Tong Pak Foo dim Chau Heung

This is a must watch for all Stephen Chow fans and I highly recommend this for everyone that loves random comedy. The characters were compelling, the story was surprisingly not so predictable like thought from the beginning and the dialogues were well crafted. I really enjoyed this movie because it was very entertaining and there were so many new ways of making me laugh which was great.

The movie is about a noble scholar who is not pleased with his gambling wives, because they play majhong all day. Stephen Chow's character in this movie can paint, sing and write poems. Then later he and his scholar friends sees this girl whose beauty outshines all other girls near her and then the Scholars try to disguise themselves just to get near her in weird but funny ways. The girl comes from a rival family which hates his family. So he tries to find a way inside to approach her without being noticed. But there is much more than just romance and comedy, so I highly recommend this hilarious movie to everyone.

The movie wasn't as slow as I thought. Stephen Chow is just pure awesome in his genius way of making his audience laugh out loud.

"Flirting Scholar" follows Stephen Chow's long tradition of inspired looniness, and made me giggle out loud in reaction to its pure enthusiasm to entertain. His riffs on Chinese tradition are funnier when you have some context, but much of his humor is so outrageous that you'll laugh regardless, as many jokes, especially the physical comedy, are universal. While this isn't quite my favorite Chow film, it's definitely worth watching, and still a must-have item in any Chow collection.

Like many Chow films, "Flirting Scholar" takes a typically over-the-top approach to its comedy, and incorporates such elements as extremely physical slapstick, parody, kung-fu, cartoonish surrealism, and wacky references to other HK movies. To truly appreciate Chow you need to watch lots of HK cinema -- and after you have watched several of Chow's films, you will begin to pick up on running gags that appear in successive movies.

While not as masterfully executed or as narratively tight as one of his truly brilliant films, such as "God of Cookery," this film is simply so utterly crazy at times that it will nonetheless make you laugh out loud, as all of his films inevitably do.

To be honest, I am not a big fan of Stephen Chow's earlier works. Not that they were bad, but they were not as good as the classics such as God of Cookery, King of Comedy, Shaolin Soccer, and of course, this film. I found the early films with Stephen talking in a cartoonish "comedic" voice annoying.

The ones where he has more creative control tend to have him speaking in a more natural, and more deadpan voice and those films tend to carry deeper messages than just a mindless comedy. Seriously, some scenes are moving.

Now back to this movie, there's really not much to criticize here. The acting, the dialogue, the typical Stephen Chow style of humor, all fantastic. There aren't many ROFL moments, but there are endless classic funny moments that the film will make you grin from ear to ear pretty much from start to finish. And I know that I personally still quote some lines from the movie in my everyday life... :)

The one knock I do have is Gong Li, whose talents seem wasted in the film. No doubt she looks great in the film, but she's not given much to do and seems rather wooden as if she did not enjoy herself in the movie. Knowing Gong's talent, it felt strange to see her character just be a "vase" love interest and nothing more.

I guess you don't want to have anyone upstage Stephen but in that case why not cast a starlet with a less impressive resume than Gong?

However, overall, this is a great film and I highly recommend it.

This is a typical Stephen Chow's commedy. Inside you see all the necessary elements: jokes, love, kungfu. Well, the story is not new. This is a traditional Hong Kong/Chinese story, but the reproduction in this new style has been quite successful. I must admit that this movie has given me one and a half-hour of continuous laughing. However, this is a very "Hong-Kong-ish" movie. I think only Hong Kongese can appreciate its jokes. Because of difference in culture and inability of translating exactly, non-HongKongese may find the movie stupid and uninteresting. If only Hong Kong people rated this title, I'm sure the rating would be higher.

Stephen Chow is the greatest of the Four Scholars in Ming-era China. His paintings go for 30,000 taels a pop, his poetry sells like mad, he has eight wives who spend all their time playing mah-jong, and he is thoroughly miserable. Then he spots Gong Li and falls in love. She is a servant in the household of James Wong and Pei-Pei Cheng (who is very funny), so he sells himself to the household under a fake name. He quickly rises because of his scholarship, and is overjoyed when Gong Li confesses she loves his poetry and the man who wrote them. Unfortunately, she doesn't believe Chow is that man. Also, Madame Cheng hates him, sight unseen.

There are also various subplots involving Wai Lam as King Ning, and the big fight at the end is with Chia-Hui Liu, who killed Inigo Montoya's father. I mean Chow's father.

The only star to compare with Chow is Jacky Chan. However, while Chan performs his comedy stunts using practical effects and takes that often injure him, Chow's gags verge on cartoons. Chow also plays with Chinese mythology, and while I am unclear as to which legends this movie refers to, there's no need to understand the details if you have any familiarity with your typical Kung Fu movie. The details of the silly plot take up a lot of time, but there's still plenty of gags to make the audience laugh.