Volver a morir

Now I don't think Dead Again is a classic or a masterpiece, but I did find it very entertaining. One flaw with the film is that it is a little too long, by about four or so minutes. The other flaw I had was that I felt the ending was overdone, though not as overdone as the remake of The Wicker Man thank goodness. Still Dead Again is stylish, dark and entertaining, with stunning cinematography and film noir and Hitchockian elements, eccentric plotting, the usual twists and turns and a good script.

Another strong asset was the score, the opening theme was very bombastic and haunting. The direction is decent, and the acting was fine. Kenneth Branagh acquits himself well in a very difficult dual role, one of the cynical LA private detective and the other of the composer executed for the murder of his wife back in 1949, while Emma Thompson is terrific also in a dual role as an amnesiac woman obsessed with scissors and is suffering from nightmares of somebody else's life and the composer's wife.

Andy Garcia, Derek Jacobi, Robin Williams and Wayne Knight are also fine in their supporting roles, Jacobi especially. Overall, this is definitely worth watching even with its flaws. 8/10 Bethany Cox

I just finished watching "Dead Again" for the second time, and I really dig it. It's a well-made thriller, and Kenneth Branagh and Emma Thompson were always great together. It has an interesting story, a couple of good jump moments, and good supporting performances from Robin Williams and whatshisname who played Newman on "Seinfeld". The Hitchcock homage isn't overdone, and there are some nicely-placed visual clues (although one of them is far too obvious, the others are more subtle), as well as little references to other films the actors have been in before. Derek Jacobi is soooo good at being slimy, and the entire end sequence is tense and well-edited. That said, the big twist toward the end of the movie does poke a couple of plot holes, and causes some real loss of tension at the end of the movie- placing the big revelation much closer to the end might have made a big difference in the division of opinions about this movie. Either way, it's pretty enjoyable- well worth renting on a rainy night.

This movie is one of the unappreciated jewels of the 1990's, a film done so well that virtually every aspect, from script to direction to performances to music to editing, sweeps you away. Kenneth Branagh and Emma Thompson (who were then married)each played two roles, one in the past, one in the present, with different clothes, hairstyles and accents, as part of a couple destined to be together forever.

Branagh, coming off his rookie directing debut in HENRY V, did a simply beautiful job here, using the same creative team as HV (Patrick Doyle deserves especial kudos for his astounding musical score). Playing both a cynical private eye ("I'm not looking for Miss Right; I'm looking for Miss Right Now") and a jealous German composer from the 1940's, he turns in two complete portraits of unusual men, while directing as well.

The film didn't stay in theaters long (most likely due to studio politics), but has apparently found a new audience on video. I've loved it since the first time I saw it, in its first run (I admit to seeing it five times in the theater and buying it on video the day it came out) -- so I may be slightly prejudiced -- but from every angle -- thriller, love story, character study -- it's a winner. See it on DVD and hear Branagh's comments on various aspects of the film -- that adds another dimension right there.

In fact, see it any way you can. It's just marvelous.

This is a gripping film, multi-layered, with a good script and good performances from its cast.

The story is interesting: a woman (plagued by a recurring nightmare) lands up, unable to speak, with amnesia, at a local convent. Mike Church (Branagh) must find out who she is. (We 'know', owing to black and white footage (featuring the same actors, but different characters, about 40 years ago, shortly after WW II) Through hypnotherapy, questions of reincarnation and past lives emerge.The film creates, rather than answers, questions. There are a number of twists and turns in the plot to make this film gripping.

I was not totally convinced that the ending of the film serves its purpose, but the film is gripping. Do see it.

I didn't catch this one until it hit a discount theatre in Miami Beach, but I'm glad I did. Whatever the status of Branagh and Thompson's relationship at the time, they project a fantastic chemistry as lovers karmically doomed to repeat the same mistakes over and over again, or so we are led to believe. Branagh has a fantastic directorial sense, honed in his years with Shakespearian theatre, and the intertwining of black-and white and colour footage to evoke different time periods works to great effect. Supporting players Derek Jacobi, Robin Williams, and Andy Garcia put in excellent performances, and the serviceable plot is made transcendant by this fine group of actors. Although some of the gore is a bit heavy, it doesn't overwhelm the story, something Branagh learned no doubt from the films of Alfred Hitchcock, and like the works of Hitchcock, even after the mystery is finally sorted out, the film continues to reward with repeat viewings. So, if the last copy of Blair Witch is out, and you're looking for a bit of suspense that isn't all blood and guts, give this one a try. You'll feel enlightened.