CALIFICACIÓN DE IMDb
2.4/10
2.3 k
TU CALIFICACIÓN
Un improbable grupo de héroes atraviesa un páramo postapocalíptico para rescatar a un científico del tiránico Oscuro y su ejército de robots.Un improbable grupo de héroes atraviesa un páramo postapocalíptico para rescatar a un científico del tiránico Oscuro y su ejército de robots.Un improbable grupo de héroes atraviesa un páramo postapocalíptico para rescatar a un científico del tiránico Oscuro y su ejército de robots.
Nadine Hartstein
- Deeja
- (as Nadine Hart)
J. Buzz Von Ornsteiner
- Klyton
- (as Joel Von Ornsteiner)
George Grey
- Bray
- (as George Gray)
Edward R. Mallia
- Airslave Fighter
- (as Edward Mallia)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
What a despairing film. Dress actors in furry rags, place in suburban wasteland, set cameras rolling and hope for the best. One can only imagine e the thanks the cast gave when their characters were killed off by sockpuppets, thus sparing them further humiliation in this dullfest. This rivals Monster a go-go as the best cure for insomnia ever made. Oh God - how can I fill up 10 lines explaining how overwhelmingly bored everybody looks in this movie? Whiney crappy plastic bungling robot who annoys everybody both on and off screen, Giant spider reduced to a single giant hairy leg pulled by string, actors desperately trying not to look at the camera while mumbling off dialogs...
After starting his film career making gay porn (under the pseudonym Joe Gage), director Tim Kincaid (not his real name either) tried his hand at low-budget sci-fi movies, turning out cheesy cheapo trash like Breeders (1986), Mutant Hunt (1987), and this dreadful post-apocalyptic garbage which still has more than a whiff of homo-eroticism about it: the film opens with some man-on-man action, as two warriors stripped to the waist wrestle to the death; there are some very phallic rubber-glove-puppet creatures called sewage worms that lunge at the heroes; Andrew Howarth, surely a Chippendales reject, stars as long-haired mute Kai, whose economical costume consists of a small banana hammock; and choice lines of dialogue include 'Is there a small knob at the tip of one end?' and 'I'm reaching behind you'.
Still, it's not all penis-shaped monsters and sweaty men grappling each other: Robot Holocaust also features really bad rubber robots, the most unconvincing matte painting that I have ever seen, a very attractive female villain played by Angelika Jager (seriously hot, but also contender for worst actress in movie history), a corpse-burrowing surveillance drone, the terrifying 'beast of the web' (a hairy rubber claw), cruddy mutants (who get decapitated), and a character called Neo who might be the saviour of the human race (sadly, not played by Keanu Reeves, but rather no-talent Kincaid regular Norris Culf).
Robot Holocaust is badly written tosh (requiring an intermittent voice-over to help with the exposition) that is occasionally so bad that it entertains, but is mostly so bad that it doesn't. After a couple more straight to video duds, Kincaid returned to the world of gay porn where one can only assume that his real passions lie.
2.5/10, rounded up to 3 for the scene in which a topless Angelika Jager enters a pleasure machine (Barbarella, anyone?), where she fondles a plasma globe proffered by two semi-naked gyrating slaves.
Still, it's not all penis-shaped monsters and sweaty men grappling each other: Robot Holocaust also features really bad rubber robots, the most unconvincing matte painting that I have ever seen, a very attractive female villain played by Angelika Jager (seriously hot, but also contender for worst actress in movie history), a corpse-burrowing surveillance drone, the terrifying 'beast of the web' (a hairy rubber claw), cruddy mutants (who get decapitated), and a character called Neo who might be the saviour of the human race (sadly, not played by Keanu Reeves, but rather no-talent Kincaid regular Norris Culf).
Robot Holocaust is badly written tosh (requiring an intermittent voice-over to help with the exposition) that is occasionally so bad that it entertains, but is mostly so bad that it doesn't. After a couple more straight to video duds, Kincaid returned to the world of gay porn where one can only assume that his real passions lie.
2.5/10, rounded up to 3 for the scene in which a topless Angelika Jager enters a pleasure machine (Barbarella, anyone?), where she fondles a plasma globe proffered by two semi-naked gyrating slaves.
Director Tim Kincaid made other entertaining and campy films in NYC during the 80s like BREEDERS and BAD GIRLS DORMITORY (a favorite) but neither of those contain a performance as memorably bad as Angelika Jager. Speaking English with a heavy (French?) accent and trying to be menacing while wearing a long feather boa in her hair, Jager gives a performance of transcendant awfulness that should be treasured by bad cinema addicts the world over. Just try to keep a straight face as Jager tries to actually act while trying to remember her lines as us in the audience try to even understand the nonsensical dialogue through her heavy accent. Amazing!
This movie made me cringe - and afterwords it left me feeling violated and empty inside. The script could have been made by a group of 11-yearolds, the acting was horrible. The FX were , on the other hand, very entertaining , but not in the intended way - the wall of sock-puppet "sewer worms" and the Spider leg made us burst out in laughter.
This movie is hard to watch even for die-hard fans of b-movies, and although I am glad that I made it though this piece of oozing garbage I will make damn sure never to do it again.
Favourite character: Garth the macho Conan-type barbarian :D
This movie is hard to watch even for die-hard fans of b-movies, and although I am glad that I made it though this piece of oozing garbage I will make damn sure never to do it again.
Favourite character: Garth the macho Conan-type barbarian :D
All right, there's no way to sugarcoat this. The plot was ridiculous, the premise was ridiculous, the acting was unconscionable, the effects were laughable and all of the outdoor scenes appear to have been filmed in New York's Central Park. That having been said, there was something about this movie that I couldn't walk away from. Maybe it was the atmosphere, or maybe it was the evil super-vixen or the amazon wenches.
Anyway I'm not one to sit on the margins and criticise without pointing out a few redeeming qualities, so here they are.
A violent off-shoot of the women's lib movement is portrayed in a wilderness setting (central park, of course), and all of the masochistic young men out there will be very impressed. Furthermore, some of the scenes in which certain characters lose consciousness are amusingly dramatic (you'll note that I write dramatic, rather than convincing).
All I can say is that some people like B movies and I'm one of them. If you're one of them too, then give it a go. Cheers, Mr Kincaid. This is one for the ages.
Anyway I'm not one to sit on the margins and criticise without pointing out a few redeeming qualities, so here they are.
A violent off-shoot of the women's lib movement is portrayed in a wilderness setting (central park, of course), and all of the masochistic young men out there will be very impressed. Furthermore, some of the scenes in which certain characters lose consciousness are amusingly dramatic (you'll note that I write dramatic, rather than convincing).
All I can say is that some people like B movies and I'm one of them. If you're one of them too, then give it a go. Cheers, Mr Kincaid. This is one for the ages.
¿Sabías que…?
- TriviaThe music used in this film was lifted from other Charles Band films, notably Laserblast (1978).
- ErroresThe Manhattan skyline can be seen in the background of several scenes supposedly taking place in an deadly, irradiated wasteland.
- Versiones alternativasDifferences between U.S. and Italian versions: There is no narration in the Italian version, except for at the beginning. In the U.S. version, there is narration throughout the whole movie. A topless man and woman appear outside the Pleasure Machine, holding up the inevitable static electricity globe in one scene. Meanwhile, a bare-breasted Valaria sticks her arms out between the bars and caresses it. This scene was cut from most U.S. prints.
- ConexionesFeatured in Mystery Science Theater 3000: Robot Holocaust (1990)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Robot Holocaust?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Катастрофа роботов
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 19min(79 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta