La viuda del jefe Brody cree que su familia es el objetivo de un tiburón que quiere vengarse.La viuda del jefe Brody cree que su familia es el objetivo de un tiburón que quiere vengarse.La viuda del jefe Brody cree que su familia es el objetivo de un tiburón que quiere vengarse.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 7 nominaciones en total
Jay Mello
- Young Sean Brody
- (material de archivo)
Moby Griffin
- Man in the Boat
- (as John Griffin)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Ok, to sum it up. The shark roars and stands on it's tail for more than 5 seconds. It purposely hunts down members of the Brody family. Thea is annoying and should have been swallowed whole by Bruce. The shark somehow explodes when being punctured by a sharp piece of wood. ?????? A bad film, I think so!
If there ever were proof of the law of diminishing returns, the fourth entry in the Jaws series is it. The original was a taut thriller that launched the career of one of Hollywood's most celebrated directors. By comparison, Michael Caine often looks as if he is incredibly upset to be missing his award ceremony in order to appear in this piece. Lance Guest and Mario Van Peebles frequently appear to be wishing to have better things to do, while Lorraine Gary frequently looks stoned in moments when she is supposed to look frightening.
Clearly, the budget spent on this film didn't go into the research, script, or mechanical shark. Exactly why Michael Brody and his pals are putting what are apparently tracking devices on conch shells is never explained. Perhaps any explanation they thought of was so incredibly stupid that they thought it best to give up. An alternate explanation of why Michael is working in the water was never thought of, either. The true Ed Wood moment of the film comes towards the end of the piece, when the shark rises out of the water, and roars at Elaine. This is the first time I've heard of sharks having vocal cords. Given the box office draw this stinker had, I suspect it will be the last.
The shark takes a real beating here, too. The reason the shark wasn't seen often in the original was because Spielberg noticed that if one put it in front of the camera for long enough, the audience would notice that it doesn't move like a real shark. In this edition of the Jaws story, not only do they keep the camera focused upon the shark for more than enough time for the audience to notice the model's flaws, in so doing they make it crystal clear that this shark was made on the cheap. There are some shots in which the support structure of the shark is visible under the outer layer. There is even what appears to be a seam in the back of the shark's main fin.
To its credit, Jaws: The Revenge is well-photographed. While the 2.35:1 frame is often sparsely populated, depth of field is used with great effect in several shots. The fact that even frames with one character in them won't make sense when cropped to fit analogue television is a credit to the director and cinematographer. If only this kind of workmanship could have been seen in other aspects of the film.
Another area where Jaws: The Revenge deserves due credit is the score music. While the score is very much inspired by that which John Williams provided for the original, it distinguishes itself and genuinely works in its own right. In fact, one could almost say that the score music is more than the rest of the film deserves. The music is literally able to inject dramatic tension into scenes that, by all rights granted under the accepted rules of film-making, really shouldn't have any.
When all is said and done, I gave Jaws: The Revenge a one out of ten. It works as a comedy in the sense that it is a stinking pile of crap, but there are precious few moments when the people making it seem privy to the fact. As a result, the film winds up in a class all of its own. It's not just so bad its good, it is so utterly bad it is incredible.
Clearly, the budget spent on this film didn't go into the research, script, or mechanical shark. Exactly why Michael Brody and his pals are putting what are apparently tracking devices on conch shells is never explained. Perhaps any explanation they thought of was so incredibly stupid that they thought it best to give up. An alternate explanation of why Michael is working in the water was never thought of, either. The true Ed Wood moment of the film comes towards the end of the piece, when the shark rises out of the water, and roars at Elaine. This is the first time I've heard of sharks having vocal cords. Given the box office draw this stinker had, I suspect it will be the last.
The shark takes a real beating here, too. The reason the shark wasn't seen often in the original was because Spielberg noticed that if one put it in front of the camera for long enough, the audience would notice that it doesn't move like a real shark. In this edition of the Jaws story, not only do they keep the camera focused upon the shark for more than enough time for the audience to notice the model's flaws, in so doing they make it crystal clear that this shark was made on the cheap. There are some shots in which the support structure of the shark is visible under the outer layer. There is even what appears to be a seam in the back of the shark's main fin.
To its credit, Jaws: The Revenge is well-photographed. While the 2.35:1 frame is often sparsely populated, depth of field is used with great effect in several shots. The fact that even frames with one character in them won't make sense when cropped to fit analogue television is a credit to the director and cinematographer. If only this kind of workmanship could have been seen in other aspects of the film.
Another area where Jaws: The Revenge deserves due credit is the score music. While the score is very much inspired by that which John Williams provided for the original, it distinguishes itself and genuinely works in its own right. In fact, one could almost say that the score music is more than the rest of the film deserves. The music is literally able to inject dramatic tension into scenes that, by all rights granted under the accepted rules of film-making, really shouldn't have any.
When all is said and done, I gave Jaws: The Revenge a one out of ten. It works as a comedy in the sense that it is a stinking pile of crap, but there are precious few moments when the people making it seem privy to the fact. As a result, the film winds up in a class all of its own. It's not just so bad its good, it is so utterly bad it is incredible.
It's personal because I hate this audience-insulting movie. This has got to be the stupidest horror flick of all times. The ending (all of them) alone would be enough to justify this film's place on the bottom 100 list. I mean the premise (shark is after the Brody family for revenge. It chases (and beats) the Brody's to Jamaica to harrass them and snack on a few extras).
The effects went WAY downhill for this one. The shark on the Universial Studios tram tour is more convincing then this duct-taped-at-the-seams roboshark. The acting is atrocious (especially Mario Van Peeble and his grating "hey mon" accent)
The effects went WAY downhill for this one. The shark on the Universial Studios tram tour is more convincing then this duct-taped-at-the-seams roboshark. The acting is atrocious (especially Mario Van Peeble and his grating "hey mon" accent)
Jaws: The Revenge is the final entry into the Jaws series, and thank God for that. Ellen Brody is now living in the Bahamas after her youngest son Sean, who has followed in the footsteps of his father and become Chief of the Amity police, is killed by another Great White Shark. In what is the most ridiculous plots of all time, we find out that one specific shark is holding a grudge against the Brody family, and after it kills Sean, it swims against the Gulf Stream down to the Bahamas so it can kill Ellen and Michael as well. Jaws: The Revenge is an embarrassment to anyone who knows anything about sharks, and is the worst of the series.
The plot is completely wrong in this movie. The whole plot is built off of bs. I can't even allow suspension of disbelief to let me ignore that the shark is hunting the Brody family. It's ridiculous! Aside from that is that the film contains any number of factual errors about sharks ranging from having the shark swim backwards, roar like a lion, stand on its tail, and devour a helicopter. The shark in the first film did unusual things, but nothing that would make a shark lover cry.
The acting in this movie is so bad that...You know what? I don't even want to discuss it. It's bad. Terrible. Loathsome. Repugnant. What else is there? Lorraine Gray played Ellen just fine in the first film, but for some reason in this film she let all of her acting skill slip away. Even Michael Caine, who is a vastly talented actor, shows absolutely no skill at all.
Every copy of Jaws: The Revenge should be swallowed by the shark from the first film.
1/10
The plot is completely wrong in this movie. The whole plot is built off of bs. I can't even allow suspension of disbelief to let me ignore that the shark is hunting the Brody family. It's ridiculous! Aside from that is that the film contains any number of factual errors about sharks ranging from having the shark swim backwards, roar like a lion, stand on its tail, and devour a helicopter. The shark in the first film did unusual things, but nothing that would make a shark lover cry.
The acting in this movie is so bad that...You know what? I don't even want to discuss it. It's bad. Terrible. Loathsome. Repugnant. What else is there? Lorraine Gray played Ellen just fine in the first film, but for some reason in this film she let all of her acting skill slip away. Even Michael Caine, who is a vastly talented actor, shows absolutely no skill at all.
Every copy of Jaws: The Revenge should be swallowed by the shark from the first film.
1/10
In Jaws 2 a person told sheriff Brody that sharks don't take things personally...in this one they apparently not only do, but they also will hunt you down to the ends of the earth. This focuses on the most mediocre character of the first two Jaws, Ellen Brody. It starts with one of her sons being out on a boat and being killed by a shark. Why he is out on the water is anyone's guess seeing as he was afraid of water in 3, which I do believe this one completely ignores. This attack is probably the only real good scene in the flick cause we are off to the Caribbean where Ellen goes to visit with her other son who just doesn't seem all to upset by his brother's death. What is waiting for her here, but the exact same shark that killed her other son. Michael Caine is in this and this somehow makes me wonder why couldn't they have just forgotten about the Brody's and maybe have it be about Caine in Australia or something as a shark hunter...why do we have to have the same family, you have a better chance of being struck by lightening than you do of being attacked by a shark yet this family is constantly being attacked by sharks. Maybe they all bath in fish blood before swimming? Anyway this film is quite bad and was a pretty bad way to end the franchise.
¿Sabías que…?
- TriviaMichael Caine said "Won an Oscar, built a house, and had a great holiday. Not bad for a flop movie." He was paid $1.5 million for seven days work in the Bahamas, and the schedule was so tight that the producers were unable to spare him so he could attend the Academy Awards, and he went on to win the Best Actor in a Supporting Role Oscar for Hannah y sus hermanas (1986).
- ErroresHoagie's plane crashes in the ocean, but when he climbs aboard the Brodys' boat, his clothes are dry. Michael Caine explained that they waited so long for the camera to turn over that his shirt and pants dried in the sun.
- Versiones alternativasThe UK cinema was cut by 37 seconds to get a "PG" rating with heavy edits made to Sean's death and shots of bloody bodies in the shark's mouth during attacks. The cuts were restored in the video version and the certificate upgraded to a '15' (later '12' for the DVD release).
- ConexionesEdited from Tiburón (1975)
- Bandas sonorasTheme From Jaws
Composed by John Williams
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
Taquilla
- Presupuesto
- USD 23,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 20,763,013
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,154,890
- 19 jul 1987
- Total a nivel mundial
- USD 51,881,013
- Tiempo de ejecución
- 1h 29min(89 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta