Un niño y una niña con un cristal mágico huyen de piratas y agentes extranjeros que buscan un legendario castillo flotante.Un niño y una niña con un cristal mágico huyen de piratas y agentes extranjeros que buscan un legendario castillo flotante.Un niño y una niña con un cristal mágico huyen de piratas y agentes extranjeros que buscan un legendario castillo flotante.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado en total
Mayumi Tanaka
- Pazu
- (voz)
Keiko Yokozawa
- Sheeta
- (voz)
Kotoe Hatsui
- Dola
- (voz)
Minori Terada
- Muska
- (voz)
Hiroshi Ito
- Oyakata
- (voz)
Machiko Washio
- Okami
- (voz)
Yoshito Yasuhara
- Lui
- (voz)
Shinya Ôtaki
- Egyptian minion
- (voz)
- (as Shinya Ohtaki)
Resumen
Reviewers say 'Castle in the Sky' is acclaimed for its imaginative storytelling, stunning animation, and enchanting music. Themes of friendship, courage, and the perils of technology resonate deeply. The steampunk world, with airships and robots, is praised for its immersive quality. Characters Sheeta and Pazu are celebrated for their depth. The English dub is divisive yet appreciated for its voice talent. The film balances light-hearted moments with darker themes, marking it as a seminal Studio Ghibli work.
Opiniones destacadas
I cannot begin to describe how much I love this film. I love Studio Ghibli, and Castle in the Sky is one of my absolute favourites from them. It has a highly imaginative story for starters, every bit as imaginative as Nausicaa of the Valley of the Wind's. Once again, the animation is magnificent, as is the haunting and poignant music score. The dialogue and pacing are fine too, and the characters are never devoid of their likability and are wonderfully voiced by a top notch voice cast. Castle in the Sky is an absolutely beautiful film, but it is also quite haunting helped enormously by the music and visuals. It is an amazing and I think unforgettable film, one of the best animes, perhaps even animated movies I have seen. 10/10 Bethany Cox
Have you ever wished that you could escape your dull and stressful life at school or work and go on a magical adventure of your own, with one of your closest friends at your side, facing all sorts of dangers and villains, and unraveling the mystery of a lost civilization that's just waiting for someone to discover all its secrets? Even if you're not quite that much of a fantasy-lover, have you ever wished you could simply experience what it's like to be a kid again, and not have a care in the world, for just a couple of hours?
This is exactly what Miyazaki's "Castle in the Sky" is all about. Pazu, a young but very brave and ambitious engineer, lives a rustic life in a mining town until one day, a girl named Sheeta falls down from the sky like an angel and takes him on a journey to a place far beyond the clouds, while all the while they have pirates and military units hot on their trail. Simply put, it is just the incredible adventure that every kid dreams of at one point or another, and I can't help but feel my worries melt away every time I see it.
As it is one of Miyazaki's older works and takes much place in the everyday world, the film is not as visually spectacular or deep in its storyline as Spirited Away, Howl's Moving Castle, or even Princess Mononoke. Still, I find it difficult to say that any of these films are superior over the other, because all three of those films are, at some point or another, mystical to the point of being enigmatic, if not perplexing, especially for the youngest of viewers.
"Castle in the Sky", on the other hand, doesn't try so much to be an allegory of any kind, and it's not a coming-of-age story either; it is instead quite possibly one of the best depictions of the inside of a child's mind I've ever seen. Not only is the artwork beautiful, but the use of perspective from the kids' eyes is just amazing; whether it's the panning up of the "camera" to see the enormous trees or clouds overhead, or the incredible sense of height from looking down at the ground or ocean while hundreds of feet in the air, I just can't help but FEEL like I'm there with Pazu and Sheeta, just a kid in another world, far far away from reality.
Even the kids themselves don't have a complex relationship that suggests a need for hope like Ashitaka/San or Chihiro/Haku; Sheeta is Pazu's angel, having literally fallen into his life from the sky one day, the absolutely perfect person for him right from the very start. As the film progresses, more and more of their true adventurous childhood spirit comes out through their kind words and beautifully realistic facial expressions. Not only are they an adorable reminder of who I used to be, but their endearing friendship never lets up throughout the whole film, only growing stronger all the way to the last frame. For that reason, I've fallen in love with the two of them more than I have with any other Miyazaki couple.
At the same time, "Castle in the Sky" is such an easily accessible film because no matter what kind of casual moviegoer you may be, you'll be sure to find your fix here. Mystery, action, drama, comedy, suspense, sci-fi, romance, even some western...it's all here, just about everything people go to the movies for (except maybe horror). This why I can easily recommend it as a first Miyazaki film; it's perfect for those who have no expectations from having already seen the incredible otherworldliness of some of his more recent works.
Even the ending song of the film, when translated into English, conveys the sense of longing for the discovery of some kind of lost civilization, and some kind of soul-mate, that could not be found in our mundane lives. "The reason I long for the many lights is that you are there in one of them...The earth spins, carrying you, carrying us both who'll surely meet." Miyazaki has always provided poetic lyrics to make ending songs out of Joe Hiasashi's gorgeous scores, but this is the only one I've seen that's both a touching love song and an inspirational dream. I have found myself near tears just listening to it.
"Castle in the Sky" may not be Miyazaki's most developed, spectacular, or meaningful work, but it's absolutely perfect for what it really was meant to be: a true vision of childhood fantasy, and a wonderful escape from reality for any adults who wish they could have the same wonderful sense of imagination they had when they were just carefree little kids. Sit back, relax, and love it for what it is.
This is exactly what Miyazaki's "Castle in the Sky" is all about. Pazu, a young but very brave and ambitious engineer, lives a rustic life in a mining town until one day, a girl named Sheeta falls down from the sky like an angel and takes him on a journey to a place far beyond the clouds, while all the while they have pirates and military units hot on their trail. Simply put, it is just the incredible adventure that every kid dreams of at one point or another, and I can't help but feel my worries melt away every time I see it.
As it is one of Miyazaki's older works and takes much place in the everyday world, the film is not as visually spectacular or deep in its storyline as Spirited Away, Howl's Moving Castle, or even Princess Mononoke. Still, I find it difficult to say that any of these films are superior over the other, because all three of those films are, at some point or another, mystical to the point of being enigmatic, if not perplexing, especially for the youngest of viewers.
"Castle in the Sky", on the other hand, doesn't try so much to be an allegory of any kind, and it's not a coming-of-age story either; it is instead quite possibly one of the best depictions of the inside of a child's mind I've ever seen. Not only is the artwork beautiful, but the use of perspective from the kids' eyes is just amazing; whether it's the panning up of the "camera" to see the enormous trees or clouds overhead, or the incredible sense of height from looking down at the ground or ocean while hundreds of feet in the air, I just can't help but FEEL like I'm there with Pazu and Sheeta, just a kid in another world, far far away from reality.
Even the kids themselves don't have a complex relationship that suggests a need for hope like Ashitaka/San or Chihiro/Haku; Sheeta is Pazu's angel, having literally fallen into his life from the sky one day, the absolutely perfect person for him right from the very start. As the film progresses, more and more of their true adventurous childhood spirit comes out through their kind words and beautifully realistic facial expressions. Not only are they an adorable reminder of who I used to be, but their endearing friendship never lets up throughout the whole film, only growing stronger all the way to the last frame. For that reason, I've fallen in love with the two of them more than I have with any other Miyazaki couple.
At the same time, "Castle in the Sky" is such an easily accessible film because no matter what kind of casual moviegoer you may be, you'll be sure to find your fix here. Mystery, action, drama, comedy, suspense, sci-fi, romance, even some western...it's all here, just about everything people go to the movies for (except maybe horror). This why I can easily recommend it as a first Miyazaki film; it's perfect for those who have no expectations from having already seen the incredible otherworldliness of some of his more recent works.
Even the ending song of the film, when translated into English, conveys the sense of longing for the discovery of some kind of lost civilization, and some kind of soul-mate, that could not be found in our mundane lives. "The reason I long for the many lights is that you are there in one of them...The earth spins, carrying you, carrying us both who'll surely meet." Miyazaki has always provided poetic lyrics to make ending songs out of Joe Hiasashi's gorgeous scores, but this is the only one I've seen that's both a touching love song and an inspirational dream. I have found myself near tears just listening to it.
"Castle in the Sky" may not be Miyazaki's most developed, spectacular, or meaningful work, but it's absolutely perfect for what it really was meant to be: a true vision of childhood fantasy, and a wonderful escape from reality for any adults who wish they could have the same wonderful sense of imagination they had when they were just carefree little kids. Sit back, relax, and love it for what it is.
This is one of the best animated family films of all time. Moreover, virtually all of the serious rivals for this title came from the same creative mind of Hiyao Miyazaki and his Studio Ghibli. Specifically, other great films include "My Neighbor Totoro" and "Kikki's Delivery Service." Spirited Away is quite good, but a bit too creepy for typical family fare - better for teenagers and adult. The one thing that sets "Laputa: Castle in the Sky" apart from other films by Miyazaki is that it is far more of a tension-filled adventure ride.
Why is this film so good? Because it's a complete package: the animation is very well done, and the story is truly engaging and compelling.
Most Japanese anime is imaginative, but decidedly dark or cynical or violent; and the animation itself is often jerky, stylized, and juvenile. None of these problems plague Castle in the Sky. It has imagination to burn, and the characters are well drawn, if slightly exaggerated versions of realistic people. (None of those trench-coat wearing posers) There is plenty of adventure, but not blood and gore. The animation is smooth, detailed, and cinematic ally composed - not a lot of flat shots. The backgrounds are wonderful.
The voice acting in the dubbed English version is first rate, particularly the two leads, Pazo (James Van der Beek) and Sheeta (Anna Paquin). The sound engineering is great, too. Use your studio sound, if you've got it.
One aspect that I particularly enjoyed is that much of the back story is left unexplained. Laputa was once inhabited, and is now abandoned. Why? We never know. We know as much as we need to know, and then we just have to accept the rest, which is easy to do because the invented world is so fully realized. Indeed, it is fair to say that the world is more fully realized than most of the minor characters, who are for the most part one-dimensional stock characters (e.g., gruff general, silly sidekick, kooky old miner, etc.) Highly recommended for people aged 6 to 60!
Why is this film so good? Because it's a complete package: the animation is very well done, and the story is truly engaging and compelling.
Most Japanese anime is imaginative, but decidedly dark or cynical or violent; and the animation itself is often jerky, stylized, and juvenile. None of these problems plague Castle in the Sky. It has imagination to burn, and the characters are well drawn, if slightly exaggerated versions of realistic people. (None of those trench-coat wearing posers) There is plenty of adventure, but not blood and gore. The animation is smooth, detailed, and cinematic ally composed - not a lot of flat shots. The backgrounds are wonderful.
The voice acting in the dubbed English version is first rate, particularly the two leads, Pazo (James Van der Beek) and Sheeta (Anna Paquin). The sound engineering is great, too. Use your studio sound, if you've got it.
One aspect that I particularly enjoyed is that much of the back story is left unexplained. Laputa was once inhabited, and is now abandoned. Why? We never know. We know as much as we need to know, and then we just have to accept the rest, which is easy to do because the invented world is so fully realized. Indeed, it is fair to say that the world is more fully realized than most of the minor characters, who are for the most part one-dimensional stock characters (e.g., gruff general, silly sidekick, kooky old miner, etc.) Highly recommended for people aged 6 to 60!
When the airship she is on is attacked, Sheeta tries to escape from her would-be captors but falls to her death through the clouds. Fortunately the enchanted and mysterious crystal she is wearing round her neck saves her and floats her to the ground where she is found by young Pazu, who is rushing to get back to his boss in the mine with food. Pazu takes her in and they become friends but quickly learn that the pirates after Sheeta have not given up their chase. Not only do the pair have to deal with the pirates but also the government, led by sinister agent Muska, have their own dark reasons for getting hold of Sheeta. Escaping Pazu's town together is only the start of their adventure together.
Hard to believe that this film is twenty years old and yet looks as fresh and is as engaging as anything else you will see today. The sheer visual style and imagination is quite breath-taking and I could not quite believe that this was made by Miyazaki only 7 years after the vastly inferior (but still OK) Rupan sansei: Kariosutoro no shiro (or The Castle of Cagliostro as it was in the UK). As writer he has also done well to craft a story that is engaging and enjoyable. It struggles at times with the weight of coincidence needed to make the film move forward but the manner of delivery covers up these little problems by producing regular action and fun characters. The pace of the film is perfectly pitched and things move forward really well and I can't imagine an audience of children or adults will be bothered by the running time. The characters bring out nice relationships as well which adds value to the story but unfortunately points made late in the film about the environment and such are heavily made and clunky.
The voice cast in the English dub are mostly very good. Sadly the weakest link is Paquin, she sounds unnatural and a little wooden too often. She probably isn't that weak but she is shown up by an engagingly fresh and natural delivery from Van Der Beek not something I expected to be saying when I learnt he was doing the voice of Pazu. Just as good is Leachman's Dola blessed with a good character in the first place, her voice is spot on despite sounding a little like Mrs Skinner on the Simpsons. Hamill takes the bad guy role well and shows his experience at animation even if he is a little hammy at the odd point. Everyone works well together and they deliver their characters well to support the narrative and they match the impressive visuals well.
Overall this may not have the emotional depth of Spirited Away but it has strong characters and good relationships. These are grown within a engaging story told with pace and a good rate of action. Of course if none of this interests you then it is still worth seeing for Miyazaki's imagination and style, which is impressive and hard to believe that it is 20 years old this year.
Hard to believe that this film is twenty years old and yet looks as fresh and is as engaging as anything else you will see today. The sheer visual style and imagination is quite breath-taking and I could not quite believe that this was made by Miyazaki only 7 years after the vastly inferior (but still OK) Rupan sansei: Kariosutoro no shiro (or The Castle of Cagliostro as it was in the UK). As writer he has also done well to craft a story that is engaging and enjoyable. It struggles at times with the weight of coincidence needed to make the film move forward but the manner of delivery covers up these little problems by producing regular action and fun characters. The pace of the film is perfectly pitched and things move forward really well and I can't imagine an audience of children or adults will be bothered by the running time. The characters bring out nice relationships as well which adds value to the story but unfortunately points made late in the film about the environment and such are heavily made and clunky.
The voice cast in the English dub are mostly very good. Sadly the weakest link is Paquin, she sounds unnatural and a little wooden too often. She probably isn't that weak but she is shown up by an engagingly fresh and natural delivery from Van Der Beek not something I expected to be saying when I learnt he was doing the voice of Pazu. Just as good is Leachman's Dola blessed with a good character in the first place, her voice is spot on despite sounding a little like Mrs Skinner on the Simpsons. Hamill takes the bad guy role well and shows his experience at animation even if he is a little hammy at the odd point. Everyone works well together and they deliver their characters well to support the narrative and they match the impressive visuals well.
Overall this may not have the emotional depth of Spirited Away but it has strong characters and good relationships. These are grown within a engaging story told with pace and a good rate of action. Of course if none of this interests you then it is still worth seeing for Miyazaki's imagination and style, which is impressive and hard to believe that it is 20 years old this year.
I first saw this film when I was about seven years old and was completely enchanted by it then but for years was unable to find out what the film was called. now i am twenty one and stumbled upon the film by accident about two weeks ago and bought a copy. although my memory of the film was a little hazy I was in no way disappointed by what I saw. the animation in this film is superb conjuring up an entire world that is so believable and so well animated that you are drawn in to the film by that alone. But this film also has a plot that will enchant and entertain adults and children alike. with a floating island, a mad general, a friendly pirate granny and a well constructed love story this film will not let you down I would recommend this film to any one.
¿Sabías que…?
- TriviaLaputa, the flying island, was a setting in Jonathan Swift's novel Gulliver's Travels, published in 1726. Hayao Miyazaki says in interviews that he was unaware that "la puta" means "the whore" in Spanish. If he had known the translation, he would not have used it as a title. Swift, incidentally, is considered the inventor of "black comedy" and, as a well-educated man and satirist, very likely knew the meaning of the Spanish term (in the novel, the Gulliver character lists Spanish as one of the many languages he's fluent in).
- ErroresIn the punchout scene between Shalulu and Pazu's boss, there are instances where we don't hear any auditory reactions, much less punches, when the camera is showing long shots of the crowd in either the Japanese version or the Magnum-English dub. (Disney's version, predictably, adds in more walla and punching sounds for that scene.)
- Citas
Uncle Pomme: The earth speaks to all of us, and if we listen, we can understand.
- Créditos curiososThe end credits show the remains of the castle Laputa floating on Earth's orbit.
- Versiones alternativasAn English dub of this film was produced by the Walt Disney Company in 1999 (originally intended to be released that same year), but wasn't released on DVD until 2003. The English dub shortens the title to "Castle in the Sky," removing the word "Laputa," since it means "the whore" in Spanish. The voice cast includes James Van Der Beek, Anna Paquin, Mark Hamill, Cloris Leachman, Mandy Patinkin, Andy Dick, and Michael McShane.
- ConexionesEdited into Miyazaki Dreams of Flying (2017)
- Bandas sonorasKimi wo Nosete
(Carrying You)
(insert song)
Lyrics by Hayao Miyazaki
Music by Joe Hisaishi
Performed by Azumi Inoue (Tokuma Japan)
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- How long is Castle in the Sky?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- También se conoce como
- Castle in the Sky
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 3,300,000 (estimado)
- Total en EE. UU. y Canadá
- USD 523,664
- Fin de semana de estreno en EE. UU. y Canadá
- USD 197,172
- 18 nov 2018
- Total a nivel mundial
- USD 6,699,345
- Tiempo de ejecución2 horas 4 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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