Sien lui yau wan

I first saw this film when it was transmitted around 1988 by the BBC when I was working on UK's 2000AD. My pal Steve Parkhouse recorded it on VHS and sent it to me. Up till this point, I'd really only seen the Shaw Bros kung fu movies, with their harsh lighting (so audience could see the moves clearly), so it was a revelation to me to see something that looked like it had been lit by Ridley Scott coming out of Hong Kong. This was also my first exposure to the movies of Tsui Hark (pronounced, apparently, "Choy Huk").

Yet for all the smoky, back-lit exteriors and ambitious special effects (Stop-motion? In a Hong Kong Movie?) at the heart of Chinese GHOST STORY lies a simple and moving love story, made all the more real by the outstanding acting talent of Leslie Cheung (what a tragic, tragic waste of a life!) and the beauty and elegance of Joey Wong. Granted Joey is gorgeous, but it's her balletic hand gestures that give her character an unattainable eroticism that's hard to analyse. And though Joey is now almost 20 years older (gawd, which of us isn't?) this will always be the enduring image of that actress.

Some reviewers here have said that the film is simplistic and lacks any surprises, but they're missing the fact that this movie was based on a famous Chinese story written by Pu Songling around 1700! That's a bit like complaining that Romeo and Juliet has a predictable ending and just copies WEST SIDE STORY.

For me, Chinese GHOST STORY is the quintessential romantic tale. It has high tragedy, because we know that Chio Sin and Sin Seen can never be together. It's about becoming mature, for none of us can mature until we've experienced great loss. It's about sacrifice, for sacrifice is an essential component of True Love. And the comedy stylings of Wu Ma don't hurt a bit, either.

Enjoy Chinese GHOST STORY by trying not to view it through a filter of Western culture and you'll get on with it just fine.

This film is without a doubt one of the greatest films to come from Hong Kong and is one which I saw on late night TV during a Chinese film season, so I have fond memories of it. Wu Ma is fab as the rapping Taoist monk, Joey Wong is gorgeous as the ghost (I would be the first in line to be seduced by her) and Leslie Cheung is great as the bumbling tax collector. And who could forget the hilarious looking Lau Siu Ming as the transvestite tree demon. This film is very funny, thrilling, romantic, erotic and scary. Every scene looks great and the main theme song and the haunting love song are unrivalled. This film is a great tribute to the late, great Leslie Cheung who's recent suicide shows the world the acting talent we will miss.

I would rate this film 10 out of 10.

Well now, this is one fun movie! It is basically one of those interesting romantic-horror crossovers which, I must say, works quite well, although there are a few gripes.

Some of the ideas in this film are very interesting, and the way that it was filmed and put together made me think "live action anime". The acting is good, the female lead is gorgeous, the action scenes are typically frenetic and yet possess a clarity not often seen in mainstream Western films. To be honest I wasn't expecting any action scenes at all before I started watching, not that I'm complaining. The film was also quite funny in places, as well as romantic, but not necessarily scary (at least by today's standards).

Something I should say is that the film is fairly fast paced yet we manage to keep track of the story, but it moves so fast that we don't really get the chance to feel for the characters and they don't really have the chance to develop. The pacing itself was often uneven, but now I'm merely splitting hairs.

Worth a watch.

I saw this movie first on the Berlin Film Festival, and I had never seen Hong Kong cinema before. I felt like sitting in a roller coaster: the action was so quick, and there wasn't one boring moment throughout the film. It has martial arts, love, special effects and a fantastic plot. My favorite scene is when the Taoist drinks, sings and fights for himself - one of the many scenes which stress the extraordinary musical component of the movie. This film is a definite must!!

First things first, the female lead is too gorgeous to be missed. Now actress Wang Zu Xian, the one who played Xiao Qian in the movie, is 42 years old and well aged. It's always good to review these glorious times when seeing old-school HongKong productions like this.

The movie is one of the most influential titles made in 1980s. The art set decoration and other aesthetic facets are all mesmerizing. More fantastically the movie had a total black humorous undertone in it. It feels like a horror movie but ultimately it's not scaring, but only fun.

I had the experience of translating the second script of "A Chinese Ghotst Story", and I thought that script was a decent write. However when I saw the movie, I firstly was disappointed in seeing the movie different from the script, like in a smaller scale and involving more comic roles. However, it turned out to be better executed in terms of being entertaining.

If you have seen the Lord of the Rings, you will notice the similarities in this movie to LOTR. The climax is like a mirror of Miranda Otto fighting with the Ring Witch. It's definitely a laugh-out-loud. Bravo!