The Salute of the Jugger

Don't buy the hype. This Mad Max-esque film is one of the bleakest films I have seen in a long time. All characters are unhappy souls, surviving in a grim world, unable to improve their lot, prone to an almost genetically determined urge to mess things up. They have egos and the big guns aren't used to working with other people or playing by the rules. The cinematography is stark and bare, with only the soundtrack adding some effect. It's an amazing work and everything I had hoped for. From an artistic standpoint, there were some plot elements and character developments I didn't think were totally needed. They do however drive the story, which seemed to be their purpose, so I can accept them. Verdict: 7/10.

Sand, scars and blood just about sums up Salute of the Jugger (the title for the full 104 minute version, not the 90 minute US "Blood of Heroes" cut). Salute is an unapologetically brutal story, perfectly cast, well played and very competently filmed. All the cast acquit themselves well; Hauer is suitably grizzled, and Chen manages (believably) to be cute, scary, vulnerable and savage all at once.

There's very little plot or dialogue in Salute, but this isn't necessarily a bad thing. The showcase here is the heart pounding Jugger matches, which are genuinely gripping and gritty action sequences, shown to a sparse percussive soundtrack that only very occasionally veers slightly too close to smug Americana triumphalism.

Top marks go to the stunt, makeup and continuity people. There are no Jackie Channish balletic combats here - faces smash open under brutal blows, and the face remains smashed in the following scenes. The wounds heal slowly over time, but the grimly realistic scars of the Juggers remain consistent throughout. Continuity is often underemphasised, as you only miss it when it isn't there, but there are no slip ups in Jugger despite its low budget.

One interesting point is the change of emphasis in the 90 minute cut. The title changes to "Blood of Heroes", and the message of "Salute" that there *are* no heroes, only winners who sleep in silk sheets, is diluted by ending prematurely on a victory high. In the full Salute, there's a frank message that for some, beyond "happily after after" lies more sand and scars and blood. If you get the choice, the 104 minute "Salute" is a more complete and consistent film.

I certainly didn't have high expectations as I rented this movie. I hadn't heard of it before so I figured it would be some B-version of Mad Max. The reason it caught my eye was that it featured Rutger Hauer in the leading role. His acting skills is limited but his charisma gives his characters a weight that many better actors can't provide.

David Webb Peoples have done more writing than directing. He is behind movies such as "Blade Runner" , "Twelve Monkeys" and "Soldier", all of them similar to "Salute of the Jugger".

It's easy to tell that this movie have a low budget. Most of it takes place out in an apocalyptic desert kind of landscape. The rest in an underground colosseum. No panoramic shots. There are no special effects whatsoever, and that enforces the sense of gritty, futuristic realism that sets this movie apart from many others in the same genre.

You never get to know any of the characters well, but they all have a certain depth thanks to the good acting performances. Luckily this movie has no humoristic sidekick character. That's a relief. Most of these movies have one or several of those.

This movie is no masterpiece, but it's a well-played movie that kept me entertained for the time it lasted. I wouldn't mind seeing it again. With some character development and a bigger budget it could have been a true classic, and it deserves more recognition.

If you haven't seen this movie already I suggest you do it.

"The juggers are coming!" is a shout that strikes both fear and excitement into the hearts of the villagers. These wretched people, living in the Mad Maxesque world of post-nuclear devastation will now have to defend the honor of their village by playing against a wandering band of Juggers.

This game is the centerpoint of the movie. It's a brutal match of American football and medieval warfare. Both teams will try to get a dog skull on a stake at the opposite ends of a small playing field. Only problem is that only a small, lightly padded player (the Qwik) can touch the skull, and all other players are armed with clubs, chains, mallets and bad attitudes.

Needless to say, the game can get brutal, broken bones and gouged eyes are common enough. But once the game is over, the real insights into the world this movie creates are made. There is no brutal rivalry outside the playing field, only a camaraderie that can stem from knowing what you both have been through. The winners are treated to a feast, no matter how poor the village, for the player's blood has brough some exitement into their otherwise dreary and hopeless lives.

I will not spoil the plot here, but needless to say, the young elements of the wandering band of Juggers, which is led by Sallow (Rutger Hauer), will not long be content to fight in backwater villages for little money and poor entertainment (a village of starving peasants can only provide so much).

On the technical side, this is not a brilliant movie, clearly made on a low budget, most of which was probably spent on actors. But movie itself is a great masterpiece, showing more and more of the "world" in which the Juggers live with every time you watch it. Small things will speak volumes and prove true the old saying: A picture speaks more than a thousand words.

Also the action scenes, while they do not contain the speedy cars and flashy wrecks of Mad Max, are still full of adrenalin and will leave thinking about why the game of Jugging is not played already.

I am surprised and delighted by the sheer depth of this movie every time I re-watch it. Not only is the jugger sport convincing, well-designed and very enthusiastically played by the excellent cast of actors, but the post-civilised (as opposed to post-apocalyptic) world it takes place in is both subtly drawn and entirely believable. Nowhere in the pithy script is there the usual heavy-handed sci-fi references to the nuclear war (or whatever) that reduced human-kind back to feudal barbarism. We are presented with the world of the juggers as-is, without a single "as you know, our society collapsed after the great firestorm in the sky" speech or a hint that the heroes of the title can improve mankind's sad situation as anything other than gladiatorial entertainers. A masterpiece that should be on DVD, converted into a computer game and, if they can get the original cast and production team together, sequelled.