Atrapado del futuro

Well, it doesn't break any boundaries or try to be anything particularly special, but Wedlock takes influence from films such as The Running Man and ends up with a fun and entertaining little thriller. As you would expect, the film offers little in the way of surprises; so it's a good job that getting from A to B is fun to watch. The film's main gimmick is the idea of a futuristic prison in which the inmates have to wear collars. This ensures that all the prisoners are constantly watching each other, as if your collar gets one hundred yards away from your partner's collar - both your heads explode! Naturally, no one knows who is whose partner, so the prison is pretty secure (I can't be the only one who thinks this could work in REAL prisons...). The film focuses on Frank Warren; a would-be robber who is double crossed by his girlfriend and ends up in the futuristic jail. Before getting double-crossed, our hero was smart enough to hide the diamonds that he stole. The head of the jail wants these gems for himself, and after Frank and his partner escape from the prison - a game of cat and mouse ensues.

The film relies a lot on it's lead star Rutger Hauer, and while this isn't his best performance of all time; it's suitably different from his more popular roles (Blade Runner, The Hitcher), and he makes for an offbeat action hero. He is joined by Mimi Rogers, who is good in support; as well as Stephen Tobolowsky, who steals every scene he's in. The action doesn't come thick and fast; but Wedlock benefits from this, as the action is good when it comes and the scenes between the lead characters are always interesting enough to keep the film worth watching. Standout scenes include a bus chase and obligatory exploding head scene. The title is something of a metaphor for our lead character, as his luck with women isn't exactly enviable, and the way that the collars lock the two main characters together makes for some interesting drama. The main problem with the plotting is that it constantly hints at what's going to come next; and even the central twist isn't all that shocking when it comes about. However, if you go into Wedlock expecting just good entertainment; it's a lot of fun, and therefore comes recommended to B-movie fans!

I enjoyed this movie, but then I always enjoy a good Rutger Hauer movie, or even a bad one for that matter. This movie has him as a convict in a prison who was betrayed by his girlfriend and by his buddy during a heist. He is sent to this weird prison though that is quite different from most. Here there is a mix of male and female prisoners...they even get to have a night a week they can get together. Water must be conserved, and the prisoners all get cute collars which are linked up to another prisoner and if these two get to separated they explode taking off the wearers head. Yes, only mild differences to be found here, eh? So after awhile at the prison, our hero ends up escaping said prison and must do certain things in order to find the loot that was hid and to keep themselves together or their heads are going to be blown off! So you get your differing ways for them to get separated and at times they have to get creative in keeping together. The flow of the movie is rather fast, and the ending to me was just perfect. Though one has to wonder if the exploding collar idea came from an earlier science fiction action movie "The Running Man"?

Wedlock is one of those shamelessly trashy B-movie romps that the 80's proudly churned out in droves for our viewing pleasure. Some are shitty and enjoyable, some are just shitty, and some are solid gems, provided you've been schooled a bit in this particular, acquired taste of an arena. I spent a lot of my teenage years being a scholar in this sort of lovable junk, so I have plenty of ancient data in my mental hard drive to dust off for the old blog- ski. Rutger made quite a few ventures into this field (come to think of it most of my favourite actors have. Wonder what that says about my taste lol). He's got genre written all over his acting style, and loves to play broad characters in stylized fare. Here he plays Frank Warren, an amiable jewel thief who is betrayed in an opening sequence heist by his dodgy partner Sam (James Remar), and rowdy girlfriend Noelle (Josie Packard- I mean Joan Chen). He's sent to an amusingly 'futuristic' penitentiary where they implement prisoners with a unique system: each prisoner is fitted with a collar, each collar has a twin collar, and if the two get several miles apart, both detonate rigged explosives and messily decapitate the pair of unlucky inmates. They are not aware who has their twin collar, making escape a risky notion indeed. It's exactly the type of high concept buffoonery that trademarks these type of outings, and it's played for both suspense and laughs very nicely. Frank escapes, dragging along the woman who wears the twin collar (Mimi Rogers), pursued hotly by Sam and Noelle who want to find the diamonds that he hid shortly before his arrest. It's a prison flick, it's a chase flick, with its own kooky, offbeat sense of style. Hauer is usually so intense he looks like he's gonna implode in on himself, but here he gives a very laid back, slight and funny performance, which gives the film it's refreshingly upbeat feel. Remar and Chen are bouncing balls of energy as the dastardly couple out to ice Frank, riffing off each other and cheerfully chewing scenery. Watch out for an early career appearance from Danny Trejo, as well as work from Glenn Plummer and Stepehn Tobolowsky as a hard ass warden who gets the best line of the film: "You non-conformists are all the same". That alone encapsulates the irreverent, tongue in cheek tone that's a nice switch from the usually dank, oppressive atmosphere that second tier action flicks often get saddled with. Oh, and I want the number of Hauer's wardrobe outfitter; those fluffy, technicolor wool sweaters are a sideshow unto themselves.

I thoroughly enjoyed the movie. I thought it was a clever premise with interesting, off-beat characters. An "A" B-movie. The pacing is relentless; the action set-pieces are uniquely thrilling; the dialogue crisp and witty; and Richard Gibbs score is perfectly haunting. Joan Chen is a great villainess and has all the best lines. All in all: a small gem, a rousing thrill-ride with lots of surprises.

Rutger Hauer's movies tend to be better than one would expect from genre pieces, often because of a special feel for atmosphere and quirk. Deadlock was one of the first movies to feature the newer, heavier Hauer, who uses his heft to the advantage of his characterization, creating a slightly ridiculous figure (who goes from a ludicrous pony-tail for his duel-to-the-death to a sort of swami outfit to something that looks like it ought to be upholstering a chair in a whorehouse) who is not quite up to the circumstances he finds himself in, but perseveres anyway. Smart, but hardly a criminal mastermind, his Frank is teamed with an especially charming Mimi Rogers. Hardly surprising that they go from insults to clinches, but it is appealing that the main thing keeping them apart (their abysmal track records in romance) is what, thanks to empathy, helps bridge the differences between them. The sci-fi gimmick here is really beside the point. What counts is the presence of several skillful actors and their deftly drawn characters. Stephen Tobolowsky is especially amusing, and he has the movie's best line: "You nonconformists are all alike."