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5.2/10
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Un hombre con una bolsa de cuchillos busca víctimas para despellejar mientras lo acecha un drogadicto cojeando que él mutiló y busca venganza.Un hombre con una bolsa de cuchillos busca víctimas para despellejar mientras lo acecha un drogadicto cojeando que él mutiló y busca venganza.Un hombre con una bolsa de cuchillos busca víctimas para despellejar mientras lo acecha un drogadicto cojeando que él mutiló y busca venganza.
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Opiniones destacadas
The movie Skinner is about a serial killer who has a disturbing hobby of skinning his victims and then wearing their skin like clothing. To me, that sounds like a credible horror film story line, but the execution of this film was very poor. The acting was unbelievable, the film quality looked like the movie was filmed in the 1800s, and the effects were not good at all. I would not recommend this film to anyone at all for any reason. There are no memorable scenes or lines in this movie, so I'm going to give it a 1 out of 10 star rating.
I feel like this sits at a slight tipping point. It would have been very easy for it to have been shaped into a morbid horror comedy; alternatively, it would have taken little for it to become an erotic horror-thriller, or a more pointedly grotesque gorefest. I like that as we see it the feature strikes a bit of a balance: touches of cheeky levity without being ham-handed, flashes of imagery and suggested brutality without being utterly viscerally repulsive. That's not to say that 'Skinner' isn't plentifully nasty, and in fact this rather has "video nasty" written all over it. Yet director Ivan Nagy demonstrates just enough restraint to keep from going overboard in any direction, and the different aspects somewhat keep one another in check. For all that, this is a whole lot of grisly fun, with bizarre, grim imagination tempering the utmost violence.
Not to sell anyone or anything else short, but I don't think it's unreasonable to say that Ted Raimi is the chief selling point here. I don't think I've ever seen him in a role that's at once so stunningly dark, but also peculiarly over the top. From Skinner's neighborly candor, to his more out of control moments, to the outrageous "personas" he adopts at select points, Raimi embodies the killer with fantastic, dexterous range, and it's a joy to watch him here. For that matter, though, the rest of the cast is swell, even those in smaller roles (like Time Winters as watchman Bob), and it's an unexpected delight to see Ricki Lake in such a picture that seems so uncharacteristic for her.
It's not all fun and games, though, and 'Skinner' surprises in some other ways. The production design and art direction are genuinely terrific; the setting of every scene feels so real, like one could reach out and touch it (though in most cases we probably wouldn't want to). Nagy demonstrates an unlikely sense of artistry with some shots and scenes, and this includes primo use of lighting. Though plainly overdone the blood and gore are suitably delicious within the limits of suspension of disbelief, and this dovetails with fine costume design, makeup, and hair styling, not least for Traci Lords as she capably portrays hard-bitten Heidi with downcast determination. And while all this is going on, the ambient original score of Contagion adds some definite pensive atmosphere to the proceedings.
This isn't the most immediately grabbing horror flick; for all the instances of heightened vibrancy of one flavor or another, the pace is very deliberate. The most gnarly scenes are measured out so they never overwhelm, or lose their punch. With a little bit of patience, however, the movie is wonderfully enjoyable and satisfying for those who appreciate the genre. It's solidly made in every regard, with tight writing and direction that carefully spotlights every best detail in the narrative and scene writing. If you have the chance to watch 'Skinner,' this is worth checking out.
Not to sell anyone or anything else short, but I don't think it's unreasonable to say that Ted Raimi is the chief selling point here. I don't think I've ever seen him in a role that's at once so stunningly dark, but also peculiarly over the top. From Skinner's neighborly candor, to his more out of control moments, to the outrageous "personas" he adopts at select points, Raimi embodies the killer with fantastic, dexterous range, and it's a joy to watch him here. For that matter, though, the rest of the cast is swell, even those in smaller roles (like Time Winters as watchman Bob), and it's an unexpected delight to see Ricki Lake in such a picture that seems so uncharacteristic for her.
It's not all fun and games, though, and 'Skinner' surprises in some other ways. The production design and art direction are genuinely terrific; the setting of every scene feels so real, like one could reach out and touch it (though in most cases we probably wouldn't want to). Nagy demonstrates an unlikely sense of artistry with some shots and scenes, and this includes primo use of lighting. Though plainly overdone the blood and gore are suitably delicious within the limits of suspension of disbelief, and this dovetails with fine costume design, makeup, and hair styling, not least for Traci Lords as she capably portrays hard-bitten Heidi with downcast determination. And while all this is going on, the ambient original score of Contagion adds some definite pensive atmosphere to the proceedings.
This isn't the most immediately grabbing horror flick; for all the instances of heightened vibrancy of one flavor or another, the pace is very deliberate. The most gnarly scenes are measured out so they never overwhelm, or lose their punch. With a little bit of patience, however, the movie is wonderfully enjoyable and satisfying for those who appreciate the genre. It's solidly made in every regard, with tight writing and direction that carefully spotlights every best detail in the narrative and scene writing. If you have the chance to watch 'Skinner,' this is worth checking out.
This movie cracked me up! What a fun, trashy little film. Tracy Lords is almost impossible to watch and Ricky Lake is just calling it in. The only reason to watch this flick, in my humble opinion, is for Ted Raimi. Why is this guy not a star? He really gets into his performance in this film. I have always enjoyed him on Xena but Skinner gives him a chance to run with a lead roll. He's a really good actor! And to top it all off he's super cute and his body is sound as a pound! Yowzers!!!!
Ted Raimi is Dennis Skinner, a friendly, grinning wacko who kills women, skins them and wears a suit made of their stitched-together flesh. He rents a room from lonely housewife Kerry (Ricki Lake), who's glad to have some company since her moody trucker husband (David Warshofsky) is always gone. Meanwhile, Heidi (Traci Lords), a depressed, soft-spoken, scarred, limping morphine addict who managed to survive an attack years earlier, balances her time in a grimy hotel room shooting up, crying and plotting revenge.
This is a dark, dreary, depressing and often awkward film and I hated it when I first saw it. However, I gave it another chance and am glad I did. Aside from the top-notch KNB FX work, it takes place in a unique, graffiti-tinged decaying urban hell landscape, has a great score from Contagion and plenty of clever movie references if you're looking for them. There's one odd and powerful moment in this film, where Dennis is talking to the shell of a victim he's just killed and skinned about his traumatic childhood and rubbing the hands of the deceased along his face for comfort. Moments like these, done with some thought and care, lift a film like this right up out of the gutter.
I completely disagree with the potshots made at Traci Lords. Many people just cannot put their perceptions of her behind them long enough to even consider the fact she's capable of giving a competent performance. I found Lords to be more than just a little competent in this particular role. It is by no means an easy or flattering part to have to play, but I thought she played it very, very well.
Speaking of unflattering portraits, you can learn more about director Ivan Nagy by viewing HEIDI FLEISS: Hollywood MADAM.
Score: 7 out of 10.
This is a dark, dreary, depressing and often awkward film and I hated it when I first saw it. However, I gave it another chance and am glad I did. Aside from the top-notch KNB FX work, it takes place in a unique, graffiti-tinged decaying urban hell landscape, has a great score from Contagion and plenty of clever movie references if you're looking for them. There's one odd and powerful moment in this film, where Dennis is talking to the shell of a victim he's just killed and skinned about his traumatic childhood and rubbing the hands of the deceased along his face for comfort. Moments like these, done with some thought and care, lift a film like this right up out of the gutter.
I completely disagree with the potshots made at Traci Lords. Many people just cannot put their perceptions of her behind them long enough to even consider the fact she's capable of giving a competent performance. I found Lords to be more than just a little competent in this particular role. It is by no means an easy or flattering part to have to play, but I thought she played it very, very well.
Speaking of unflattering portraits, you can learn more about director Ivan Nagy by viewing HEIDI FLEISS: Hollywood MADAM.
Score: 7 out of 10.
Now...I am a HUGE Ted Raimi fan, and I bought this movie under the assumption that this highly underrated actor would be in a starring role and make a worthwhile movie. However, this is not the case. Although this movie had promise, the script needed work (to say the least), the audio track was terrible, and I sense that there was a lot of poor editing done, because it was full of plot holes. The only thing I really learned was that the skin of the bully that the dog ate must have been poisonous, because I can think of NO OTHER REASON why the dog died. Its really a shame, too, since poor Ted has not been offered more leading roles because he is immensely talented. I'm just sorry that his brother's perpetual habit of putting him in the background drove Ted to this during his early career. Tracy Lords mumbled her way through, and I wondered how in the hell a DVD has a video roll in it. I guess I'll just swallow my $9.00 loss (at least the shipping was free), and be glad that there is better Ted Raimi fare out there.
¿Sabías que…?
- ErroresDennis is shown skinning the corpse of a female. After he finishes with her back he turns her over. When he reaches for her head the "dead" actress closes her eyes when his hands get close. Her eyes had been open the entire scene.
- Citas
Dennis Skinner: [closing his narration] Just like a father should
- Versiones alternativasThe R-rated version sloppily removes most of the gore included in the unrated version. In the process, some of Dennis' speech about his father while skinning the blond prostitute was also trimmed.
- ConexionesReferences Los ojos sin cara (1960)
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- How long is Skinner?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Skinner (El desollador)
- Locaciones de filmación
- Los Ángeles, California, Estados Unidos(main location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución1 hora 28 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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Principales brechas de datos
By what name was Skinner (1994) officially released in India in English?
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