The Sisterhood

My review was written in June 1988 after watching the movie on Media Home Entertainment video cassette.

"The Sisterhood" is a recently released futuristic sci-fi actioner, now available on video cassette. It breaks no new ground but includes diverting material drawn from the "Mad Max" cookbook.

Title refers to female warriors who each bear magical powers an have banded together against the male-dominated post-nuclear war society. Maryan (Lynn-Holly Johnson) is a hot prospect for the team, with her ability to communicate with her trained hawk. Eventually she's adopted into the clan by its leaders Alee (Rebecca Holden) and Vera (Barbara Hooper) as they trek across the Filipino countryside amidst numerous captures and escapes.

Various mutations (not scary due to cheap makeup effects lurk in the forbidden zone they must cross, eventually ending up in a city to free their imprisoned sisters.

Pic has many a similarity to other genre films, wit the Sisterhood having mystical reverend mothers (a la "Dune"). A vilain who's bsically a good uy (he has a grudge against the Siserhood for stealing his sister away) is played by Chuck Wagne, who peviously starred in Cannon's very similar 1986 pic "America 3000", one scene of which, when the gals discover a military command center with modern weapons in a cave, is mirrored here.

Rebecca Holden casts a dashing figure (styled to resemble Wonder Woman) in the leading role, with okay support from Johnson and Hooper. Helmer Cirio H. Santiago does all right, except for the very wimpy ending.

In this, yet another apocalyptic, MAD MAX ROAD WARRIOR spin-off, we find ourselves in the year 2021, when "all women are slaves and all men are their masters!" until...The Sisterhood arrives! The film features a young Anna Farris-look alike, who is allegedly a witch and has a pet hawk named Lady Shree. Orphaned along with her younger brother, they hide out in the desert from the marauding bands with the hawk as their only companion. The brother mentions a group of women fighters of lore, the Sisterhood, whom traveling bards have sung of. The sister, named Marya, dismisses such a story as old wives' tales, but not before the brother opines that his sister should seek refuge among the Sisterhood. When she points out they only accept women, he decides he will become a traveling bard too. In terms of the plot, that's all you need to know to enjoy this movie.

The plot, unlike other sword and sorcery/post-apocalyptic movies (I'm looking at you, The Sword and The Sorcerer, and She, the latter I gave 10 stars, but not because of its plot!) makes sense, but there are some silly elements. The villain, Mikal, looks like he should be the good guy, and the emblem on his chest bears a menorah. Oh, and the leader of the Sisterhood wears a crown that I kept mistaking for a porkie pie hat throughout. The cars are cool, but not anything fancier than Road Warrior. The music is dreadful, feeling like an 8-bit version of a circus. I give this a 8 for its plot, landscape, hawk-human relationship, and scenes involving girls with guns, tanks, and long bows.

Another Filipino post-apocalyptic epic from prolific low-budget director/producer Cirio H. Santiago. Featuring an all no-name cast, with the exception of Lynn-Holly Johnson ("Ice Castles" "For Your Eyes Only") the story takes place in the distant year 2021 following a nuclear holocaust. A group of fierce sword wielding female warriors, known as The Sisterhood, seek to right the sexist wrongs of the wasteland. Although I was a fan of Santiago's post-apocalyptic "Wheels of Fire" this one is dud. It felt more Conan than Mad Max and to my taste, that's not a warriors of the wasteland story. Even taking the film on the level of a Conan or Red Sonja ripoff, it's not all the good either.

The Sisterhood (1988) is a movie that I recently watched on Amazon Prime. The storyline takes place in a world trying to survive after a nuclear holocaust. Men have enslaved women to do their bidding in most civilizations. However, in the outlands women have formed a tribe of sorts that survive on their own. The only hope for women in civilizations may be for this tribe to rescue them and set them free from their oppressors.

This movie is directed by Cirio H. Santiago (Firecracker) and stars Rebecca Holden (Knight Rider), Chuck Wagner (America 3000), Lynn-Holly Johnson (For Your Eyes Only), Robert Dryer (Savage Streets) and Barbara Patrick (Lord of the Illusions).

This movie had some promise but doesn't live up to its potential. The attire, settings and props were all perfect for the storyline. This also has the classic 80s nudity you'd expect. Unfortunately the writing, especially the dialogue, was a bit stale and Wagner's acting was very mediocre and holds the film back. I did like the "goddess" depiction and introduction towards the end. The conclusion was very mediocre and a bit disappointing.

Overall, this is a below average addition to the apocalyptic genre that I would score a 4/10 but still recommend seeing once.

Cirio H. Santiago managed to churn out one B-flick I actually enjoyed, 1981's Firecracker with martial artist who wasn't afraid to go nude, Jillian Kesner. She knew EXACTLY what kind of film she was in and committed to it, not to mention she could act as well as fight.

Were it only The Sisterhood even 1/10th as good. Poor acting, directing and dialogue requires at least some sort of offset such as convincing action, dazzling pyro, generous nudity/sex or some actual drama. Nearly everything felt so contrived or phoned-in that it had no impact.