Ciclón: bólido de acero

When a movie shows two beautiful, sweaty women working out in a gym (with the camera emphasizing their arms and cleavage) BEFORE the opening credits are even over, it's on the right track. When it shows one of those women (the super-sexy Heather Thomas) kicking a$$ within the first 10 minutes, it deserves applause. Sure, the plot is so thin that it feels stretched-out even at just 82 minutes, and the "comic relief" of two inept cops is not very funny, but on the whole "Cyclone" is an enjoyable B action movie, with some spectacular car and motorcycle stunts (considering the budget). Also notable is the strong female presence, with no fewer than 4 women (2 good and 2 bad) getting into the action, and if you're thinking "there must be a Climactic Catfight"....you are right! Cult actors Jeffrey Combs and Martin Landau have fairly brief roles, Landau does get the last line in the film though (and it's a funny one). (**1/2)

"Cyclone" is a decent dose of escapism from reliable B movie veteran Fred Olen Ray, ostensibly a vehicle for gorgeous, glamorous TV star Heather Thomas. She plays Teri, a young woman whose boyfriend Rick (Jeffrey Combs) has designed an ultra cool looking motorcycle for the government. Soon, bad guys have murdered Rick and Teri is forced to take it on the lam. Among the rich assortment of villains are Martin Landau as slick, evil businessman Bosarian, legendary stuntman Dar Robinson (to whom the film is dedicated) as an albino thug, and Dawn Wildsmith as his gal pal. You know you're in for a good time when in addition to these people, the others who turn up are Troy Donahue, Martine Beswicke, and Robert Quarry as federal agents, Huntz Hall as bike shop proprietor Long John, Bruce Fairbairn as a police detective, and an uncredited Russ Tamblyn. Overall this is a fairly slight movie - you won't really remember it after it's over - but it's still pretty entertaining while it lasts. The action scenes are competently done, the pacing is efficient, and there are some hilarious moments to let us know that Ray and screenwriter Paul Garson are keeping their tongues in their cheeks and just having fun with the genre. Among these moments are the final scenes for both Quarry and Robinson. The motorcycle itself is pretty damn nifty, and the helmet that goes with it is amusing itself - it shoots lasers! David A. Jackson composes the catchy, appealing electronic music score, and there's one priceless sequence featuring an act named Haunted Garage (fronted by Michael Sonye) performing the song "Devil Metal". The actors are enjoyable to watch, with Thomas making for a tough and feisty heroine, and the equally fetching Ashley Ferrare engaging as her friend. It's a treat to see Combs of "Re-Animator" fame in a romantic role, and Robinson (who died after filming) is the most fun out of the antagonists. The ending is not terribly satisfying (revealing the fate of a specific character in a rather perfunctory manner), but in general this is fine entertainment for schlock fans. Some of them may bemoan the fact that the one gratuitous shower scene is over so soon, though! Seven out of 10.

Teri Marshall (Heather Thomas) finds herself in a world of nefarious Government and bad guy types after her inventor boyfriend Rick Davenport (Jeffrey Combs) is murdered. Seems everyone is after his invention Cyclone, a $5 million dollar motorbike with stealth technology. Of course, Rick expected this and delivers a post-death message to Teri to get the motorbike to the only G-man (Troy Donahue) he can trust. The big chase is on with CIA agents Waters (Martine Beswick) and Knowles (Robert Quarry) and baddies Rolf (Dar Robinson) and Hanna (Dawn Wildsmith) in pursuit. And Martin Landau figures in here somewhere as the main bad guy. More Fred Olen Ray madness here and this film is a marked improvement over his earlier stuff. By that I mean it looks like an actual film with decent cinematography. It is still pretty low budget though with cheap sets and a almost-but-not-quite futuristic bike design. The leads are decent and I noticed Combs - like Peter Cushing before him - has an insane talent for making techno-babble sound 100% believable. You also get a gaggle of ex-stars who mostly likely were around for a few days in supporting roles. Donahue has one scene while Landau gets three. All of the big action is saved for the finale and there are two really cool car stunts there. Of course, the film's biggest leap of faith isn't the stealth bike. My friend Marty summed it up best when he said: "As implausible as this thriller is, the biggest stretch is that sexy blonde Thomas, first seen hitting the Nautilus machine in a bust-bursting Spandex outfit, would be dating dorky scientist Combs."

The best thing about this move was Ms. Thomas's assets. She seemed to have reprised her role fromtheold 'Fall Guys' Tv series, in that her wardrobe consisted of, in order of their appearance, leotards, skin tight jeans and spandex mini skirts. The plot was comical, while the fight scenes were pretty good. I kept getting the impression the other actors wished they were some place else.

One particularly silly scene had Teri (Ms.Thomas) tied to a chair, being tortured by the villians to reveal the location of the Cyclone. The dialog is silly, and villians seem more interested in sneering and threatening than getting the information.

For a laugh it worth seeing, but for serious action fans, skip it.

Rarely does one find a movie so bad that it achieves the often-sought paradigm of having so little redeeming value that that alone makes it worth watching. "Cyclone," I am happy to report, is such a film.

I knew I was in for something good as soon as I found the videotape. I am at least its fourth owner: It has a "Used Movie Sale! $9.95" sticker on the front, and a yard-sale sticker for one dollar. I picked it up at a thrift store for fifty cents.

The Used Movie Sale! sticker covers much of the front cover artwork, meaning that what I see is a truly odd blended still of the front of the Cyclone super bike, a car flipping over on fire, and Heather Thomas, wearing Flouncy Eighties Hair with her mouth open in an expression that says, "I 'ave a 'ooth ache." I saw that and thought, "All RIGHT." The case, honestly, was enough ("with nowhere to turn and no one to trust, Teri is plunged headlong into a maze of danger and deceit"), but I surprised myself by actually getting around to watching it. I always make time for the really bad films. That "Fight Club" tape can wait.

Meet Teri. Teri is a stunningly well-crafted character, as we can tell from her introduction, in which she and her friend do exercises that highlight her breasts and, later, her legwarmers. Then Teri goes off to hook up with her boyfriend for the evening that goes horribly wrong. Before she knows it, Teri is driven "straight into a web of deadly double-crosses in CYCLONE." The VHS box tells it like it is.

Left out of the box summary - perhaps out of some faint hope that actual copies of this film would be sold - is how awful the acting is. It might have been just me, but I kept thinking I could read the characters' thoughts through their eyes. "This is dumb," thinks Heather Thomas. "I know," thinks Bad Guy with Too-Wide Mouth.

A driving force (no pun intended) for the second half of this epic picture are the car chases. Those were actually pretty good, although I'm inclined that gasoline doesn't need coaching on how to explode. What really impressed me is that, in all the chases, the streets were pretty much empty. It's like there are only twenty people in this huge city.

I know what you're thinking. You're thinking, "Gee Wilikers! I have to see this movie!" The sad thing, though, is that you can't find it. Oh no. "Cyclone" is a film that finds YOU. Just wait. Some day - perhaps during lunch, perhaps late in the evening, perhaps "when military scientist Jeffery Combs ('Re-Animator')is murdered by hired assassins" - you will hear the rustle of legwarmers, and know that it is time.