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Ten Little Indians

  • 1989
  • PG
  • 1h 40min
CALIFICACIÓN DE IMDb
4.7/10
1.9 k
TU CALIFICACIÓN
Donald Pleasence, Herbert Lom, Paul L. Smith, Frank Stallone, Sarah Maur Ward, Brenda Vaccaro, and Neil McCarthy in Ten Little Indians (1989)
Ten people are invited to go on an African safari, only to find that an unseen person is killing them one by one. Could one of them be the killer?
Reproducir trailer1:22
1 video
26 fotos
CrimenMisterioThriller

Diez personas son invitadas a un safari africano, solo para descubrir que alguien misterioso los está matando uno por uno. ¿Podría ser uno de ellos el asesino?Diez personas son invitadas a un safari africano, solo para descubrir que alguien misterioso los está matando uno por uno. ¿Podría ser uno de ellos el asesino?Diez personas son invitadas a un safari africano, solo para descubrir que alguien misterioso los está matando uno por uno. ¿Podría ser uno de ellos el asesino?

  • Dirección
    • Alan Birkinshaw
  • Guionistas
    • Agatha Christie
    • Jackson Hunsicker
    • Gerry O'Hara
  • Elenco
    • Donald Pleasence
    • Brenda Vaccaro
    • Frank Stallone
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    4.7/10
    1.9 k
    TU CALIFICACIÓN
    • Dirección
      • Alan Birkinshaw
    • Guionistas
      • Agatha Christie
      • Jackson Hunsicker
      • Gerry O'Hara
    • Elenco
      • Donald Pleasence
      • Brenda Vaccaro
      • Frank Stallone
    • 50Opiniones de los usuarios
    • 17Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Videos1

    Original Trailer
    Trailer 1:22
    Original Trailer

    Fotos26

    Ver el cartel
    Ver el cartel
    Ver el cartel
    Ver el cartel
    + 22
    Ver el cartel

    Elenco principal12

    Editar
    Donald Pleasence
    Donald Pleasence
    • Judge Wargrave
    Brenda Vaccaro
    Brenda Vaccaro
    • Marion Marshall
    Frank Stallone
    Frank Stallone
    • Captain Lombard
    Herbert Lom
    Herbert Lom
    • General Romensky
    Sarah Maur Ward
    Sarah Maur Ward
    • Vera Claythorne
    • (as Sarah Maur Thorp)
    Warren Berlinger
    Warren Berlinger
    • Mr. Blore
    Yehuda Efroni
    Yehuda Efroni
    • Dr. Werner
    Neil McCarthy
    • Anthony Marston
    Moira Lister
    Moira Lister
    • Mrs. Rodgers
    Paul L. Smith
    Paul L. Smith
    • Mr. Rodgers
    Candice Hillebrand
    Candice Hillebrand
    • Schoolgirl at Train Window
    • (sin créditos)
    Bill Mitchell
    • Mr. U.N. Owen
    • (sin créditos)
    • Dirección
      • Alan Birkinshaw
    • Guionistas
      • Agatha Christie
      • Jackson Hunsicker
      • Gerry O'Hara
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios50

    4.71.8K
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    Opiniones destacadas

    5Sleepin_Dragon

    U.N Owen sets to work whilst on Safari

    I find it quite hard to review this film, it's one of those I got into as a kid, and it's always difficult to be mean about your childhood films.

    The book, is perhaps my all time favourite novel, so it's pretty difficult to do it badly, or is it? There have been several adaptations, 1945, 1965 and 1974's versions were all different, but no matter how much they veered from the script they all managed to retain the suspense and sense of claustrophobia, aided both by direction, and more basically the locations. The Jungle setting doesn't really work on the same level somehow.

    The sets look pretty cheap, as do some of the costumes, Frank Stallone, Brenda and Sarah look pretty tatty in some parts.

    It's not all doom and gloom though, some of the acting is rather good, and whilst I don't particularly like some of the characters the acting is not at fault. Donald Pleasence is the high point, he is particularly good, Herbert Lom is good too, even though I loathed his character. I thought Sarah Maur Thorp was fair as Vera, she had an English delicacy.

    Some actors were rather badly cast, firstly, Yehuda Efroni is actually irritating as the Doctor, I couldn't wait for him to go. As for Frank Stallone I can think of no other reason for him to be there other then for his beefy looks, he does lots of intense pouts, but adds little. The Rogers were the worst culprits for overacting.

    I struggle to believe how 'Owen' could have committed some of the murders, they seem a little far fetched, Mr Rogers in particular, although I enjoyed the finale, it's well acted and there is a sense of terror.

    I long for the day when someone sticks to the original ending, if only a producer would have the bottle.

    It's a fun film, a bit cheap, but some interesting surprises in store for the first time viewer, I still enjoy it despite its flaws 5/10
    4grantss

    Weak

    Ten people are invited on a safari in Africa. One by one they are killed off. Clearly one of them is the murderer. But which one?

    Fairly weak adaptation of the Agatha Christie novel. Not at all intense, and the intrigue is very diluted. Pretty much a paint-by- numbers rendition. Bland, unimaginative direction.

    Consequently, the actors appear to be sleep-walking for most of this. No spark at all. Dead giveaway that this isn't exactly going to be Citizen Kane - it stars Frank Stallone, Sylvester's even less talented brother.
    zelig-16

    Why?

    there have been three (3) remakes of And Then There Were None, my question is WHY? the original version, except for the hockey hollywood type ending, was well nigh perfect. Agatha Christie wrote a fantastic mystery yarn of ten people brought to an isolated island, and eliminated, one by one, until "there were none". the book needed an epilog to explain the solution to was seemed a supernatural tale of punishment. i can understand why Ms Christy's tale had to be somewhat edited for the screen, as there were several overt racist comments and attitudes that had to be expunged. i likewise understand the hollywood need for a happy ending at all times, though i don't agree with that premise. the original And Then There Were None had a superb cast and original story. the only problem is the happy ending, which was a hollywood decree. this film did not need one remake, much less three. i can never understand why the powers that be continually insult the intelligence of their audience, but it seems to be an ongoing problem with them.
    4Joern

    The only reason to watch this film is to earn the right to pan it.

    For the most part this film is populated by some wonderful character actors.

    Agatha Christie's original storyline is beyond reproach.

    With building blocks like that to work with it's a wonder that director Alan Birkinshaw wasn't able to deliver something a little closer to the quality that thousands of Agatha Christie fans have come to expect. "Ten Little Indians" failed at nearly every level, from a poor script, to inept blocking and unimaginative camera angles, to cheap dime store sets and props, to trying to sensationalize Christie's wit by replacing it with crude graphic violence.

    There have been other film adaptations of "Ten Little Indians" all of them head and shoulders above this one. On three prior occasions I've tried to sit through this film but without success. Today, just after having seen "And Then There Were None" (an excellent adaptation of "Ten Little Indians") Birkinshaw's version came on and I determined to sit through it all the way. My reward for that ordeal was to have the right to pan it publicly.
    5Coventry

    Forgettable, but nevertheless entertaining Agatha Christie adaptation

    In spite of being one of the famous stories ever written, there aren't *that* many movie versions of Agatha Christie's "Ten Little Indians". I know of about eight film versions, but none of them are famous classics or widely acclaimed titles. This late 80's version is only the second adaptation that I've watched and, just like that other one from the early 70's (listed here as "Ein Unbekannter rechnet ab") it wasn't much more than an amusing but unmemorable whodunit flick. The difference between this version and the original novel is that the isolated setting isn't a creepy mansion on an island, but the dry African Savannah. Ten completely unrelated people are lured to Africa through various tricks, like having won a safari or being offered a job as tour guide, by the mysterious Mr. Owen. On the first evening, after diner, they listen to a recording of a voice accusing each and every one of them of having committed a murder in the past without being trialled for it. From that moment onwards, one guest after the other dies in mysterious circumstances and the 'accidents' are always similar to the lyrics of the nursery rhyme "Ten Little Indians". It looks as if their host Mr. Owen is playing a game with them. Or maybe Mr. Owen doesn't exist at all and the killer is someone within the group. As stated above, this version of "Ten Little Indians" isn't the least bit spectacular or fantastic, but it's definitely compelling while it lasts and there are a handful of worthwhile moments of suspense. Some of the death sequences are quite eerie, like the victim whose found with an axe stuck in the back of his skull. Director Alan Birkinshaw apparently likes re-adapting classic stories, since he also directed versions of Edgar Allan Poe's "The House of Usher" and "The Masque of the Red Death". I haven't seen those, but I've seen a film of his called "Horror Safari" and that one was really poor. For "Ten Little Indians", he could count on a fairly terrific cast including the always reliable Donald Pleasance, Paul L. Smith, Brenda Vaccora and Herbert Lom (who coincidentally also starred in the 70's version). Heck, even Frank Stallone was decent and luckily enough he didn't sing.

    Más como esto

    Ein Unbekannter rechnet ab
    5.7
    Ein Unbekannter rechnet ab
    Cita con la muerte
    6.1
    Cita con la muerte
    Inocencia trágica
    5.1
    Inocencia trágica
    Los Diez Condenados
    6.6
    Los Diez Condenados
    Muerte bajo el sol
    7.0
    Muerte bajo el sol
    El gato y el canario
    5.6
    El gato y el canario
    Ten Little Indians
    6.2
    Ten Little Indians
    El espejo roto
    6.2
    El espejo roto
    Sordid Lives
    6.7
    Sordid Lives
    El vengador invisible
    7.4
    El vengador invisible
    Muerte en el Nilo
    7.3
    Muerte en el Nilo
    Desyat negrityat
    7.7
    Desyat negrityat

    Argumento

    Editar

    ¿Sabías que…?

    Editar
    • Trivia
      The original script was much more faithful to the original Agatha Christie novel with the setting on an island and the original grim conclusion of the book. However, producer Harry Alan Towers changed it at the last second when he realized that it would be cheaper to shoot in the African outback and that the novel's ending is less marketable than Christie's happier resolution from the play version of the story.
    • Errores
      When the survivors are burying the first victim, one woman comments that they "didn't even know" his first name. During the accusation scene, all ten characters are present and all ten characters' full names are used, but perhaps she forgot due to stress (or the copious amount of alcohol she consumed), or she wasn't paying attention during the recording.
    • Citas

      Anthony Marston: Well, well. It appears no one knows our host. How gauche. Do I hear a martini calling?

    • Conexiones
      Featured in Banánové rybicky: Jak prezít manzelství (1999)
    • Bandas sonoras
      Mad Dogs And Englishmen
      Written, Performed and Produced by Noël Coward

      Also performed by Neil McCarthy

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    Preguntas Frecuentes18

    • How long is Ten Little Indians?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • noviembre de 1989 (Estados Unidos)
    • País de origen
      • Reino Unido
    • Idioma
      • Inglés
    • También se conoce como
      • Death on Safari
    • Locaciones de filmación
      • Sudáfrica
    • Productoras
      • Breton Film Productions
      • Pathe Communications
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • USD 3,500,000 (estimado)
    • Total en EE. UU. y Canadá
      • USD 59,405
    • Fin de semana de estreno en EE. UU. y Canadá
      • USD 43,436
      • 12 nov 1989
    • Total a nivel mundial
      • USD 59,405
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 40min(100 min)
    • Color
      • Color
    • Mezcla de sonido
      • Ultra Stereo

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