De Heineken ontvoering

Rutger Hauer in great shape, as he has but a few lines, as Alfred Heineken bullied by a young criminal, who in fact build a scary career afterwards. Story well told, much better than the English remake. Heineken never fully recovered, not all the money was traced. More interesting, I admit, once you know what happend afterwards. Not every kidnapper managed to grow old. The young criminals sister, a lawyer, later wrote a book on him, that shocked the a Dutch readers. On basis of her testimony, incl recorded phone calls, he was convicted. With Hauer on screen, there' s a strange effect, he draws your attention, even when he is silent. Sad he is no longer among us.

This was a film I came to in a very circuitous route. There was a wonderful piece in The New Yorker in August 2018 entitled "How a Notorious Gangster was Exposed by His Own Sister" by Patrick Radden Keefe. It was about the events leading up to what was the biggest court case at the time and one that had the attention of all of the Netherlands. The article was so well written and interesting that I picked up Astrid Holleeder's book Judas while in Aruba (the translation to English is disappointing as it would have done better to have the story told by an actual writer/storyteller vs. Astrid herself. Also, Astrid seems to have no remorse for living off of the money begot from crime...making her a very unsympathetic character.) After reading the book and feeling very let down, particularly about details of the Heineken kidnapping, I sought out this film to watch.

Rutger Hauer does an excellent job playing the esteemed businessman Heineken, he had just the right amount of smart savvy that exposed the "criminal masterminds" for what they were...crazy and poorly coordinated. It is sad when there is so much work put in to ill begotten gains.

Decently told kidnapping story, worth watching, based on the real-life kidnapping of Freddie Heineken that was masterminded by the infamous Dutch gangster known as "De Neus".

Having watched the American version of the same incident, it is tough to say which one you should prefer. Obviously both have their limitations, but also strong points. It's the same story, but the weight lies on different things with those movies. While this feels more like a cold, going through what happened movie, the American version was a bit flashier.

This also relies even more on Heineken himself (the character/personal life) and the aftermath, which was handled fairly quickly in the US version. So both can be watched under different aspects and sort of work as companion pieces.

Well done for bringing these talents together. Rem annex Holleeder is a great invention and makes the movie worth seeing. I also liked Heinekens wife a lot. What is great that the film also brings some humor to it. Before the premiere I was a bit skeptical but it worked out really well. I loved all the scenery. Great locations. I waited almost 30 years for this film. It was worth waiting for it. I think it must have been difficult to leave some details out. Something I was surprised of is that they put emphasis on Heineken personal life. They literally brought two worlds (gangsters and Heineken) together in their private world, which makes it interesting and not to factual.

The producers of this movie stressed that this movie was not strictly based on the book by Peter R. de Vries, the crime reporter. This book is (claimed to be) an accurate account of what the planning, kidnapping and aftermath actually was like. One of the greatest features of that book is the planning stage, which was incredibly meticulous and exciting.

The producers decided to go their own way, but made a critical error. They assume that people know the story, and subsequently leave out key parts of the narrative. This leaves the audience guessing at times what is actually happening. The planning stage is almost completely skipped with the kidnapping taking place in the first 10 minutes of the movie. A bit later there is a scene where the kidnappers are waiting for a ransom money transfer but this goes awry. The problem is that it is not explained that this is a ransom transfer attempt, and uninformed people that are not familiar with the actual kidnapping do not have a clue what is going on.

So the producers decide to NOT base the movie on the book, but trust that the plot is explained by the knowledge people have of the book. It's easy to see that this will not work, and so it doesn't.

Pacing is also a problem as scenes seem to drag on forever and overall atmosphere is very negative and pressing. It seems like there is a fire burning underneath the movie and pressure is building, but it is never released soon enough to be a pay off for the audience.

Acting is quite good, but the script and wooden dialogue aren't doing the actors much favor. Hauer as Heineken is a good fit, as is the main character who is a dead ringer for Willem Holleeder.

It was a mistake to make a movie about a topic so famous that (almost) everyone knows the complete story and subsequently twist the story in the extent that they did. I almost wish Peter R. de Vries will go through with a script more strictly based on his book.