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7.2/10
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Agrega una trama en tu idiomaJailer Vishwa trains three death row inmates to hunt down escaped terrorist Michael, who killed his grandchildren.Jailer Vishwa trains three death row inmates to hunt down escaped terrorist Michael, who killed his grandchildren.Jailer Vishwa trains three death row inmates to hunt down escaped terrorist Michael, who killed his grandchildren.
- Dirección
- Guionistas
- Elenco
Bindu Desai
- Tulsi's Chachi
- (as Bindu)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Subhash Ghai always manages to blend cheesy dialogs in what could otherwise be a solid movie.
While I agree with other reviewer who commented on the limited stunts, there is a deep-rooted soul in this movie that is hard to ignore.
The cast contributes well but so many famous actors would normally mean some roles will have that negative what-are-you-doing-here value-add to the overall story line.
To my dear Western friends, I can only add that I hear your complaints when you compare this to a Hollywood action movie. But this is not a traditional action movie. There are strong emotional overtones in all Indian movies, without which the story will invariably lack any punch.
And to the friend who is hesitant in watching Sholay, I can assure you it is one of, if not the, greatest Hindi action movies. You probably may want to talk to an Indian fan of Sholay to set the context for the story, as you may not be able to relate to the characters if you focus only on action.
I would be very happy to tell you how Sholay is a unique movie from so many perspectives. But most important of all, it has some of the greatest performers from India cinema - Sanjeev Kumar, Amitabh Bachchan, Dharmendra and Amjad Khan - what a first performance ! His character strikes fear and I would venture to say his role of brutal, take-no-prisoners mindset is a major departure from traditional Indian villains.
To others who liked this movie, please do check out "Kaala Pathar", "Deewar".
Good luck.
While I agree with other reviewer who commented on the limited stunts, there is a deep-rooted soul in this movie that is hard to ignore.
The cast contributes well but so many famous actors would normally mean some roles will have that negative what-are-you-doing-here value-add to the overall story line.
To my dear Western friends, I can only add that I hear your complaints when you compare this to a Hollywood action movie. But this is not a traditional action movie. There are strong emotional overtones in all Indian movies, without which the story will invariably lack any punch.
And to the friend who is hesitant in watching Sholay, I can assure you it is one of, if not the, greatest Hindi action movies. You probably may want to talk to an Indian fan of Sholay to set the context for the story, as you may not be able to relate to the characters if you focus only on action.
I would be very happy to tell you how Sholay is a unique movie from so many perspectives. But most important of all, it has some of the greatest performers from India cinema - Sanjeev Kumar, Amitabh Bachchan, Dharmendra and Amjad Khan - what a first performance ! His character strikes fear and I would venture to say his role of brutal, take-no-prisoners mindset is a major departure from traditional Indian villains.
To others who liked this movie, please do check out "Kaala Pathar", "Deewar".
Good luck.
10jai_163
I first saw this film when I was 8. I loved it then and I love it even more now. The main aspect of this film you have to realise is that, whilst it may not be up to the usual standards of the sophisticated pallette belonging to your average everyday hollywood filmgoer, Karma was a huge leap in filmmaking within India. Its brilliance lies not within the meagre budget it was made with (meagre compared to Hollywood standards) but with the dedication applied by its cast, crew and of course its most prized asset...the director.
Karma is a film that, admittedly, does not have the sophistication of a Lethal Weapon or Die Hard. You may think im making excuses for a poor film. On the contrary its with these obstacles in mind that Karma has become a GREAT film. The quality of acting talent within the film is awesome, including the great Dilip Kumar and Naseeruddin Shah. The story itself has won several awards and the most important part of the film is the directors style of filmaking which is so unique and stylised that, although this film has been made on a budget and some of the effects may leave a little to be desired, karma is beautiful to watch. The flowing camera movements never let you sit still, the music, though may sound the same, is emotive and used sparingly in the right places to create the perfect effect as a great wine does with your evening meal.
Subhash Ghai is an awesome filmmaker as he never bows to the traditional method of filmmaking. He is an innovator in the art of Indian movie making who tackles the strongest issues and social weakness in India and indeed humanity itself. Be it the recruiment of children into crime and terrorism as displayed so eloquently by the three young protagonists, the strength of family values which can overcome even the hardened minds displayed by Dilip Kumar or just the need for unity in the country and the world against oppression. Karma is an ideological film, based on the idea that all humans are inherently good and that life itself creates the difference between an officer and a criminal. Therefore no matter which god you believe in, what country you are from, in life your actions define who you really are
Karma is a film that, admittedly, does not have the sophistication of a Lethal Weapon or Die Hard. You may think im making excuses for a poor film. On the contrary its with these obstacles in mind that Karma has become a GREAT film. The quality of acting talent within the film is awesome, including the great Dilip Kumar and Naseeruddin Shah. The story itself has won several awards and the most important part of the film is the directors style of filmaking which is so unique and stylised that, although this film has been made on a budget and some of the effects may leave a little to be desired, karma is beautiful to watch. The flowing camera movements never let you sit still, the music, though may sound the same, is emotive and used sparingly in the right places to create the perfect effect as a great wine does with your evening meal.
Subhash Ghai is an awesome filmmaker as he never bows to the traditional method of filmmaking. He is an innovator in the art of Indian movie making who tackles the strongest issues and social weakness in India and indeed humanity itself. Be it the recruiment of children into crime and terrorism as displayed so eloquently by the three young protagonists, the strength of family values which can overcome even the hardened minds displayed by Dilip Kumar or just the need for unity in the country and the world against oppression. Karma is an ideological film, based on the idea that all humans are inherently good and that life itself creates the difference between an officer and a criminal. Therefore no matter which god you believe in, what country you are from, in life your actions define who you really are
8Ibuk
There have been many remakes of Sholay,Karma,Farishtay, Mela,Chinagate,Army and many more I were so forgettable I can't even remember them at the moment. Out of all of these the remake that stands out is Subhash Ghai's Karma. The reason for that is that it is the only decent remake of Sholay. The plot involves Policeman(Dilip Kumar) whose family is gunned down by Dr Deng(Anupum Kher). Dilip Kumar enlists the help of the three heroes(Naseer Uddin Shah,Anil Kapoor and Jackie Shroff)to help kill Dr Deng. Whilst Dilip Kumar is no match for the great Sanjeev Kumar he does portray his role very well, it's a shame that the same cannot be said for Anupum Kher who I thought was rather bad. The songs,as per usual in a Ghai production were fantastic, in particular Dil diya hai jaan bhi jenge. Another thing I also liked was the unexpected death to one of the heroes(I won't say which one, find out for yourself). The only real complaint I have of Karma is that it is slightly uneven, throughout most of the movie there is hardly any action then in the last thirty minutes it becomes an absolute bloodbath. Karma was made in 1986 at a time where Subhash Ghai could do no wrong,Meri Jung,Hero,Karz, he even went on to make movies like Ram Lakhan and Saudgar. After that he seems to have lost his touch,Pardes I thought was average,Taal I think is rather overrated, Yaadein was trash,Kisna was a real bore. I have not mentioned his latest Yuvraaj because after Kisna I have completely given up on him ever making a decent movie again and therefore didn't see it but from the comments I have read about it I can only assume it is rather bad. Please Mr Ghai prove me wrong and give me a masterpiece with your next movie and reestablish your status as a genius of Bollywood movies.
I was really looking forward to this movie. I'd seen the poster in an old French textbook (don't ask why) and it looked quite awesome. I'd never seen an Indian film before, and I figured an Indian action movie from the 1980s could be great. So last month I purchased the Karma DVD online.
Two words: big disappointment.
I don't know if all Indian movies are like this, but the photography was terrible, the acting was cheesy, the songs are incredibly generic (they all sound the same to my western ears), and the action is TERRIBLE. The movie has a few good explosions, and lots of guys get gunned down, but the stunts are third rate (at best!). The director doesn't handle the story or the action with any sort of style or exuberance. The movie has only one redeeming quality, and that's the actor with the black beard. He's a real badass, and he nearly pulls this movie from the brink with his incredible Bronson/Eastwood-esque performance.
If the Indians want to make movies like Hollywood, they need to trim their scripts down and learn how to direct. I still want to see Sholay, but if that's as bad as this movie then I won't be putting any more Indian films at the top of my list.
Two words: big disappointment.
I don't know if all Indian movies are like this, but the photography was terrible, the acting was cheesy, the songs are incredibly generic (they all sound the same to my western ears), and the action is TERRIBLE. The movie has a few good explosions, and lots of guys get gunned down, but the stunts are third rate (at best!). The director doesn't handle the story or the action with any sort of style or exuberance. The movie has only one redeeming quality, and that's the actor with the black beard. He's a real badass, and he nearly pulls this movie from the brink with his incredible Bronson/Eastwood-esque performance.
If the Indians want to make movies like Hollywood, they need to trim their scripts down and learn how to direct. I still want to see Sholay, but if that's as bad as this movie then I won't be putting any more Indian films at the top of my list.
Karma is a Hindi-language action thriller film directed by Subhash Ghai. The film stars Late Dilip Kumar, Late Nutan, Jackie Shroff, Anil Kapoor, Naseeruddin Shah, Late Sridevi, Poonam Dhillon, Late Satyanarayana Kaikala, Late Dara Singh, Shakti Kapoor and Anupam Kher.
A terrorist kills a jailer's family to avenge his insult. The jailer recruits three death-row prisoners to assist him to get the revenge from the terrorist.
The film loosely inspired from the Indian classic 'Do Aankhen Barah Haath' is a treat to watch. This film can rightly be called as typical masala film with lots of action, decent music and a some comedy. The film will entertain you completely and despite of its long length which is close to 3 hours you'll not find disconnected from the film.
The plot of the film is good and the execution is superb, the screenplay of the film is gripping and will keep you hooked to the scene throughout.
Acting is superb and everyone was terrific in their respective performances be it Dilip Sahab, Nutan, Anil, Jackie, Nasir, Poonam Dhillon or Sridevi but the most impressive of them all was Anupam Kher who was very impressive in his negative role and almost steals the show.
The music of the film is decent and the title song is still very much popular. One of the greatest film of Indian cinema and a must watch.
A terrorist kills a jailer's family to avenge his insult. The jailer recruits three death-row prisoners to assist him to get the revenge from the terrorist.
The film loosely inspired from the Indian classic 'Do Aankhen Barah Haath' is a treat to watch. This film can rightly be called as typical masala film with lots of action, decent music and a some comedy. The film will entertain you completely and despite of its long length which is close to 3 hours you'll not find disconnected from the film.
The plot of the film is good and the execution is superb, the screenplay of the film is gripping and will keep you hooked to the scene throughout.
Acting is superb and everyone was terrific in their respective performances be it Dilip Sahab, Nutan, Anil, Jackie, Nasir, Poonam Dhillon or Sridevi but the most impressive of them all was Anupam Kher who was very impressive in his negative role and almost steals the show.
The music of the film is decent and the title song is still very much popular. One of the greatest film of Indian cinema and a must watch.
¿Sabías que…?
- TriviaSubhash Ghai's original choice for the villain's role (Dr. Dang) was Amrish Puri, but the film-maker opted for Anupam Kher instead. Reason: "Amrish has been killed so many times on screen earlier that people wouldn't be interested in watching him get killed yet again," Ghai had revealed then.
- ConexionesReferenced in Musafir (2004)
- Bandas sonorasKarma (Introduction)
Sung by Dilip Kumar
Composed by Laxmikant Shantaram Kudalkar and Pyarelal Ramprasad Sharma (as Laxmikant - Pyarelal)
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- How long is Karma?Con tecnología de Alexa
Detalles
- Tiempo de ejecución3 horas 13 minutos
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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By what name was Karma (1986) officially released in Canada in English?
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