Meet the Hollowheads

This is certainly one cheery little pile of glop but, with its rainbow-dessert/Good n'Plenty visual design, it is hard to digest and rather nausea inducing. It's like a bad dream channeled through a nether world where the brains of Terry Gilliam and Steven Spielberg (in his Goonies phase) connect. Meet the Hollowheads? More like the Jetsons-meets-Brazil-meets-a-hamster-habitrail... well, it's certainly not the usual "meetings" I'll grant that. But it's all contrived weirdness and goopy effects, and worst of all not funny. There's no wit, just a lot of Sid & Marty Kroft-like ('Lidsville/H.R. Pufnstuf', etc.) goings on that might appeal to kids. There's even a section with Anne Ramsey that is so badly acted and recorded that it required post-production sub-titles in order to figure out what was being said (granted Miss Ramsey died, presumably before she could loop her dialogue). There's also a cheesy 80's-cliche guitar & synth music score that ironically dates this futuristic film. Or maybe it's not futuristic, but an alternate universe... being the same place where this film came from, like some of the actors listed: Shnutz Burman, Lightfield Lewis, Shotgun Britton and Jack Cheese (yes, these are the actors names not their characters). Yet it was probably a blast to make, at least for the Burman clan: from the credits it appears the entire Burman family tree worked on this. Then again, Tom Burman is a make-up artist, so this may be the finest directorial achievement of any make-up artist in Hollywood history. Bravo... now let's put a Key Grip in the directorial chair and see what one of THEM can do.

This is sort of like a lite version of BRAZIL; which takes a standard 60s sit-com plot of a middle-class working father who has to impress his boss with a dinner at the family home; and sets it in some futuristic/alien world.

It has quite impressive production values, great set design, and a fairy tight little script.

All the child actors especially show a lot of enthusiasm and great personality.

Very enjoyable if you like escapist storytelling. It would probably make an enjoyable rainy-day video for the family during holidays.

It's like a late-Snakefinger era Residents video that goes on forever because one little boy WON'T LET THEM STOP!! In our house we always follow it up with a Mongolian Death Worm quiche and Quisp pie. Most folks don't necessarily need the 151-proof white rum chaser, but we strongly suggest you just take your medicine and shut the heck up -- especially during all those extra juicy food preparation scenes. This is a great movie when it's served to your dinner guests without all those pre-conceived notions like Germanoid meal tickets getting in the way. Make sure you keep those internal visions of Jesus doin' the hustle in your head all updated and stuff and you'll survive the night just fine, which is more than you can say about Juliette Lewis' acting career. Does anybody else get her confused with Shayna Knight? So it's just me then. I thought so.

Everything revolves around tubes in this futuristic "dark comedy" . The eclectic cast is interesting, with Nancy Mette, Richard Portnow, John Glover, and especially a cameo by Ann Ramsey. Ramsey is in charge of the local tube station, and her subtitled rant is worth the price of admission alone. Meanwhile the neon sets are creative with tubes pumping everything in and out of the domicile. There are obvious sexual double meanings referred to in all the "tube talk". Things eventually turn nasty with the Hollowhead's defending themselves from Mr. Hollowhead's lecherous boss. "Meet the Hollowheads" is definitely going to be an aquired taste, but for the right audience this is cult film caviar. "Good shift" . - MERK

This wildly imaginative, endlessly clever, candy colored, twisted, hilarious, gross-out, underground (maybe literally) sci-fi comedy is a one-of-a-kind wonder. Essentially the idea is a Jetsons-ish live action family TV sitcom satire set in an intangible time and place of some far off, distant dimension or universe where every daily necessity or modern convenience is pumped through a complex system of tubes. Oh, and everyone is careful not to fall off "The Edge." The basic plot setup is an intentional cookie cutter television sitcom template involving the father, Henry Hollowhead (John Glover) who works for "United Umbilical", bringing home his new slimy boss (Richard Portnow) for an impromptu dinner, leaving the homemaker mother, Miriam Hollowhead (Nancy Mette), reeling with the frantic task of managing her three stock character type children while trying to cook up an impressive feast.

The inspired fun and lunacy comes from how this simple premise is warped around, and manifested within the novelty of the created universe: The mother wrangles tentacles and squirts out doughy goo in the kitchen; the eldest son practices his bagpipe/keyboard/trombone/live-chicken-creature instrument for his big gig; the youngest son picks fat insects off the family "dog" ("he's infested") to use in his new "Splat Spray Game" with his troublemaking buddy Joey (pre-teen cynic, 80's cult regular Joshua John Miller); and their middle child daughter, a pre-fame Juliette Lewis, sprays her face with cosmetic machines in the bathroom, getting ready for a party. A whole system of amusing fictional terminology and lingo is even created (the daughter wants to use the mother's "Softening Jelly" and they threaten to discipline their children by sending them to the "Penetration Box") leaving the deduction of which up to the viewer's imagination.

Another delicious, bizarre and wonderful conceptual element is what lay beyond the walls of the house and what the outside world is like. The only scene that takes place outside the fantastical home is when the youngest son and his friend venture out through an abstract dark void to make their way to the main pipe station, to fill a list of ingredients for Mrs. Hollowhead. Along the way, they encounter a void bum, a team of "Reamers," that are dressed up in grey, brush outlined pipe cleaner tutus, and Stationmaster Babbleaxe (Anne Ramsey), who speaks with subtitles that even translate her grunts into insults (This idea might have been used due to the fact that because Ramsey suffered from throat cancer she had to have parts of her jaw and tongue removed, and as a result it affected her speech. She died shortly after this production and the film is "Lovingly Dedicated" to her.).

This was Thomas R. Burman's, a long time special make-up effects artist who has worked on everything from The Thing With Two Heads (1972) to My Bloody Valentine (1981) (he even worked with Anne Ramsey before on Throw Momma From The Train (1987)), first and only, so far, directed feature, but let's hope it is not the last. Lisa Morton co-concocted and wrote the great script in collaboration with Burman as a project for Burman to direct. Morton kept a journal during production which can be found online at Morton's site (www.lisamorton.com).

A good printed VHS and Laserdisc version was released by Image in November of 1989 but since then the film seems to have become public domain, because several super cheap video labels have released their own VHS and DVD versions with badly blown up pictures of Juliette Lewis on the cover, to cash in on her fame, and wrong credit listings. The film's original title was "Life On The Edge," but it was changed, and the film was cut and re-scored by the producers (they even added a horribly silly/stupid hip-hop/rap song to the credits). But even with those forced butcheries, the film remains astonishing. We would all lead happier, more exciting lives if more films like this got funded. Absolutely not to be missed! Highly Recommended!