Flodder

Flodder, the movie adaptation of the beloved TV series, earns a solid 8/10 from me. While it may not capture all the elements that made the series exceptionally enjoyable, the film still stands strong on its own merits. It successfully brings the unique and uproarious world of the Flodder family to the big screen, offering a good dose of humor and entertainment.

The movie maintains the essence of what makes Flodder such a beloved franchise its quirky characters, offbeat humor, and the outrageous situations the family finds themselves in. However, fans of the series might notice the absence of Coen van Vrijberghe, whose presence added a distinct flavor to the show. His absence in the film is felt and leaves a bit of a void for those familiar with his contribution to the series.

Despite this, the movie does a commendable job of translating the chaotic and unconventional life of the Flodder family into a feature-length format. It retains the spirit of the series, while also introducing the characters and their bizarre lifestyle to potentially new audiences.

Although a poor film it contains more than enough good jokes, and that is just why it was being made.If you like the rude dutch sense of humor this would be a movie you certainly like. Lots of influence of Brutti, Scorchi e Cattivi from Ettore Scola. If you think flodder is a bit corny, go and see this tasteful movie.

Dick Maas made and wrote his first of the Flodders-trilogy as a brilliant comedy without knowing that there would be two sequels which were not so strong. The housing problem in Holland in cities like Amsterdam or Rotterdam is acute and there is above all the problem of illegal immigrants. And what more is: living on a belt or next to a chemical plant can be dangerous. Flodder is more than a simple comedy: it is also a social satire of the cool Dutch bourgeosie who wants to be isolated of the big towns where there is criminality and so on but who goes to the warm countries during holidays to change their mediocre existence. Take Yolanda (Apollonia van Ravenstein), she is bored by her neighbourhood where never happens anything - there are f.i. no "café's" - and tired of her husband Kolonel Wim Kruisman (Herbert Flack) and she starts a sexual adventure with Johny Flodder (Huub Stapel). Alcoholism is also a subject of the movie: the alcohol is made at home and consumed in high quantities and whisky is drunk in floods by Kolonel Kruisman. This comedy is unsurpassed and is at the same time a sociological study of the escape out of town of the high-class citizens to the outskirts.

I ran this in my cinema..... and for kids! Oh dear!!... in the 80s we used to screen midnight to dawn marathons for teenagers (and younger) who all came, pajama clad and spent the night at the movies. THE FLODDERS was apparently some breakout hit in Holland so for the usual bizarre reason, it was rushed to Australia. So, in the tradition of SEXTETTE, or UNDERSEA KINGDOM, or AT LONG LAST LOVE.... it was plonked into a midnight to dawn show for 'wake me up' value. And eeeeeekkkkk! did it ever.... a never ending stream of vulgar gags about this drunken fornicating spewing bumpkin family who move to a stylish suburb and the skid-marked mayhem they cause. I clearly remember standing at the back of the theater watching from between my fingers as some oaf was fornicating on the bonnet of the family car... when it was revealed - ha-ha- he didn't know it was (wait for it......) his daughter! I ran screaming from my own cinema.

Flodder is without a doubt the funniest film I've ever seen. Timing is the keyword in this movie. I've must have seen the movie for more than 30 times. Every time I discover something new that makes me laugh out loud. The acting is superb and so is the directing. All in all, this is maybe the best movie ever made in Holland.

10/10