Desyat negrityat

Desyat Negrityat is a 1987 Soviet film based on the Agatha Christie novel Ten Little Indians. Its director, Stanislav Govorukhin, also wrote the script. This adaptation draws attention with the fact that almost no part of the novel has changed.

This adaptation draws attention with the fact that almost no part of the novel has changed. Unlike previous Hollywood/British adaptations of the same story, none of the characters or their crimes have been changed, and the film ends with the original brutal finale of Agatha Christie's novel.

ahh.....After a difficult search, I managed to find a video copy (with subtitles) of the film described above. The other reviewer was the reason I was prompted to find this film. It is indeed the best adaptation of A. Christie's classic suspense thriller. The most gratifying thing is being able to see everybody end up exactly where they are supposed to be in the book. After all, it is called, "And Then There Were None," not called, "And Then There Were Two." Acting, direction, and photography are exquisite. Keep eyes on auction sites for people who have copies of this one....it IS out there somewhere!!

This is not the type of movie that a typical moviegoer will seek, so, instead I will give some other insight.

This was the only movie that ever gave me nightmares when I was a kid. Mostly, I think it's because the movie achieved a rare feat of actually transforming not only the book and it's characters to the screen but also the atmosphere.

Many people will not watch this movie just based on it's original name, but I can assure you, the name conveys no negative information. That leads to believe that it's P.C title, is just a cop-out.

As far as adaptations done, there are no better versions of any ever made.

10/10

In 1939 Agatha Christie wrote her famous novel "And then there were none" and in 1945 René Clair made the first adaptation for film.

Although the adaptation by Clair was far from perfect, it was not surpassed for a long time. In my opinion the 1987 Russian adaptation by Stanislav Govorukhin was the long awaited improvement.

The Russian version is much more philosophical that that of Clair. In stead of being a "who donnit" the film treats the relationship between criminal law, ethics and (bad) conscience

With respect to the relationship between ethics and conscience there is a remarkable difference between men and women. At the end of the film (and different from the Clair adaptation) her own conscience is punishment enough for the Vera character.

The film creates a huge gap between ethics and criminal law. The assumption seems to be that criminal law only covers those instances in which a person does the wrong thing on purpose. I think in practice the difference is smaller. Criminal law also covers instances in which a person does not act although he ought to (not saving a person in mortal danger when possible) or acts not with the intention of doing harm but accepting the real possibility that harm nevertheles will happen (drunk driving).

Amazing! AllI can say is amazing! The best movie adaptation yet! I liked the realistic reactions rather than the wise cracks from older versions. Vera was played to perfection right down to the hanging and the Judge, all I can say is brilliant. I'm glad they played out the ending there versions were afraid to do, and the setting is just perfect to the way Christie described it! I'm also happy on the way they did the death scenes in that manor. Aside from liking Vera's breakdown, I was equally amazed by Miss Brents break down to her smashing her bible through the window! The score was just plain creepy! My only grip is the horrible subtitles, that look like they were written by some 4-year old! Plus they were completely off. Like the guy would speak and seconds later, the words would prompt on. Next time I'm watching it subtitle less, after all, it was so close to the book I felt like I didn't even need the subtitles! Overall I give it 9 out of 10 N i g g e rs!