The delights of this movie lie in the fact that so many of the characters are played by writers of science fiction, fantasy, and horror rather than by professional actors. Somtow's talents as a popular writer are hardly in evidence here, though he is clearly a gifted musician and composer; that really is him playing the piano. The scene in which he rips out the hearts of children one after another is hilarious rather than grotesque. Tim Sullivan brings as much soul-tortured emotion and dramatic range as he can to a silly script; his flailings and roars while being possessed are delightful. Gregory Frost, whose fiction is noted for comedic rage (much like the work of John Cleese and Carl Hiaasen), exudes a haughty if inexplicable fury at everyone around him, while real-life jokester Raymond Ridenour has a great time being himself (while named for science fiction editor Gardner Dozois). Larry Kagen, at the time a bookstore owner,is fervent and rather sweet as a doting husband who rises above his wife's attempts to henpeck him. Krista Keim, as his wife, is totally believable as a crystal-worshipper; according to Frost, she really did believe in the powers of crystals at the time the movie was shot. Premika Eaton delivers every line poorly and was cast because she is Somtow's sister, not for any innate talent; she is, however, pretty. Ed Bryant, a great favorite among horror fans, steals every scene he appears in; Sullivan reports that they had to shoot the 'great big armadillo' scene several times because the two of them couldn't stop laughing (and adds that Bryant was squicked by the scene of his own death). Tim Powers is barely visible as a zombie; look for his red flannel shirt in the zombie scene near the end.
