Un señor del crimen asciende al poder y se vuelve megalómano, mientras que un detective inconformista de la policía jura detenerlo.Un señor del crimen asciende al poder y se vuelve megalómano, mientras que un detective inconformista de la policía jura detenerlo.Un señor del crimen asciende al poder y se vuelve megalómano, mientras que un detective inconformista de la policía jura detenerlo.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 premio ganado y 6 nominaciones en total
Ice-T
- Det. Scotty Appleton
- (as Ice T)
Opiniones destacadas
As British TV is so bad at the moment I'm re-watching many of my DVDs. I dug this out. Wesley Snipes is a very underrated actor just like his peer Laurence Fishburne. He is excellent in this, and as another user has commented, you see especially in the trial scene that his character isn't quite the dumb-head he appears to be just misguided. It has a fine cast. I dug the film out to watch Judd Nelson's performance again in it as I've just re-watched the Breakfast Club and wanted to compare. I can't remember who directed NJC but it's very reminiscent of a Spike Lee film and just as hard hitting. It is just as relevant today as it was back in 1991 in fact more relevant here in Manchester, United Kingdom as we have seen over the past 7 years some serious divisions within the black community.
In one of the greatest patriarchal roles since Brando's in The Godfather, Wesley Snipes astounds and overwhelms as "the godfather" in this film, directed and co-starring Mario Van Peebles. Snipes, however is where the strength of the film lies. His drug lord has no remorse. No heart. No soul. All he has is his power and he wants more of it. The film has a quick pace. The cast is quite good, including Ice-T as a cop going on the inside to try and take down Snipes' drug lord. Judd Nelson is dark and sardonic as Ice-T's main opposition on the case.
Van Peebles directs a great cast in this detached-from-reality film about a truly evil drug-lord with a head for business and murder (Snipes), and a tough, street-wise pair of cops (Ice-T and Judd Nelson) hell-bent on bringing him down. The message is an important one - slogans are not going to win the war on drugs, and the way the message is carried in the film is more subtle than you might expect. The end of the film makes the point very clear, and I won't discuss it because I do not write spoilers. Like many of the more intelligent films made in the early 1990s, New Jack City is also an indictment of the euphoria of the Reagan years - telling the true story of what that time was like for those living from paycheck to paycheck, or trying to live without one, and dealing with the invisible "war on drugs" which had little to no effect on anybody in our inner-city neighborhoods.
Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.
Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.
Snipes, Ice-T, Allen Payne and Chris Rock give stand-out performances, and the rest of the cast provide excellent support. The film also stars New York City, and definitely has an NYC flavor (seasoned with more than a pinch of Hollywood). The cinematography is a little breathless - not unusual for the genre but in this case a bit extreme. The script is good, but perhaps too dense with rich plot details. And the editing provides a few pacing problems toward the middle of the film which, combined with the over-abundance of subplots, detract from the development of the main themes. The soundtrack is excellent - including a nice mix of hip-hop, rap, contemporary soul, and dance music - all blended nicely with the imagery of the film. Van Peebles style is well developed in this film, but I felt that some aspects of the plot were a little too outrageous for the seriousness of the film's message, and I fear that the message may have been lost on many of the film's viewers.
Overall, this is a good film. Entertaining and thoughtful, but definitely not for everybody.
This is one great movie, but the thing that really made it special was Wesley Snipes portrayal of a totally despicable character in Nino Brown. He didn't portray Nino as the stereotypical drug dealer. Instead he portrayed Nino as a highly intelligent man who you wonder what would have happened if he had put his intelligence to more productive pursuits. Also, Ice-T wasn't bad in his first major role and you can see how much he has improved by watching Law and Order: SVU.
This is not your typical movie about the drug culture.
This is not your typical movie about the drug culture.
8tavm
20 years after his father, Melvin Van Peebles, had made a revolutionary film called Sweet Sweetback's Badasssss Song, Mario Van Peebles would direct something of a classic himself with New Jack City. He plays the superior officer of a detective played by rapper Ice-T who we find out has personal reasons for wanting the drug dealer Nino Brown, played by Wesley Snipes, dead. Assisting him is partner Judd Nelson and a former user played by Chris Rock before he joined the cast of "Saturday Night Live". While Rock is better known as a comedian, he gives a fine dramatic performance here. Of course, it's Snipes who gets the lion's share of the acting highlights especially when his character's on trial. While it seems initially the drug lifestyle is glamorous here, it does show eventually that crime doesn't pay. So on that note, New Jack City gets a high recommendation from me. P.S. While I managed to watch this on YouTube, some parts were missing so I checked the Italian upload on the site to watch what I missed and I managed to understand what was going on despite the Italian dubbing.
¿Sabías que…?
- TriviaWesley Snipes originally wanted to play Scotty Appleton. However, Mario Van Peebles and Barry Michael Cooper insisted that he play Nino Brown, as the part was written especially for him.
- ErroresPookie's time inside the Carter was extensively videotaped, and those tapes, which included G Money giving the order to kill Pookie after his cover is blown, were all saved by the cops. Despite all that taped evidence that could be used to either convict G Money and several others and/or flip them as witnesses against Nino, the operation is declared a total failure and the tapes are never used.
- Citas
Nino Brown: [to Gee Money] You fucked up. You fucked up big time. You're incapable of running this shit.
[Gee Money stands up]
Nino Brown: *Sit* your five-dollar ass down before I make change!
- Versiones alternativasGerman VHS & first DVD releases were edited for violence in two scenes (Nino kills a cop by cutting his throat/Scotty beats Nino at the end of the film), probably to secure a "Not under 16" rating. On TV the film was broadcast uncut. On the 2006 Special Edition DVD the film was released uncut.
- ConexionesFeatured in Christopher Williams: I'm Dreamin' (1991)
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- New Jack City
- Locaciones de filmación
- Bronx, Nueva York, Estados Unidos(filming location)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 8,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 47,624,353
- Fin de semana de estreno en EE. UU. y Canadá
- USD 7,039,622
- 10 mar 1991
- Total a nivel mundial
- USD 47,624,353
- Tiempo de ejecución
- 1h 37min(97 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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