La casa de las mil muñecas

If you like Price, this is an offbeat roll for him as this is not straight classic horror, but a mystery thriller with some sexed up 60's kittens and a brothel.. The film takes place in Tangiers and it is basically a clever and tame way to present a plot involving the white slavery trade. The films promo makes one think this is a very prevalent and serious issue, and perhaps it ws then? who knows? Price is a magician of sorts who gets beautiful women to get into his live stage act and then they disappear to the house of 1000 dolls. No one close to them ever sees them again, until a couple gets curious about this phenomena. The ending is a twist that you would not expect.. Perhaps the most memorable thing about this film is the theme song which gets cut off in the VHS version but exemplifies 60's groove with some cheesy pop rifts.. I mean when my ex husband an I saw this in like 1990, we laughed and sang this song for years! Then we recently turned on a few friends to it who were equally amused! don't take it so seriously, get a Pizza on a rainy weekend night and cuddle up for some excitement and intrigue with House Of 1000 DollS!

At the beginning of "La casa de las mil munecas" (called "The House of 1,000 Dolls" in English), we get told that this is a tale of white slavery. I must ask: aren't people concerned when non-whites get enslaved? It just seems to me that they should have concentrated on black slavery, or shown white people and other races getting enslaved. And although I really like Vincent Price, it's sort of distracting to have him as the man running the brothel; you keep expecting to quote Edgar Allan Poe or something.

So, this movie isn't awful, it just takes a weird approach to everything. There are much better movies out there, and if they wanted to show a bunch of hot young women, they could have done it differently.

i think vincent price was one of the greatest actors to ever live, but i have to admit that i don't understand why he degraded himself by starring in this boring, dull, and ultimately pointless bore. the only reason i can think of that they made it at all is that the idea of a whorehouse or female slaves must have been hot stuff on the screen in 1967. was it supposed to be scandalous or something? because otherwise this one is about as exciting and involving as reading a periodical on the cause of varicose veins. it doesn't even work as a goofy camp movie, because it's too solemn and dull. as always price gives an above average performance, but it does nothing for this clunker because the movie as a whole is so fundamentally bad and uninteresting. even if you're a price completist like myself, don't bother watching it, just buy it to fill the whole in your collection.

For bargain-basement Bond and a not-unpleasant 90 minutes, you could do a lot worse than "Dolls." It was made right on the cusp between naughty and not-so-naughty exploitation. Nobody drops a bra, but, junior, you can tell the industry is just a step away from barin' the babes and bustin' loose those free-love vibes.

Plot is pretty standard: We've got a married couple getting ensnared by a white-slavery racket in Tangiers (location filming, by the way). It's got old pros Vincent Price and Martha Hyer in on the intrigue, and George Nader shaking off Rock Hudson long enough to fly over the pond and put this one away.

Mostly, it's all about beautiful babes swingin' their way through the swingin' '60s - and some of the most sluggish, haphazard and least- exciting fistfights you'll see in a long time. Maybe this is the key: It's a Spanish-German co-production. So... in Europe, the women are gorgeous but the stuntmen move like they're encased in slowly hardening lucite. Lotta hollering, too.

It's one of those odd movies that may leave you thinking: They need a dab more violence here. And less hollering.

And that closing song: EEEeeeee-Yowwww!!!

This Spanish/British/German co-production was on AIP's back-burner for quite a while. Eventually, Vincent Price did the film as part of his contractual obligations to the company. Producer/Director Harry Allan Towers specialized in sleazy European thrillers and this one is no exception. When a vacationing couple (George Nader and Anne Smyrner) in Tangiers run into an old friend there, they discover that he is searching for his missing girlfriend (Maria Rohm, Tower's real-life wife) who has been kidnapped by an international gang of white slavers. Nader investigates but before he can come up with anything, his friend is murdered. Meanwhile, nightclub magician Price and his mentalist partner (Martha Hyer), continue their nefarious activities--they hypnotize and kidnap young women for the 'White Slavers', and spirit them to the "House of 1000 Dolls." Yep, that's the plot outline folks, at least in the American cut of the film. Price and Ms. Hyer (who had just married producer Hal Wallis) shared a great interest in art, and in their spare time, they visited local museums together. Years later, when asked about this film, Price had this to say: "What she (Ms. Hyer) and I didn't know was, at the same time, they were making a 'dirty' version of the film. Every day we had off, they'd make a 'dirty version'. We went visiting on the set one day, and there was everyone naked! and they weren't even the same girls!" This explains why the American print of the film runs 78 minutes and the one seen in Europe is various lengths, from 90 to 98 minutes. Thanks to some atmospheric photography,an attractive musical score by Charles Camilleri and good performances from Price, Hyer and Nader, the film is watchable, and the girls are beautiful. This movie played most places with another Towers/Nader potboiler, "The Million Eyes Of Su- Muru" which isn't even as entertaining as this one.