Baño de sangre

Caught this at an Arizona drive-in, back about 1983. It truly bothered some of my friends, but we all thought it was better than the co-feature, "Happy Birthday To Me". I hunted for quite a while looking for this, and finally found it at a Pawn shop in St. Paul, on VHS. Guess some folks have also been looking, and it is on DVD as "Nightmares In A Damaged Brain". But the disc runs about 94 minutes, and is missing some gory highlights, as well as a few touches of plot. the one you want was just "Nightmare", and runs about 98 minutes. the version you want came from 21st Century releasing, and is worth the hunt, if this is your sort of thriller. I wish everyone good luck, but I'm not giving mine up.

Trying to bring the Italian giallo genre into the then-popular American slasher genre, Nightmare is a half-clever attempt. Those two extremes don't seem like a good fit, with the typical slash-and-hack, one-by-one structure of the slasher genre mixing a bit awkwardly with the more flamboyant, open-ended and director-focused giallo film movement. "Nightmare" isn't particularly coherent and can feel a bit half-hearted at times, but it has enough startling moments and a truly twisted (and brutal) view of sexuality to at least be interesting beyond it's initial viewing.

Often considered a Grindhouse staple, it shares the qualities of many other films of that "genre": lousy dubbing, horrid acting, completely conspicious continuity blunders, a soundtrack and film print that makes the viewer feel like their head is being held under muddy water. It's also unusually bleak and morally ambiguous for an American film, a telling sign that this was directed by an European. There's also a sense of the American-slasher puritanism, as noticed by the Killer's view of promiscious adults around him, but it's not quite as black-and-white as many of the like-minded films at the time. Largely because we're asked to look at the film's largely unseen killer with a more subjective eye.

"Nightmare" may be poorly made, although a few cat-and-mouse sequences are well-staged and engaging enough, but it's far from useless. It's cross between American DIY ethos and lavish, fetishitistic European flavoring is uneven and sloppy but always weird and alluring enough to keep you watching. The film's modest cult following is understandable.

A mental patient (Baird Stafford), who is troubled with horrible nightmares, has escaped from his hospital. Now on the streets he cannot help killing innocent people. But there is one family he is more than interested in and when he tries to kill them, he finds that it is not that easy.

First of all, to properly enjoy this film, you need to see a good copy of it. Although I have not seen it, the Code Red DVD is apparently the best and as clear as could be wanted. The version I watched was pretty awful, grainy and discolored. This took nothing away from the fun, but made it seem even cheaper than it needed to be.

The plot is a bit disjointed, incoherent, and the editing is not flawless. Maybe Code Red fixed this, but it is most likely just a part of the film. The plot still makes sense, but trying to figure out who all the characters are and why they matter might take a bit of work even if you pay close attention. A second viewing (or third) could not hurt.

The best thing about the film is either the gore (which is great whether or not it was done by Tom Savini) or the kid (C. J. Cooke) who plays CJ. When he faces off against the "bad guy", the whole scene is priceless and well worth the build up.

Although Romano Scavolini has been directing since the 1960s, this is his best-known title and he has never really made himself a big star from his work. Baird Stafford has only one other credit, appearing in Scavolini's war film "Dog Tags" (1985). C. J. Cooke never acted again... a real shame.

The 1981 splatter film NIGHTMARE hearkens back to a long-passed time in American horror cinema when "slasher" flicks were not only excessively gory, but also deeply disturbing in their underlying themes. These films not only outraged elitist film critics and general audiences, but also worried many horror film enthusiasts who felt that such films had "gone too far" in their uncompromising brutality. While a few of these films, most notably William Lustig's masterful MANIAC (1980), have attained cult status and been rereleased to DVD and VHS, most of these films have fallen out of print and into obscurity. Unfortunately, this is the case with NIGHTMARE, one of the better examples of the visceral, uncompromising horror films of the late 1970s and early 1980s.

Admittedly, this film does not start off very well. The first 30 minutes or so are pretty sloppy and hard to follow, largely because of choppy editing. However, once the film's story gets on track, what follows is a truly disturbing and horrific splatter film. Director Romano Scavolini, obviously working with a very low budget, nevertheless delivers some genuine suspense and adds touches of style (though he can't touch Dario Argento). The acting by the cast of unknowns is also surprisingly good. While the music during the opening and closing credits is pretty lousy, the score during the rest of the film is terrific, effectively creating an atmosphere of dread and fear. Of course, there's also the unforgettable gore effects by Tom Savini, displayed most spectacularly at the film's finale.

It goes without question that NIGHTMARE is definitely not for all tastes. Non-horror fans should stay far, far away. Additionally, I must note that more than any film I have ever seen, this film should not be viewed by children or impressionable young adults. However, hardcore fans of horror should definitely give this example of a bygone era a look. Watch this with some teeny-bopper flick like I STILL KNOW WHAT YOU DID LAST SUMMER and see which film leaves a longer lasting impression.

**1/2 out of ****

Nightmare may not be on anyone's list as 'one-to-watch' with the abundance of new Hollywood horrors that swamp our DVD shelves and VOD highlights, most of which are barely worth the rental, but for any fan of horror, more so that of real horror from the 80's when it was about being real, then Nightmare surely still holds up as one of the most gruesome pictures of its day, and still is!

Slightly dated, but only in looks and acting, the tension and thrills behind Nightmare still stands strong complete with some infamous and disturbing FX scenes that hailed it as a video nasty back in the day, leading to its cuts by the BBFC and lack of distribution.

I'm surprised a remake hasn't already surfaced, but then again, possibly glad at the same time!

Nightmare is twisted, but with a good dose of realism to it based on certain links in the story, characters and outcome.

Well worth the watch, but most definitely not for the squeamish!