Bajos instintos

Basic Instinct is a very stylish murder mystery, filled with attractive people and ambiguous clues that keep the viewer guessing until the final scene.

As has been mentioned, there are echoes of Hitchcock's Vertigo throughout the film, including the San Francisco setting, the attire of the female lead (Catherine, played by Sharon Stone), the styling of her hair, the background music, the shots of interior stairwells, and the lead character (Nick, played by Michael Douglas) following Catherine around the city in his car. The apartment of Beth (played by Jeanne Trippehorn) might also remind one of Rear Window.

Many of the characters have emotional/psychological problems like addiction, dependency, or worse. This makes it more difficult for the viewer to determine the motivations of the suspects. Nick--the filter through which we see all evidence--is flawed. We learn that he has had problems with cocaine and alcohol. Sexually, he is ripe for exploration and, maybe, manipulation.

The film walks a fine line between revelation and obfuscation. In the course of the story, murders are committed, and we are given just enough information to pull us deeper into the mystery, but not enough to reveal the truth. Even the ending leaves the future ambiguous.

This is an excellent mystery for the nineties. The acting is excellent, especially that of Sharon Stone who plays the rabbit we gladly follow down the rabbit hole where the rules of the game are confusing and constantly changing.

The title says it all, this is one great thriller which I rate higher than "Se7en" or similar apparently top notch films in this category. It has loads of suspense, high tension, catchy and memorable dialogues, great actors, fabulous music score and an excellent director who didn't get scared off by protesters and other hypocrites. And yes, they are hypocrites in my mind, people who watch this movie are meant to be mature, thus denying sex is either hypocritical or prudish. If that's not your thing okay, then don't watch it but don't rate it low just because you can't handle it. Because the sex scenes are really just a few minutes long (I'm European and they're really aren't that strong) but make up a large part of Catherine's character and are a fundamental part of the plot. The film would be unthinkable without them but shouldn't be reduced to them either. Naturally don't watch it with your kids, but if you're not scared of some nudity and like thrillers you'll love this one since it keeps one on the edge right until the end.

For fans of Paul Verhoeven's sci-fi actioners such as ROBOCOP and TOTAL RECALL, this is the same but not the same. For instead of having explicit violence to carry things along, Verhoeven goes along with explicit sex for the thrills here (a formula he repeated later in his flop SHOWGIRLS before going back to the violence with STARSHIP TROOPERS). Of course with a film like this there was a big fuss when it was first released and it achieved a certain notoriety for the infamous leg-crossing scene. Sadly when most people mention this they tend to forget that aside from the sex there is also a pretty good thriller plot to enjoy.

The makers of this film tried to give it a film-noir style, perhaps even going for a Hitchcockian influence. What they did do is succeed in making a powerful, intense whodunit which keeps you guessing as to the identity of the murderess right up until the end - and even then, a final twists means that it's all still ambiguous. As well as all the sex that's going on, Verhoeven still finds the opportunity to put in some of his trademark graphic violence in the shape of a pair of icepick murders which see blood flying everywhere in an extremely grisly fashion.

Michael Douglas is well-suited for the role of the cop on the edge, with slicked-back hair to make him look younger. I know that his nudity in this film is a basis for a lot of people to make fun of him, but when I think of other male actors around at the time I can't really imagine anybody else in the role. While Douglas has the fairly straight and unexciting role, Sharon Stone on the other hand is a revelation: extruding an icy cold air and totally in control of herself and just about everybody else, her seductive siren instantly made Stone a star - and put her into the mainstream eye, away from the bit parts she had previously had in the likes of NICO: ABOVE THE LAW. It's safe to say that this film contains Stone's best performance and that she's never lived up to it since, except maybe in her believable portrayal of a drug addicted wife in Scorcese's CASINO.

In support, George Dzundza is good as a comic relief cop while Jeanne Tripplehorn also gives an excellent performance as Douglas' psychiatrist. BASIC INSTINCT is well worth a watch, and not just because of the obvious reasons. Fans of thrillers should check it out.

There is so much here that is unresolved that it leaves an empty, unfulfilled feeling that the viewer has been suckered. Endless nude and sex scenes intrude on the mystery plot and in the end it is all for not much.

Infamous for its explicit exploitation of said sex and nudity and forever frustrating for that's pretty much all there is. The soft-porn aside it can be a somewhat sultry, trashy ride with enough intrigue to keep the interest but not enough to make it a totally engaging entertainment.

The biggest problem is the ambiguity about most of what unfolds. There are dangling plot elements and shallow, confusing side shows. In all, it is a murky, muddy, and thin piece of Pulp that has modern machinations and push the envelope displays of Crime Fiction laced with so much pomp that it's rendered impotent.

The Movie has enough sizzle to attract viewers but cannot justify all the indulgence and will most likely be an unsatisfactory guilty pleasure. It is quite an overrated Film whose appeal comes from the most lowbrow lexicons of entertainment. But hey, someone once said...there's one born every minute. That's a lot of ticket buyers.

Detective Nick Curran investigates a brutal and violent murder, his investigations lead him to the beautiful novelist Catherine Tremell, a writer of erotic novels, Curran quickly develops an infatuation for Tremell.

I always considered this to be a Hitchcock style film, but now that I'm working my way through his catalogue I'm not too sure, although it does put me in mind of the noir films from the 40's.

It's a super sexy thriller, and let's be honest, the infamous sex scenes have this film a lot more notoriety than it ultimately deserved, it's a good film, but in no way is it a classic.

It has a degree of suspense and tension, you are made to wait a long time to learn if she did or didn't, and the big reveal scene is worth the wait, and perhaps the film's best scene.

Douglas and Stone are both very good, and there's a definite chemistry between the pair, it is one very attractive cast, Stone is genuinely jaw dropping throughout.

It is hard to watch this movie without thinking of the many spoofs that followed, that infamous interview scene was sent up several times, and rightly so.

Considering it's now over thirty years old, I'd suggest it's held up rather well.

7/10.