ireland. This was a welcome tidbit at the beginning of the film and probably added to my enjoyment.

I appreciated the attempt to portray the ordinariness of life throughout the ages and I view the slowness of the film in this light. Life is often slow. These were interesting vignette-like character studies of one man who is never able to be completely in control of situations around him, but who perseveres.