Guerreros infernales

Wheels of Fire is another low-budget rip-off of The Road Warrior from Filipino director Cirio H. Santiago, packed with poorly executed action scenes, diabolical acting, and cruddy costumes and props (one motorbike is customised with what looks like plastic halloween pitchforks), all of which only serves to further illustrate just how brilliant George Miller's iconic movie actually is.

Gary Watkins plays Trace, a fearless warrior who takes on the evil Scourge (Joe Mari Avellana) and his ruthless gang after they kidnap and gang rape his sister Arlie (played by big-breasted blonde Playboy playmate Lynda Wiesmeier). On his mission, Trace teams up with tough female fighter Stinger (Laura Banks), telepath Spike (Linda Grovenor), and a dwarf who speaks a bizarre language (this character probably has a silly name as well, but I don't recall what it was).

With a race of subterranean albino cannibals and a cult of struggling survivors who are building a rocket to the planet Paradise, this one gets pretty silly at times, but Santiago's uninspired direction, the dreadful dialogue, and dismal performances ensure that boredom is never far away. Wiesmeir is game for being strapped topless to the hood of a speeding car, and Trace flame-throwing countless bikers is fun for a while, but the bulk of the film is pure post-apocalyptic poop.

3.5 out of 10, rounded up to 4 for IMDb.

Yes, this is a Road Warrior Rip off. The Vehicles, the bad guys, the good guy (who is pretty damn indestructible and, once again proves, never leave an enemy behind alive, as the bad guys do). The stunts are horrifically bad, the acting ranges from OK (Linda Weismeier's breasts, but she isn't a bad actress at all, by the standards of this pretty so bad it's good movie). The story is really non-existent, and the constant use of a flamethrower by the hero on bad guys didn't bother me at all (After all they were murderous rapists), but it did make me think of George Carlin's comment that Flamethrowers prove that someone really wanted to set a bunch of people on fire, but just couldn't reach them! My big question about this is, if it's the future, how come only muscle cars and automatic weapons seem to have survived? And how the hell did German MP-40 machine pistols survive into the future? Either way, this was way more enjoyable that Exterminators of the Year 3000, Rats: Night of Terror, The New Barbarians, After the Fall of New York and the totally atrocious, Warriors of the Wasteland. Worth a view.

Rating Breakdown Story - 0.75 :: Direction - 1.00 :: Pacing - 1.00 :: Performances - 1.25 :: Entertainment - 1.00 TOTAL - 5/10

There is a peculiar joy in the anarchic wreckage of a post-apocalyptic action flick. It is the joy of twisted metal, dust-cloaked antiheroes, and vehicles welded together by madmen. "Wheels of Fire" rolls onto the cinematic wasteland like a scavenged husk of "Mad Max", kicking up dirt but never quite igniting.

The plot is simple. How far will a man go to save his sister? All the way to the end credits, it seems. Our hero, the uninspiringly named "Trace," embarks on a quest to rescue his kidnapped sibling from a gang of wasteland barbarians. Along the way, there are enslaved prisoners, desert mystics, and gunfights shot with the elegance of a bar brawl filmed by a cameraman with heatstroke.

Surprisingly, the film does not shy away from true dystopian depravity. The usual grimy, leather-clad villains twirl their nonexistent mustaches, but here, the depths of human degradation go even lower. This is not thought-provoking cinema, but it commits fully to its vision of societal collapse.

The actors do far more than the script or direction deserve. No one expected Shakespearean gravitas, yet they take their roles seriously, even when spouting dialogue that sounds like it was scribbled on a diner napkin. Their performances prevent the film from sinking entirely into oblivion, though I did find myself reorganizing my bookshelf during some of the slower moments, a damning sign for an action flick.

Cirio H. Santiago's direction is serviceable but uninspired. The genre thrives on striking imagery, lonely highways, blazing sunsets, the sheer emptiness of ruin, but here, the visuals never rise above functional. A better sense of pacing and atmosphere could have elevated "Wheels of Fire" beyond mediocrity.

And that pacing, oh dear. A post-apocalyptic action film should not feel pedestrian. There should be a rhythm of chaos and calm, tension and release. Instead, "Wheels of Fire" idles when it should be revving. The action sequences are a mixed bag, sometimes visceral, sometimes sluggish.

So, is "Wheels of Fire" worth watching? If you relish straight-to-video dystopian destruction, you might enjoy it. If you seek the operatic brilliance of "The Road Warrior," best keep driving. This is a film that could have been more, could have done more, if only it had a little more fuel in the tank. As it stands, it is a curiosity; watchable, occasionally intriguing, but ultimately disposable. The kind of movie you put on when it is raining outside, there is nothing better on television, and you feel like spending an hour and a half in the apocalypse, just not the good apocalypse.

The only bad thing about this movie is the editing. There a few times when they cut out stuff that you really needed to see. This is definitely worth watching.

Released by Roger Corman's New Concorde studios, this is a darn good rip-off of "The Road Warrior" from prolific Filipino director Cirio H. Santiago. Producer/director Santiago was known for his exploitation films, starting out in the 70s with a series of Blaxploitation films and then in the 80s focusing on low-budget Vietnam War pictures. Here Santiago takes to the desert areas of the Philippines (I never knew there was such a thing or maybe they were rock quarries) for a Max Max ripoff that tells the story of a nasty post-apocalyptic biker gang names the Highway Warriors who kidnap the sister of our hero who vows to bring her back and take the nasty gang down! It's a super cartoony of science fiction and action film, but Santiago knows his way around an action sequence and his film features more car chases than most of the Max Max knockoff, which is a major asset to the film. It also helps that the costumes and cars more closely resemble those from "The Road Warrior" than most of the low-budget knock-offs. The film also features an early score by Christoper Young ("Entrapment" "Swordfish" "Drag Me to Hell") who at this point in his career was scoring low budget exploitation films this, "Def-Con 4," "Avenging Angel" and "The Dorm That Dripped Blood" before moving onto more prestigious of film work. Despite its no-name cast, this was a pretty enjoyable warriors of the wasteland tale and is recommended for fans of this low-budget subgenera.