Montenegro

The movie is rather captivating in the way it teases you with the sexiness of the main character. From the airport search to the way she is approached by the young girl. i got a feeling of Cabaret during some of the dance scenes. The rawness of the sexual encounters seemed to exemplify the statement the officer at the airport said, "There is plenty of food in this country". It made me feel as if I was an immigrant dealing with the restraints of a modern country. The sex scenes were tasteful for an early 80's film and the lure of the folk like style of the people displayed the fact that she was less naive then they were. The last part seemed like a joke that sealed the blackness of the film. It seemed unnecessary but the statement rang through. How all of the decadence of her real life was totally repulsive to the viewer and the lead. I watched it with my wife and found the tension of what they would do to the lead character as she went deeper into their world almost unbearable. Little did I know it was the opposite.Great movie that holds up well through time.

A quirky black comedy about a bored housewife in Sweden who spends some time with a group of Yugoslavian gypsies. Anspach, in perhaps her best role, looks great and is terrific as the woman who's slowly going to pieces and must get away from home to regain her sanity. The film is full of loony characters and bizarre situations but it has a strangely endearing quality to it. The scenes at Zanzi Bar, where the Yugoslav characters reside in a Boheminian lifestyle, are brimming with raw sensuality, helped by Zachrisson as an Earth-mother and Gelin as a young prostitute. Ingmar Bergman veteran Josephson is Anspach's perplexed husband. Other eccentric characters include Josephson's father and his shrink.

It is funny, very erotic, passionate, and riddled with jabs into society's snobbish attitude toward sexual fulfillment…

A very wealthy American woman is married to a dull Swedish businessman… When the husband is about to leave for Brazil, she decides to go along with him, but is held up in customs and misses the plane… Trying to get back home, she is caught up in the life-style of a group of vibrant Yugoslavian immigrants living in Sweden… She falls in love with the peculiar manners of the group and decides to stay for a couple of days, ending up in a romantic affair with one of the workers, singing in a topless bar, and having a lot of fun…

In contrast to Makavejev's other noteworthy films, "WR—Mysteries of the Organism" and "Sweet Movie," "Montenegro" is light and uncomplicated... It's a simple story simply told… The message is the same—sexual repression leads to insanity, but sensual indulgence livens the spirit…

"Montenegro" does not exploit its eroticism; it lets it grow out of the situation, out of the characters… When Susan Anspach is seen taking a shower, it is photographed in a very beautiful, soft manner... When a couple is making love, the camera pans up their reeling bodies only long enough to establish their lovemaking, then moves on

To say this movie is weird, is an understatement. But that's what makes this great character study of a film, intriguing, with just the right amount of sex and nudity, complimented by an intriguing weirdness and stylishness. You gotta give it that. Though it's that early pier scene, that stays in my mind, the great Anspach who just commands the screen, with each scene she's in, plays an insanely bored rich little wife, who husband's neglect has worsened to the point of making her completely tipped over. Her frustration is something we really sympathize, if painfully witness, where she goes to some scary lengths, two illustrate her upset. Getting in a bit of strife at the airport, where she's separated from hubby, and ending up with some "not your typical but exciting immigrants", she happily embarks on a rejuvenating adventure with some pretty saucy scenes, some you can well tell, have been toned down. The bizarre yet tragic ending based on fact, is the high point of this whole film, which if far from perfect, but one movie experience, you must indulge once, if even just for the great Anspach. Indulge

I remember seeing this film as a young guy at a film festival when it was first released knowing little about it's content of its directors past. The advertising poster led people to believe it may be some sort of eastern European soft core porn but how mistaken we all were once the reels started rolling. With Marianne Faithful singing her signature "The Ballad of Lucy Jordan" tune, I just knew that the premise of this song was somehow linked to this movie. I won't bore you with the synopsis of this film as others have already done this, what I will tell you is this is probably one of the most cleverly made movies I have seen in years. All sorts of social commentaries can be concluded about this movie, but having owned a copy of the film and viewing it on numerous occasions, each screening presents a different interpretation. What still blows me away is the closing scene of the movie, even after all this time and myself and friends have sat around a dinner table discussing what does it "really all mean". Each glass of Merlot presented even more outrageous takes like the movie itself. 10/10 to Susan Anspach, director Dusan and hats off to the two young support players who play Susans children, the talent is all class. Do yourself a favor and watch this movie for the wild ride that it is, even just to experience the wonderful unpredictable ending......I'd love to know what you all think.