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Nothing beats your first time with The Omega Man. I first saw it as an impressionable pre-teen back in the 70s, and it immediately made it up there with James Bond, Evel Knieval and Bruce Lee as THE coolest thing I'd ever seen in my life. Time hasn't been all that kind to this film, and it seems a bit croaky all these years later, but c'mon, Charlton Heston fighting albino bikers has gotta be worth SOMETHING! The Woodstock scene is priceless, Zerbe makes a wonderful baddie, and remember Paul Koslo? What a dude. This movie is a hell of a lot of fun.

I love those 70's flicks. They really experimented with no-nonesense plotlines, and didn't have the resources to exceedingly engross themselves in needless over-production. This last issue is a big problem with many of today's movies, where your eyes often pop out, but your brain usually falls asleep. Someone here complained about the score. I felt the music was great, it sets the whole tone of the movie. For example, in the fight scenes, it gives you an eerie sense of repetition and fatality that, come to think of it, really is the whole point of the movie. Bottom line, just for the premise alone, it's worth watching. Expect some basic production and a couple of cheesy lines. But this is overly compensated by excellent tension and engrossing plotline.

People knock this film. Yes it has many flaws but some slack should be cut. It was 1971, Hollywood was in a desperate time of recession and change. 'Easy Rider' had blown a hole in the side of the school of thought that the studios had subscribed to. Suddenly, story material that would never have been tackled by the major studios prior to this time was emerging.

'The Omega Man' was of course an adaptation of Matheson's novel and is a second film version of it. But the technical challenges were vast. Find a time of day when L.A.'s deserted? Do me a favor! It's a miracle they got anything decent on film. Yes there are distant cars in the back of that zoom out at the top of the film but these guys didn't have computers did they?

Anyway, Heston looks amusingly dated in the role of Neville wearing his safari jacket and skintight tracksuit while he prowls the 'deserted' streets. The thing about Chuck is he just LOOKS like a film star. Just driving a car he grabs your attention. The supporting cast here are less engaging. An afro and 'Hey man' too many perhaps. The writers seemed desperate to tap into 70s pop culture. A sure-fire way to date your film.

The camera crew on this film must have gone straight onto 'Quincy' after they'd finished this. It's bizarre. There are dolly moves for no reason whatsoever (when Heston first enters his apartment and later before he discovers the sardine tin), zooms that hit the end stop so hard they almost bounce back and roving pans where you actually feel for the operator while he tries to find where the hell Chuck's car's gone. But this is one of the things that makes 70s cinema so great. The raw elements of film-making are on display.

Ron Grainer's score is genius in places and god awful in others. It goes from the brilliant main title theme to the woeful chase music when Heston pursues the leading lady. There's also the typically almost pink-tinted blood. Why couldn't they get blood right back then?

'The Omega Man' is an engaging, thought-provoking but very dated piece of cinema. The last image of Heston is immortal even if the film's hair-dos are not. Watch it, enjoy it and cut it some slack.

What we got right here is a prime sampling of Charlton Heston's 1970s renaissance, that's what. Prime Chuck. The Hest. The MAN. In all his ageing, fading glory. From the very beginning we see a sweaty, swarthy and downright bad Chuck rollin' in his five-oh (a la Vanilla Ice, I suppose), scouring the streets of a skeletal near-future Los Angeles. And as the last man on earth, it's the least he can do. Only this is the future with a demonic hitch - Chuck must defend himself at every darkening turn from an evil cult of postwar mutants, led by the maniacal cool-as-ice Matthias. This aggrevated Luddite soul-brother crew's primary aim it seems, is to rid the world of Chuck - while they're not oozing cool and spouting kitschy new-age philosophies. In response, what we as viewers receive is Chuck at his absolute baddest (take that how you wish). In a film where Hest's teeth practically take second billing, we hear him say all the things Chuck was born to say: Damn, bastards, God, SOB and so on.

It's one hell of a ride, dated badly from the first moment we see Chuck pop a tape in the 8-Track. Thus, when you feel the need for cheese, simply mix in "The Omega Man" - and a little prime Chuck.

This movie scared the utter CRAP out of me when I first saw it at age 12. The mutants haunted my dreams for months afterward. Extremely creepy stuff! After all these years, "The Omega Man" still holds up as a thoughtful and chilling cautionary tale. Admittedly, it's now more campy and dated and has some unintentionally funny scenes, but that tends to simply add another dimension to the entertainment value. Great period detail and Charlton Heston in fine form.

There have been rumors of a remake/revision of the film (actually of the source novel, "I Am Legend," by Richard Matheson). May I suggest John Carpenter as a possible director?