Colores de guerra

Before you had BOYS N THE HOOD or MENACE II SOCIETY, there was COLORS. This movie is the original article in urban-street dramas that spawned many followers in the 90's. But like those films it is an intense, powerful movie that takes you to the streets in an extremely realistic way. The caption on the VHS cover says something like two gangs at war(Bloods & Crips)with the police caught in between. Well, that is pretty misleading. Although most films like this would stick with the gang war as the main focus, COLORS has many different plot levels that all come together very nicely. Sean Penn & Robert Duvall are right on the mark as the two officers on the beat. The film ultimately succeeds through its perspectives, giving points of view from all sides and fully expresses the harsh reality that everyone involved faces. When the film first came out, it was bashed for its extreme violence and portrayal of gang members. Well, I definitely think Dennis Hopper did an excellent job and I feel that violence is crucial in a film like this to add to its strong sense of reality which some people may not be too familiar with.

Colors (1988)

*** (out of 4)

A veteran L.A. police officer (Robert Duvall) gets teamed up with a new, hot-tempered officer (Sean Penn) just as a war between rival gangs breaks out in the streets. The two officers are constantly butting heads over the proper way to handle the situations of the street and things don't get any better once the gangs start fighting back. COLORS was a very popular movie in the day but it's not really a great film. I think there are many very good and many great things in the film but I think a major re-write on the screenplay could have really helped things because no matter how many times I watch the film I can't help but think they're trying to do way too much and end up missing a lot of stuff that should have been simple. On one hand you're looking at a cop-buddy picture and then you have a film trying to show people the law of the streets. I'm sure many were seeing these type of gangs for the first time and director Hopper certainly tries to make one understand why they're in these gangs and why they're willing to lay down their blood for their cause. What doesn't work overly well are a couple side plots dealing with Penn and his relationship with a Mexican woman (Maria Conchita Alonso) with connections to the street. Another thing that doesn't work overly well are all sorts of other subplots dealing with lower entry gang members that never really add up to much. I think there are some moments where the film goes away from the two leads for too long, which certainly makes the film drag in spots. What does work however are the performances by those two leads with both actors doing a great job and even better is the chemistry they have together. The old school Duvall and the new school Penn were the perfect selection for partners here because their acting styles are just so different that they end up mixing together so well. No actor can sell a veteran as great as Duvall and Penn was certainly starting to come into his own around this point in his career and that hot-tempered manor of his was nailed perfectly. The supporting players add some nice performances including Ron Delaney, Larry Sylvester, Don Cheadle and Marlon Wayans in a small role. I've read some reviews that say COLORS is nothing more than a blaxploitation flick for white people but I think this is a tad bit unfair. I think Hopper did a very good job at showing this gang life without glamorizing it and I also think the film does a good job at making the members humans and not just some sort of targets. Hopper certainly seemed to know the material quite well and his direction gets the job done but I think less could have been more.

Dennis Hopper's film Colors may seem like hundreds of miles removed from his first feature as director Easy Rider, but it's made twenty years later and it shows effectively at least two things on his part: first, that he can express himself in material that would appear to be a "for-hire" work, specifically with having an older, calmer version of himself in Duvall (the kind that tries to think things through and can be ferocious but has experience from a life of work) and Penn (the young hot-head who you know is good but is troubled in other ways), and secondly that he can go back to some of his earliest acting roots, working in movies featuring rebels and gangs (not least of which Rebel Without a Cause) and actually give them the fire and energy and as-much-as-possible realism so desperately needed. Colors is a mature work from a filmmaker who knows what he's doing, and will let the actors and the mood of the streets and the temperament of the current events (which were practically untenable in the late 80s and early 90s in gang-banger) LA.

Matter of fact, this should have been Hopper's professional calling-card, showing that he can make a film that isn't an art-film or too experimental (Last Movie) or under the radar (Out of the Blue). Indeed you'd have to remind most people that Hopper even directed it since, frankly, he lets his stars steal the show, and rightfully so. There's not a solid plot to speak of, more-so a character study of two cops, one older one younger, who are partnered up and have to tackle the ghettos and slums, loaded with "Blue" (Crips) and "Red") (Bloods), and also the various Hispanic gangs that are not as notorious but still as powerful and dangerous.

It's a series of pieces that soon take shape into a story, but it's not even about that. It's just about following these gangs and being true to their nature: of their rites of passage (beating up the new kids and setting them off to prove themselves), their bond and codes, their can-do attitude even when they're behind bars or in hand-cuffs, and the collective wisdom that you can either talk to a cop or just run... or, another alternative, shoot. It's also about a value system and class differences; the former relating, of course, to Hodges (Duvall) and Penn, who don't see eye to eye on how to apprehend suspects or treat them. Penn's younger guy isn't a crooked cop or corrupted, but he's a hot-head, a junkie for adrenaline, while Duvall's been around the block way too many times (and even admits that he had a higher post before and is still on the streets for reasons not totally made clear) to put up with being "like a gangster" as he says.

And the class part relates to the difference between McGavin (Penn) and his supposed girlfriend, who comes from the Latino parts of the hood and has family that Hodges has come in contact with as a cop, putting them up against the wall. It's through this that we see the split between the people in Lost Angeles, and while it's not a subtle point really (and may even be one of the more cliché things in the picture), it still goes a way to try and add immediacy to the drama, and McGain's own personal conflicts on the streets. And, again, those gangs, some played by actors (Don Cheadle and Damon Wayans in early roles, Sy Richardson), others by I would assume real gang-bangers and people 'from the streets' (another thing Hopper is good at, casting real people, which he doesn't get enough credit for), that are allowed to be fleshed out and made into real people, or as real as they can be in this movie.

The filmmakers don't make us feel sympathy for the gang members, but through making them human beings as opposed to just targets and caricatures, it adds to the whole experience of being about something. Nothing here is exploited; it's a well-researched time-capsule that still holds its own years later, least as long as there are crips and bloods and other gangs and, you know, hot-headed cops with old-timer veterans. Very solid, professional film-making.

Until I checked this out on IMDB, I had no idea that Dennis Hopper was the director. Wow, that says a lot about his directing ability.

In a void, this movie might not be great. Someone from the UK complained about it. I'm not from Compton but, this movie rates up there with the other true-to-lifers like Boyz in the Hood, and other gang related "classics" (as they deserve to be called).

This is a great movie with great acting and a great plotline. It's a pretty realistic view (again, I'm not a gang banger, so maybe my view is skewed) of the gang life in L.A. And it was the first to really portray it... I'm still a big fan of Boyz in the Hood (not for excitement, but for a good story about a tough life). But this was the first (as I recall) and Hopper deserves a great deal of credit for that. Penn and Duvall are fantastic actors and both come through in a big way in this movie.

My personal opinion: This movie has been, by far, underrated...

It was about 1988 when people in my suburban world first became aware of the inner city war between Bloods, Crips, and many of the fringe groups. This film, along with the rise of "gangster rap" were probably my first exposure to this culture. And its safe to say that if anything, the problem has only gotten worse in the past two decades. Gangs are still killing each other, and they seldom need a reason to do so.

Colors is a fairly daring film directed by Dennis Hopper. The story wishes to point out the plight of inner-city youths caught up in gangs as well as the futility of law enforcement in dealing with them. Robert Duvall and Sean Penn play basically the timeless "good cop/bad cop" duo out to learn what they can on the street and help prevent as much gang crime as possible. The film starts out strongly detailing the differences in their respective approaches to the job. Both men are a joy to watch, and continue to be so to this day. There are few American actors as talented as either man. However, as the story progresses, these two main characters seem to get kind of lost in the shuffle, and the story becomes more about the gang members. They are mostly interesting people, but you're going to find yourself wishing for more of the two leads.

The film is packed with shootouts and car chases.... perhaps a few too many. A lot of thought went into stunt work, fight scenes, and explosions. Most are not needed. Had Colors stayed more of a thoughtful drama instead of an action pic, it would have had a much bigger impact. The Los Angeles we see here is well filmed, and seems off limits to those who don't live there. This was certainly the intention. There are some wonderful little details that project the local flare. In one scene for example, while Penn and Duvall are questioning a group of Hispanic suspects in the Barrio, you can hear a rooster crowing just off screen. The cast is teeming with soon-to-be famous folks like Damon Wayans, Don Cheadle, Glen Plummer and many others. Look out for a young Mario Lopez as a young gang member. But what on earth was Malakai from Children of the Corn doing in the Barrio???? 7 of 10 stars.

The Hound.