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Moving into her boyfriends' new house, a former psychiatric patient and her son continue to experience strange events and visions caused by the ruthless former owner of the house and realizing that the haunting has affected him as well they try to discover a way of stopping it from consuming him.

This one wasn't that bad of an effort. One of it's best elements is the fact that the backstory used to set up the haunting manages to work itself out rather well. With the idea of the house being haunted by the ghosts of the past who are looking to settle the score for the treatment inflicted upon them by the cruel slave-owner in the past, which is a fine and worthwhile showing for these kinds of films in order to set up a potential haunting. That the early setups inside the house bring about their early introduction into the supernatural happenings in the house, from finding the secret room filled with pigeons to the discovery of the diary and the strange key on the grounds which all signal the start of the creepy action. That also leads to the film's rather decent and enjoyable haunting scenes. With the first hauntings occurring through her nightmares to the discovery of the bones locked in the attic and then the children's toys coming to life and playing on their own, this builds up rather nicely with a nice series of visions and sequences that further fuel her mental anguish. Since the attacks and visions are based more on her being the main witness to the action and her backstory being his patient as well as the backstory with the house, these come together rather nicely to deliver some pretty fun cheesy moments that move the hauntings into possession that matches the activity in the backstory. Featuring some solid action in this part of the film and really having a lot to like in the finale, these here hold this one up for the most part. There are a few problems here. The main issue is the absolutely troublesome beginning to this one to get the film going as it takes a while to get the storyline setup. The exploits of the doctor at the asylum working with his patients isn't all that interesting, as making his rounds or showing how he cares for the more psychotic inmates doesn't really serve any kind of interesting activities going on, especially with the plotless reasons for staying there as often as we do. That this is countered by the boring scenes of them packing up to move into the house just makes for an overlong and boring setup that takes forever to get going as the lack of horror scenes early on due to this issue is quite noticeable. The other big problem with this one is the absolutely bizarre and chaotic final half that makes no sense whatsoever. The film throws the characters through several alternate timelines and periods of history with various figures from her past thrown together into one random series of hallucinations to torment her and yet none of it makes any sense since nothing comes of these scenes. There's no greater sense of understanding the events of the past or using them to have the upper hand in the big confrontation, and it just ends up going through its scenes in such a random manner as chaotically as it does here just makes for a confusing time that lowers this one significantly. These here are the biggest problems to be had with this one.

Rated R: Graphic Language and Graphic Violence.

In the 19th Century some slaves put a curse on cruel slave trader George Masterson (David Ramsey). Move forward to the mid-1980's and pop singer Kate (Mary Page Keller, complete with mullet) moves into Masterson's Southern mansion, along with young son Jason and boyfriend Dr David Young. Needless to say strange and spooky things start to happen, eventually becoming more and more horrific. Back in the 1980's and 90's I was visiting video shops most weeks and I did have a poster for the UK VHS release of this movie yet strangely I don't think that I had actually watched it until last night. I recently acquired the Arrow blu-ray and a fine release it is too. Scared Stiff is very typical of the B movies that found themselves more or less straight to VHS, and that is certainly no bad thing as that period was awash with such films and it was a great time to be a horror fan. This one reminds me of "House" (1986) but with less humour plus it's not as good. The movie had a low budget but the acting is fine though the practical special effects (so much better than horrible CGI) are the real stars of the show. I have seen better quality but they are good enough. I clearly remember this for its wonderful Graham Humphrey's VHS poster artwork but can find very little mention of it in my horror movie books. Sad really, it's no classic but does deserve to be better known. For a late night movie, lights off and a few beers it's a pretty entertaining watch. And after the end credits have rolled don't be surprised if you have the song "Beat of the Heart" going around and around in your head, ha ha!

This movie has a wild variety of practical and early computer effects. It is certainly over the top at times, and some probably laugh at it as a result, but I found it a pleasure to watch. The opening in the slave market sets the tone that we are in for something different. Yes, the male lead is bland as hell but the mom and kid do a pretty good job for a movie of this budget. The final 30 minutes really ramps up and I kept saying "whoa!" out loud as things got wackier and wilder by the minute. I've seen so many crappy movies getting reissued these last few years that it's always refreshing to actually see something that people put a lot of effort into.

'80s supernatural horror Scared Stiff is, for the most part, a rather dull affair, but it is lifted somewhat by a final twenty minutes that completely throw logic and sanity out of the window. The lunacy is hinted at in an earlier scene where a young lad's toy cars come to life, engines roaring and wheels spinning, but it's not until the closing act that director Richard Friedman goes all out with the madness, chucking in time travel, a snarling monster, an exploding police car (it's amazing how easy the vehicle blows up), a mouldy corpse smashing through a window (having hung outside for several days unnoticed), a giant floating lampshade in the shape of an Indian, and Ivory Coast natives hurling spears through time and space.

The plot goes something like this: having recovered from a mental breakdown, pop star Kate moves into a new home with her boyfriend (and doctor) David Young (Andrew Stevens), and her seven year old son Jason (Josh Segal), unaware that the place is haunted by the malevolent ghost of a slave merchant. This hokey old set-up is rife with clichés, Friedman's attempts at atmosphere and foreboding fall horribly flat, his cast give uniformly bad performances, and certain scenes are horribly dated (such as the moment when Jason's computer projects a holographic 3D image or when David explains what diskettes are for). If you can, try and stay the distance for the mind-numbingly bonkers ending, which is just about worth the wait, but I wouldn't blame you if you gave up and found something better to do with your time.

2/10, plus a couple more points for the nutty stuff.

If watched in the context of 1980's horror films this is a great little forgotten horror, fits in with films of the era such as 'House' & 'The Gate' movies, has the real film of USA middle budget horror films, it's a little surprise gem of that era .... enjoyable horror flick.