CALIFICACIÓN DE IMDb
5.4/10
1.8 k
TU CALIFICACIÓN
Hermosas mujeres jóvenes que trabajan en las oficinas de una empresa de sexo telefónico están siendo acosadas por un asesino psicótico.Hermosas mujeres jóvenes que trabajan en las oficinas de una empresa de sexo telefónico están siendo acosadas por un asesino psicótico.Hermosas mujeres jóvenes que trabajan en las oficinas de una empresa de sexo telefónico están siendo acosadas por un asesino psicótico.
- Dirección
- Guionistas
- Elenco
Lynn Danielson-Rosenthal
- Kristi
- (as Lynn Danielson)
Karen Lorre
- Jo Ann
- (as Karen Witter)
Angela Robinson Witherspoon
- Vanessa
- (as Angela Robinson)
Teresa Crespo Hartendorp
- Debbie
- (as Teresa Crespo)
Hector Morales
- Mexican Man
- (as Hector M. Morales)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
This was more of a thriller/mystery than a horror. Don't get me wrong, it does have its horror and slasher elements, but these come in more towards the end. There was a lot of unnecessary padding by the way of sex scenes which seemed to drag forever. The best parts are at the end when the killer is unmasked. And there's also the classic Haloween style ending which is quite cool. There are moments of tension when the woman is being stalked down a flight of stairs too.
Overall though this film is nothing special and I wouldn't say it lives up to how good it sounds (ie. phone sex workers being stalked by a killer in a clown mask). Watch it if you love clown type killers, but this is not essential viewing if you are a horror/slasher fan.
Overall though this film is nothing special and I wouldn't say it lives up to how good it sounds (ie. phone sex workers being stalked by a killer in a clown mask). Watch it if you love clown type killers, but this is not essential viewing if you are a horror/slasher fan.
I first saw this in the early 90s on a vhs n found it to be a bit terrifying cos of the clown mask n the baseball bat n shovel scenes.
Revisited it recently on a fast forward mode.
The movie has enuff kills n nudity but the sex scene is lousy cos its shot in dim light n fast cut editing.
Tracey Walter was not at all convincing as a cop and his character barging inside a house with a shotgun and that too outta nowhere is like yo man wtf is that.
Walter got stereotyped as a comical character actor, especially aft Conan the Destroyer.
Another big wtf moment is the killer rising up after being shot as if it has some supernatural powers.
There is a very stupid scene where a guy sneaks inside an accountant's office but how he manages to get out is never shown. Like a piece of cake and that too with the accountant present.
Revisited it recently on a fast forward mode.
The movie has enuff kills n nudity but the sex scene is lousy cos its shot in dim light n fast cut editing.
Tracey Walter was not at all convincing as a cop and his character barging inside a house with a shotgun and that too outta nowhere is like yo man wtf is that.
Walter got stereotyped as a comical character actor, especially aft Conan the Destroyer.
Another big wtf moment is the killer rising up after being shot as if it has some supernatural powers.
There is a very stupid scene where a guy sneaks inside an accountant's office but how he manages to get out is never shown. Like a piece of cake and that too with the accountant present.
A pretty routine thriller, but competently directed and relatively well-written. At first it seems to play all its cards too early, but it does keep some surprises in store. Some intense horror sequences help, but in the final 5 minutes the film resorts into standard cliches and implausibilities (killers that just won't die, forgotten characters appearing out of nowhere, etc).
Lively thriller about a clown who stalks the beautiful ladies of an L.A. sex hotline that has a keen eye for the visual and a macabre performance from Cort, whom many may suspect as the killer...but...you must dig deeper to find the answer to that one.
A telephone sex service named "Suite Nothings" is being tormented by an insane killer, who knocks off the beautiful woman on the other end of the phone one by one, in many brutal ways. So now, one of the women and their boyfriend who is a prime suspect of these sex-related crimes by the police try to work who is this killer that hides behind a clown's mask with their twisted sense of humour. This leads them too so many unexpected clues and suspicious suspects, which just keep on popping up.
Well, this is my second viewing of this film and it hasn't improved on my first one bit, but its mildly amusing despite we've seen it all before. What we got here is a reasonably sub-standard slasher with A LOT of sleaze, sex and added nastiness, with some very twisted humour along the way too. Although some things actually don't work, and you'll be snickering at how ridiculous certain set-ups are and how outrageous the violence is. Even the oh so many coincidences and why would you do that scenarios that crop up doesn't help either. Its main problem was that it took itself FAR to seriously in spots, making it funny in parts that it shouldn't have been. But then again, this is what really keeps you watching this particular film. I'm hoping its trying to be a parody on the sub-genre. Hold on, I almost forgot a cheesy, but sometimes-erotic soundtrack helps you get into the 80's spirit!
The actual plot has so many twists, turns and plenty of red herrings, with certain sub-plots being left up in the air and characters disappearing from on screen. Such as one of b-grades finest Karen Black, one of the film's strong points her character just vanishes after the halfway point. This is why certain things you pick up don't make too much sense and why at times it tries to be a moving drama, then comedy and a sudden u-turn into horror. Please make your mind up! It just seems there was too much going on at times, which gave it a padded feel. When it finally comes to the outlandish climax the killer's identity is a real let down in my opinion. Overall, the killer was just too goofy and cracked too many lame one-liners.
Fine performances from an exceptional b-cast (Cameron Dye, Bud Cort, Tracy Walter, Geoffery Lewis, Starr Andreeff, Paul Bartel, Tab Hunter). There was your occasional flat or eccentric performance and the cross dresser Divine makes a small cameo as a police detective. It's just that most of the characters were unlikeable and the dialogue that came from their mouths was shallow trite. The actual production wasn't too shabby and there were some well setup sequences. But where's was the suspense? Actually, what am I going on about? Oh right, it's a cheesy 80s slasher film.
Overall, there's some fun to be had with it providing enough nudity and cheap violence, which you expect from this type of film.
Well, this is my second viewing of this film and it hasn't improved on my first one bit, but its mildly amusing despite we've seen it all before. What we got here is a reasonably sub-standard slasher with A LOT of sleaze, sex and added nastiness, with some very twisted humour along the way too. Although some things actually don't work, and you'll be snickering at how ridiculous certain set-ups are and how outrageous the violence is. Even the oh so many coincidences and why would you do that scenarios that crop up doesn't help either. Its main problem was that it took itself FAR to seriously in spots, making it funny in parts that it shouldn't have been. But then again, this is what really keeps you watching this particular film. I'm hoping its trying to be a parody on the sub-genre. Hold on, I almost forgot a cheesy, but sometimes-erotic soundtrack helps you get into the 80's spirit!
The actual plot has so many twists, turns and plenty of red herrings, with certain sub-plots being left up in the air and characters disappearing from on screen. Such as one of b-grades finest Karen Black, one of the film's strong points her character just vanishes after the halfway point. This is why certain things you pick up don't make too much sense and why at times it tries to be a moving drama, then comedy and a sudden u-turn into horror. Please make your mind up! It just seems there was too much going on at times, which gave it a padded feel. When it finally comes to the outlandish climax the killer's identity is a real let down in my opinion. Overall, the killer was just too goofy and cracked too many lame one-liners.
Fine performances from an exceptional b-cast (Cameron Dye, Bud Cort, Tracy Walter, Geoffery Lewis, Starr Andreeff, Paul Bartel, Tab Hunter). There was your occasional flat or eccentric performance and the cross dresser Divine makes a small cameo as a police detective. It's just that most of the characters were unlikeable and the dialogue that came from their mouths was shallow trite. The actual production wasn't too shabby and there were some well setup sequences. But where's was the suspense? Actually, what am I going on about? Oh right, it's a cheesy 80s slasher film.
Overall, there's some fun to be had with it providing enough nudity and cheap violence, which you expect from this type of film.
¿Sabías que…?
- TriviaDivine's final film role. It was released a year after his death.
- ErroresThe car that runs down victim #2 appears to have three different license plates.
- Citas
Kevin Silvers: You know what they do to killer clowns?... They send them to the funny farm.
- Versiones alternativasUK cinema and video versions were cut by 1 min 34 secs by the BBFC for an '18' certificate with heavy edits to the sexual telephone conversations and the murder scenes, plus the removal of shots of a bondage photograph and a carrot being placed in a dead woman's mouth.
- ConexionesReferences Late Night with David Letterman (1982)
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Detalles
Taquilla
- Presupuesto
- USD 1,600,000 (estimado)
- Tiempo de ejecución1 hora 29 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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By what name was La sonrisa de la muerte (1988) officially released in India in English?
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