CALIFICACIÓN DE IMDb
6.3/10
7.9 k
TU CALIFICACIÓN
En el futuro, la mayoría de la humanidad y la tecnología ha desaparecido, seis personas vagan jugando una brutal forma de fútbol con una calavera de perro. Esperan un día poder jugar en una ... Leer todoEn el futuro, la mayoría de la humanidad y la tecnología ha desaparecido, seis personas vagan jugando una brutal forma de fútbol con una calavera de perro. Esperan un día poder jugar en una liga urbana.En el futuro, la mayoría de la humanidad y la tecnología ha desaparecido, seis personas vagan jugando una brutal forma de fútbol con una calavera de perro. Esperan un día poder jugar en una liga urbana.
Vincent D'Onofrio
- Young Gar
- (as Vincent Phillip D'Onofrio)
Justin Monjo
- Dog Boy
- (as Justin Monju)
Honie Robbinson
- Kolkan Blond Daughter
- (as Honie Robinson)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Don't buy the hype. This Mad Max-esque film is one of the bleakest films I have seen in a long time. All characters are unhappy souls, surviving in a grim world, unable to improve their lot, prone to an almost genetically determined urge to mess things up. They have egos and the big guns aren't used to working with other people or playing by the rules. The cinematography is stark and bare, with only the soundtrack adding some effect. It's an amazing work and everything I had hoped for. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. Verdict: 7/10.
I recently rewatched this movie for the first time in ages, and I was pleasantly surprised to find that it held up remarkably well to my older eyes. So many gritty post-apocalyptic hero type flicks that I liked when I was younger turn out upon a more sober "adult" viewing to be amateurish and juvenile. But this movie has real depth, and drew me back in from the opening scene. It fully deserves any cult status it may have achieved, and I went ahead and ordered the DVD (which is finally out) for my collection.
The film is set against the backdrop of a fully realized post-apocalyptic society that actually makes sense (and the "game" the movie is built around is well conceived and executed too). Unlike in many futuristic movies, there is no need for grand exposition explaining why everybody in the film is acting so bizarrely -- in this movie, you understand the people, their desperation, and the certain grim courage of those who dare to dream of more. The movie also has the courage to take itself seriously, while still retaining a light enough touch to throw in spots of humor throughout.
The cast here is several cuts above normal for this sort of thing, with a number of recognizable faces (Chen, D'Onofrio, Hauer, Lindo) making believable and sympathetic characters out of what easily could have been cartoonish cutouts in a lesser film. Chen and Hauer play the two main characters. For Chen, I think it can be argued this is her finest performance, deftly combining vulnerability with courage, innocence with savagery. And for Hauer, an actor who has in more recent times has become a parody of himself, I think this may have represented his last truly effective performance. The stories of these two characters are not stories of grandiose save-the-world heroes, but more down to Earth stories of courage, redemption, and most importantly hope in a world with little of it. The characters aren't pure, they're not pompous, they're just normal people trying to make the best of a tough life. And I think that makes rooting for them all the easier. Its not so important they win -- its important that the find the strength to strive rather than give up. Simple tenacity and the courage to never give up is far more inspiring than the vast majority of the superheroes in the modern comic book adaptation fad. It really is remarkable to find such deft handling of themes like these in an offbeat movie from a genre filled with Grade B quickies.
P.S. I have never seen the longer version, and actually don't really have an interest to. The shorter "Blood of Heroes" is appealing precisely because it manages to scrounge out hope and weary courage from the grim backdrop in a believable fashion.
The film is set against the backdrop of a fully realized post-apocalyptic society that actually makes sense (and the "game" the movie is built around is well conceived and executed too). Unlike in many futuristic movies, there is no need for grand exposition explaining why everybody in the film is acting so bizarrely -- in this movie, you understand the people, their desperation, and the certain grim courage of those who dare to dream of more. The movie also has the courage to take itself seriously, while still retaining a light enough touch to throw in spots of humor throughout.
The cast here is several cuts above normal for this sort of thing, with a number of recognizable faces (Chen, D'Onofrio, Hauer, Lindo) making believable and sympathetic characters out of what easily could have been cartoonish cutouts in a lesser film. Chen and Hauer play the two main characters. For Chen, I think it can be argued this is her finest performance, deftly combining vulnerability with courage, innocence with savagery. And for Hauer, an actor who has in more recent times has become a parody of himself, I think this may have represented his last truly effective performance. The stories of these two characters are not stories of grandiose save-the-world heroes, but more down to Earth stories of courage, redemption, and most importantly hope in a world with little of it. The characters aren't pure, they're not pompous, they're just normal people trying to make the best of a tough life. And I think that makes rooting for them all the easier. Its not so important they win -- its important that the find the strength to strive rather than give up. Simple tenacity and the courage to never give up is far more inspiring than the vast majority of the superheroes in the modern comic book adaptation fad. It really is remarkable to find such deft handling of themes like these in an offbeat movie from a genre filled with Grade B quickies.
P.S. I have never seen the longer version, and actually don't really have an interest to. The shorter "Blood of Heroes" is appealing precisely because it manages to scrounge out hope and weary courage from the grim backdrop in a believable fashion.
Sand, scars and blood just about sums up Salute of the Jugger (the title for the full 104 minute version, not the 90 minute US "Blood of Heroes" cut). Salute is an unapologetically brutal story, perfectly cast, well played and very competently filmed. All the cast acquit themselves well; Hauer is suitably grizzled, and Chen manages (believably) to be cute, scary, vulnerable and savage all at once.
There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.
Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.
One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.
There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.
Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.
One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.
I certainly didn't have high expectations as I rented this movie. I hadn't heard of it before so I figured it would be some B-version of Mad Max. The reason it caught my eye was that it featured Rutger Hauer in the leading role. His acting skills is limited but his charisma gives his characters a weight that many better actors can't provide.
David Webb Peoples have done more writing than directing. He is behind movies such as "Blade Runner" , "Twelve Monkeys" and "Soldier", all of them similar to "Salute of the Jugger".
It's easy to tell that this movie have a low budget. Most of it takes place out in an apocalyptic desert kind of landscape. The rest in an underground colosseum. No panoramic shots. There are no special effects whatsoever, and that enforces the sense of gritty, futuristic realism that sets this movie apart from many others in the same genre.
You never get to know any of the characters well, but they all have a certain depth thanks to the good acting performances. Luckily this movie has no humoristic sidekick character. That's a relief. Most of these movies have one or several of those.
This movie is no masterpiece, but it's a well-played movie that kept me entertained for the time it lasted. I wouldn't mind seeing it again. With some character development and a bigger budget it could have been a true classic, and it deserves more recognition.
If you haven't seen this movie already I suggest you do it.
David Webb Peoples have done more writing than directing. He is behind movies such as "Blade Runner" , "Twelve Monkeys" and "Soldier", all of them similar to "Salute of the Jugger".
It's easy to tell that this movie have a low budget. Most of it takes place out in an apocalyptic desert kind of landscape. The rest in an underground colosseum. No panoramic shots. There are no special effects whatsoever, and that enforces the sense of gritty, futuristic realism that sets this movie apart from many others in the same genre.
You never get to know any of the characters well, but they all have a certain depth thanks to the good acting performances. Luckily this movie has no humoristic sidekick character. That's a relief. Most of these movies have one or several of those.
This movie is no masterpiece, but it's a well-played movie that kept me entertained for the time it lasted. I wouldn't mind seeing it again. With some character development and a bigger budget it could have been a true classic, and it deserves more recognition.
If you haven't seen this movie already I suggest you do it.
What a hidden gem of a cinematic effort! I cannot believe that this film didn't receive the notoriety it deserved back in '88! The backdrop is the standard post-apocalyptic mess that humanity has left itself in after "who knows what." The juggers travel town-to-town in search of food and entertainment, in return for providing matches against the local teams.
The script is well executed and one is led to believe this sport would have a wide following in the aftermath, almost like a team sport of UFC of the future. The characters are superb and Hauer and Chen really give them life. Rutger needs to go back to this flick and see what he has lost! I really cared about this band of juggers and it seemed like everyone in the ensemble was on the same page. The Blood Of Heroes is a tremendous miss in the anals of great sci-fi films. Please go rent it.
The script is well executed and one is led to believe this sport would have a wide following in the aftermath, almost like a team sport of UFC of the future. The characters are superb and Hauer and Chen really give them life. Rutger needs to go back to this flick and see what he has lost! I really cared about this band of juggers and it seemed like everyone in the ensemble was on the same page. The Blood Of Heroes is a tremendous miss in the anals of great sci-fi films. Please go rent it.
¿Sabías que…?
- TriviaExtras Casting Coordinator Judith Cruden described the one hundred fifty Coober Pedy local extras as the "most extraordinary bunch of characters I've ever met."
- ErroresIn the opening credits, the last name of actor Hugh Keays-Byrne, who plays the part of Lord Vile, is misspelled as 'Bryne.'
- Créditos curiososPre-title card: "People no longer remembered the Golden Age of the 20th Century. They didn't remember the miraculous technology or the cruel wars that followed. They didn't remember when juggers first played The Game or how it came to be played with a dog skull..."
- Versiones alternativasThe US version stops a little short and omits the "real" not quite so positive ending found in the European/Asian/Australian version.
- ConexionesFeatured in Hollywood Chinese (2007)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- También se conoce como
- Salute of the Jugger
- Locaciones de filmación
- Coober Pedy, South Australia, Australia(and environs)
- Productoras
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- AUD 10,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 882,290
- Fin de semana de estreno en EE. UU. y Canadá
- USD 471,775
- 25 feb 1990
- Total a nivel mundial
- USD 882,290
- Tiempo de ejecución1 hora 44 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the French language plot outline for The Salute of the Jugger (1989)?
Responda