Un matrimonio intenta de todo para que el otro abandone la casa en el transcurso de un duro divorcio.Un matrimonio intenta de todo para que el otro abandone la casa en el transcurso de un duro divorcio.Un matrimonio intenta de todo para que el otro abandone la casa en el transcurso de un duro divorcio.
- Dirección
- Guionistas
- Elenco
- Nominada a1 premio BAFTA
- 2 premios ganados y 9 nominaciones en total
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
The premise is simple enough: a moderately wealthy couple—whose last name is Rose—decides to get divorced after many years of marriage. But neither of them wants to give up their house, and both remain living in it, getting on each other's nerves as they deliberately and maliciously annoy and attack each other, each in an attempt to get the other to give up and leave.
It's exactly the sort of film I don't normally enjoy, where two equally detestable parties go back and forth trying to one up each other with ridiculous shenanigans that are rarely funny and never make up for the ninety minutes of wasted time. It reminds me of dumb comedy films like Duplex—which pits neighbor against neighbor—and Are We There Yet?, in which Ice Cube goes up against his new girlfriend's mischievous kids. These sorts of films aren't typically my cup of tea, but it wasn't my turn to pick the movie, so I just sat back and watched.
And then a funny thing occurred. Almost immediately, I got drawn into the story. That wasn't supposed to happen, but it did, and I was pleasantly surprised. I normally don't even care for Danny DeVito as a director, probably due to the fact that he made the awful Duplex, which I mentioned earlier. I mean, I did enjoy Matilda, but that was a family movie that I watched as a kid. War of the Roses was something else entirely, and despite my efforts, I couldn't help but enjoying it.
It tells the story in a different way than others of its kind. Things unfold naturally and totally believably. Sure, some of the stunts that the characters pull reach the same levels of ridiculousness as in those other films that I didn't like, but here we get the impression that it's done for the sake of the story, rather than for just another cheap laugh. Instead of yawning, I was wide sitting wide-eyed on the edge of my seat. It's not just funny; it's also very real and poignant, especially considering the fact that most of us know someone who's had a really tough divorce and it's easy to see how things could go just as bad as they do in War of the Roses.
And, unlike most of these kinds of movies and apart from my expectations, we actually end up caring about the characters, despite their overabundance of flaws. They're both selfish idiots, which makes the story so much better, but they're still believable and very well acted. From moment to moment we find ourselves siding with each one. Neither of them could be called true protagonists, as they constantly antagonize each other, but there's a balance of both deserved animosity and loathsomeness between them that is very well done. They got good actors to play these roles, and they play them so well that we almost don't notice that it could have been much worse in the hands of anyone else.
The whole story is told by Danny DeVito, who plays a divorce attorney who is telling it as a warning to a prospective client who never says a word during the entire film. And the ending is great. I won't spoil it, but trust me, it's a good one. This definitely isn't the best film I've seen, but it's certainly the best of its kind, and makes me reconsider my attitude toward this type of film. I just thought the whole idea was bad, but it turns out that it's often just done very poorly.
It's exactly the sort of film I don't normally enjoy, where two equally detestable parties go back and forth trying to one up each other with ridiculous shenanigans that are rarely funny and never make up for the ninety minutes of wasted time. It reminds me of dumb comedy films like Duplex—which pits neighbor against neighbor—and Are We There Yet?, in which Ice Cube goes up against his new girlfriend's mischievous kids. These sorts of films aren't typically my cup of tea, but it wasn't my turn to pick the movie, so I just sat back and watched.
And then a funny thing occurred. Almost immediately, I got drawn into the story. That wasn't supposed to happen, but it did, and I was pleasantly surprised. I normally don't even care for Danny DeVito as a director, probably due to the fact that he made the awful Duplex, which I mentioned earlier. I mean, I did enjoy Matilda, but that was a family movie that I watched as a kid. War of the Roses was something else entirely, and despite my efforts, I couldn't help but enjoying it.
It tells the story in a different way than others of its kind. Things unfold naturally and totally believably. Sure, some of the stunts that the characters pull reach the same levels of ridiculousness as in those other films that I didn't like, but here we get the impression that it's done for the sake of the story, rather than for just another cheap laugh. Instead of yawning, I was wide sitting wide-eyed on the edge of my seat. It's not just funny; it's also very real and poignant, especially considering the fact that most of us know someone who's had a really tough divorce and it's easy to see how things could go just as bad as they do in War of the Roses.
And, unlike most of these kinds of movies and apart from my expectations, we actually end up caring about the characters, despite their overabundance of flaws. They're both selfish idiots, which makes the story so much better, but they're still believable and very well acted. From moment to moment we find ourselves siding with each one. Neither of them could be called true protagonists, as they constantly antagonize each other, but there's a balance of both deserved animosity and loathsomeness between them that is very well done. They got good actors to play these roles, and they play them so well that we almost don't notice that it could have been much worse in the hands of anyone else.
The whole story is told by Danny DeVito, who plays a divorce attorney who is telling it as a warning to a prospective client who never says a word during the entire film. And the ending is great. I won't spoil it, but trust me, it's a good one. This definitely isn't the best film I've seen, but it's certainly the best of its kind, and makes me reconsider my attitude toward this type of film. I just thought the whole idea was bad, but it turns out that it's often just done very poorly.
You know a movie is funny when you're by yourself and laughing out loud. This is a hilarious saga of a divorcing couple, both of whom refuse to leave their house.
"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.
It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.
Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.
"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.
It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.
Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.
Gavin D'Amato (Danny DeVito) is an expert divorce attorney as he recounts the case that drove him to restart smoking. Oliver Rose (Michael Douglas) met Barbara (Kathleen Turner) as they battle over an antique Japanese carving in the rainy last day of the season in Nantucket. They get together that day. They get married. They have a couple of kids. He becomes a successful lawyer. She gets her dream house. However they slowly drift apart. Little irritants creep into their relationship. He works too much. She gets tired of her empty life. She's angry at him and he doesn't know why. Their fairy tale marriage deteriorates into an acrimonious divorce. Through a loophole, he forces his way back into the house.
This is a dark comedy walking a fine line. I'm not sure if it doesn't stray over the line. It is so dark at times that it becomes uncomfortably unfunny. Then it snaps back with big laughs once in awhile. Danny DeVito is pushing hard visually to create something interesting and dark. The second half of the movie is where the couple starts on a course of tit for tat. It hits some dark comedic tones. The two angry combatants are so serious that it's hard to laugh at them. It is really better to see this as a dark cautionary tale rather than a funny comedy.
This is a dark comedy walking a fine line. I'm not sure if it doesn't stray over the line. It is so dark at times that it becomes uncomfortably unfunny. Then it snaps back with big laughs once in awhile. Danny DeVito is pushing hard visually to create something interesting and dark. The second half of the movie is where the couple starts on a course of tit for tat. It hits some dark comedic tones. The two angry combatants are so serious that it's hard to laugh at them. It is really better to see this as a dark cautionary tale rather than a funny comedy.
DeVito is a hit-and-miss director. He's turned out some very good films and some very bad ones. Sometimes his satire just falls short ("Death to Smoochy," for example); however, "War of the Roses" is his strongest directorial effort to date.
It's got everything - a clever script, great interaction between its two stars, exciting thrills, funny gags (without ever resorting to unnecessary crudity), and to top it all off, the direction is very effective - DeVito is heavily influenced by Hitchcock and that is very clear in the final sequence, which is reminiscent of "Vertigo" and "Rear Window." Michael Douglas and Kathleen Turner play the Rose couple - two once-happily-married people who are now, after many years together, bitter and at the end of their frustration. Deciding upon a divorce, they begin to split apart; however, negotiations regarding belongings begin to go awry as Oliver Rose (Douglas) demands more from his wife, claiming it's his money that purchased their enormous house and all objects inside.
DeVito turns in a performance as the narrator, and Oliver's lawyer, who tells us at the start we are about to watch a sad tale about divorce. By the time the film has ended we've seen events spiral totally out of control - beginning with absolute believability and ending in absolute absurdity.
That's the crucial part of all this. Black comedy relies on whether the dramatic arc of the content - the leap from reality to lunacy - can be believable. Many times in DeVito's film, it isn't. "Smoochy," for example, was clever satire at first, and fairly reminiscent of real-life people and events; then it turned into an over-the-top revenge rampage.
"War of the Roses" is more careful, and the arc is subtler. It's believable because the characters are given such room to grow and their conflict blossoms throughout the picture.
I'd classify "War of the Roses" as one of the funniest, cleverest and most underrated black comedies of the 1980s - it's one of my personal favorite movies and never fails to crack me up. A cult film? Maybe; but I think many more people would enjoy it if they gave it a chance.
It's got everything - a clever script, great interaction between its two stars, exciting thrills, funny gags (without ever resorting to unnecessary crudity), and to top it all off, the direction is very effective - DeVito is heavily influenced by Hitchcock and that is very clear in the final sequence, which is reminiscent of "Vertigo" and "Rear Window." Michael Douglas and Kathleen Turner play the Rose couple - two once-happily-married people who are now, after many years together, bitter and at the end of their frustration. Deciding upon a divorce, they begin to split apart; however, negotiations regarding belongings begin to go awry as Oliver Rose (Douglas) demands more from his wife, claiming it's his money that purchased their enormous house and all objects inside.
DeVito turns in a performance as the narrator, and Oliver's lawyer, who tells us at the start we are about to watch a sad tale about divorce. By the time the film has ended we've seen events spiral totally out of control - beginning with absolute believability and ending in absolute absurdity.
That's the crucial part of all this. Black comedy relies on whether the dramatic arc of the content - the leap from reality to lunacy - can be believable. Many times in DeVito's film, it isn't. "Smoochy," for example, was clever satire at first, and fairly reminiscent of real-life people and events; then it turned into an over-the-top revenge rampage.
"War of the Roses" is more careful, and the arc is subtler. It's believable because the characters are given such room to grow and their conflict blossoms throughout the picture.
I'd classify "War of the Roses" as one of the funniest, cleverest and most underrated black comedies of the 1980s - it's one of my personal favorite movies and never fails to crack me up. A cult film? Maybe; but I think many more people would enjoy it if they gave it a chance.
First off let me say that Michael Douglas and Kathleen Turner were the perfect choices for this movie! They both gave electric powerful performances and really proved themselves as fine artists. They have awesome chemistry too, we first saw that in Romancing the Stone, but their chemistry in The War of the Roses is a very different kind of chemistry. Yeah sure in the first 15 minutes it shows them making passionate love and becoming infatuated with one another, then comes the kiddies, but really this film is not at all about love, this is NOT a romance story. No it's a movie about an extremely bitter married couple going through a divorce. Neither of the two are willing to give up the elegant nice house they live in. So thus the war begins. "The gloves are off" as Douglas's character states at one point in the film. The script is very well written, it doesn't waste any time or drag on, it entertains the entire runtime, there was not a single moment. Danny DeVito is a talented actor and director, he proves that in this film. Both his acting and his directing are both great. The events that happen throughout the film are bitter and full of anger, but it's very interesting to watch. It runs deep in character development, a movie like this would have to in order to be successful. The movie is not one to view for a "feel good" mood or for when you want something sweet and romantic. If you're in the mood for a dramedy starring two fine actors that is interesting and well written, then I suggest The War of the Roses. 8/10.
¿Sabías que…?
- TriviaWhile shooting the scene where Michael Douglas (Oliver Rose) and Kathleen Turner (Barbara Rose) are sitting in the chandelier, director Danny DeVito pretended to break for lunch while the two actors were 30 feet above ground.
- ErroresIn the final scene in the chandelier, Barbara goes from being barefoot, to shod, back to barefoot again.
- Citas
Oliver Rose: I think you owe me a solid reason. I worked my ass off for you and the kids to have a nice life and you owe me a reason that makes sense. I want to hear it.
Barbara Rose: Because. When I watch you eat. When I see you asleep. When I look at you lately, I just want to smash your face in.
- Créditos curiososThe fanfare in the 20th Century Fox logo at the beginning of the movie segues into the opening theme of the movie.
- Bandas sonorasOnly You (And You Alone)
Written by Buck Ram and Buck Ram (as Ande Rand)
Performed by The Platters
Courtesy of PolyGram Special Projects a division of
PolyGram Records, Inc.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The War of the Roses
- Locaciones de filmación
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 26,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 86,888,546
- Fin de semana de estreno en EE. UU. y Canadá
- USD 9,488,794
- 10 dic 1989
- Total a nivel mundial
- USD 160,188,546
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