Conducta asesina

Definitely a film with its own personality, Strange Behavior can best be appreciated by those that remember when films didn't require fast editing to appease the short attention spans of MTV-weened young'ns. With lines like the one about the "fat ones" delivered by the great Charles Lane and a vision of a 1950s style small town set in the "present" (something director Michael Laughlin and writer Bill Condon again brought us in Strange Invaders), the film was a splendid hybrid of old fashioned Twilight Zone ambiance and the fun, then-fresh exuberance of New Wave music and sheer sense of FUN. To top off the great mix: a Tangerine Dream score.

Mad Scientists, teens partying (but in the pre-MTV, pre-home computer kind of ways), mysterious killings, and....strange behavior! Oh, and the kind of impromptu group dance that was a heck of a lot more fun than the big dance scene in Footloose! Where else would a sudden dance sequence just seem to fit into a film -- the way Strange Behavior smoothly incorporates old-style thrills with humor and wit, having a bunch of teens break out into dance to the song "Lightning Strikes" doesn't seem so unusual, especially since the theme of the party was 1960s TV characters! Disguising the location of New Zealand as an Illinois town was quite a treat as well.

The story could have easily been done a number of times: small midwestern town, teens used as behavioral science subjects, mysterious murders by different killers...but of course the collaboration of Laughlin and Condon assures us this is not going to be typical. the focus is not to scare you out of your wits, but to offer something more mysterious. Add to that a very great choice for the cast (including more seasoned actors the likes of Michael Murphy, Fiona Lewis, Louise Fletcher, Charles Lane and others, plus the ever-smoking Dey Young and Dan Shor bring a likable aspect as well without being pushy teens) and an eye for design, Strange Behavior rises far above the cookie-cutter horror (particularly slasher) films of that time, and even in the present. There are many master shots that go for lengthy takes, and those of us that care more for story and dialogue can savor what's going on. I wouldn't be surprised that younger audiences that are used to fast cuts and one-liners would find this film too slow (and then again youth that are smarter might embrace this as other films from over 20 years ago). The minimal bloodletting works just as well, and the needle-in-the-eye trick can still illicit a good squirm today just as it did in 1981.

It's great to see that Strange Behavior has influenced other films: Fiona Lewis' hairdo inspired the one Sean Young had in Blade Runner, and it's obvious the lackluster film Disturbing Behavior from 1998 was, to put it kindly, "inspired" by Strange Behavior. Joe Dante even wanted Fiona Lewis for Innerspace based on her being seen in this film.

Strange Behavior is a great reminder of how things were so much more based on literal creativity and storytelling. Nowadays, it's all about special effects done digitally and pushing soundtracks from bands or music styles no one's going to care about 10 years from now. Laughlin and Condon were smart enough to give us elements that remain to this day unique, memorable, and never wearing out their welcome. Sure, by today's standards the film may not seem so shocking, but having come from being a "teen" back in 1980, it was refreshing for its time and has well earned its cult status. Sure, even the songs in it are more cool than what's considered a hit these days!

Thank goodness Elite Entertainment has released the DVD in the film's original aspect ratio of 2.35:1, which also gives that widescreen feel of the 1950s thrillers in which Strange Behavior resembles so well. It makes my life much more fulfilling knowing such gems as this one are being given the respect and care in their restoration. Ignore the lower IMDb rating that it has at this time (just over a 4), because I feel it's being given a low rating by those who are too familiar with recent "shockers." The general reviews by the press were quite good for Strange Behavior back when it was released, and I for one feel that I do know a bit more about what quality is since I've experienced these kinds of films and their evolution up through to today's more slicker productions. It's also why you're hearing more references to older TV shows and songs in today's advertisements: they just don't make 'em like they used to, and there's just more distinction and personality in things from way back when! Or at least, some of them, since this film definitely was different from anything else when IT was released. Long live Strange Behavior!

dead kids is very well made and unusual addition to horror cinema. it is an australian/new zealend production, and was made with the intention to sell it to an american market. so you get a film that looks very much like an american film, is shot and crafted like an american film with american actors (who are often better than any australian actor that gets into this kind of film, neighbours and home and away are rarely good casting grounds) but the script has a definite australian feel to it. from the odd, sly humour, to the way it deals with the murders and the almost complete lack of morality in the film. not to say it is immoral, but themes of morality never come into it, which is not often seen in american horror.

for the most part, it is wonderfully directed, one that has to be seen in widescreen to appreciate. however, the murders are somewhat lacklustre, they are directed with very little bite. it is obvious that the director has no idea of hot to show "action". most of the time it does not drastically effect the overall film as this is not a typical slasher film. in a few scenes however, this "relaxed" view of violence heightens the horror, such as the final murder and the "human experiments" carried out on the main character. as mentioned above, the script is quite interesting and entertaining. however, there is a 2 minute ending tacked on after the final showdown which drastically decreases the power of the film.

while not being a classic, it is still one of the better and more interesting horror films of the 80s that deserves a far wider audience than it has recieved.

Known most everywhere (outside the US) as DEAD KIDS, this is the film by which "strange flicks" are measured. To some extent, comparable to MY BLOODY VALENTINE in as much as what we have here is majorly weird goings-on in a small township.

You would never pick that this was filmed in New Zealand - it LOOKS like a small Nebraska township with a Pontiac Le Mans, Thunderbird, Chevy and assorted 60's Yank tanks on view as well as your all-american college dudes. Only the dedicated viewer may pick up the cinematography and Tangerine Dream soundtrack as revealing its New Zealand ancestry - very reminiscent at times of BATTLE TRUCK! Actually in large part an Australian endeavour also - witness Arthur Dignam as Dr Weird-In-The -extreme!

Agreed, as a slasher movie it doesn't cut it....as a thinking man's thriller it never rates. As an 80's time-capsule..its a winner ("Friday the 13th" vintage) What makes the film, is its very weirdness and the musical score from Tangerine Dream. Those shots of the car moving along the town's main drag are utterly cool and absorbing. For some reason also the fancy dress party and the kids dancing to Lou Christie's great 60's hit, "Lighting strikes," just hits a nerve somewhere down memory lane. Interesting also to see McClure as a zappy college student. Some of you may recall him as reporter-pup Jimmy Olsen in the four-part SUPERMAN series as well as SUPERGIRL

Not great by a long shot but way left field enough to stake a claim to horror immortality.

"Strange Behaviour" is a lot better than I'd expected it to be. It has some startling imagery, some genuinely frightening scenes, and finally manages a sense of atmosphere.

It is also an original twist on the slasher formula that was probably stale even in 1981 - at least if the parody film "Student Bodies", made that same year, is anything to go by. Seasoned horror junkies have seen hundreds of slashers at least. We all know the trope of the killer wearing a distinctive mask, which is often removed in the final moments to reveal the killer's identity. But in "Strange Behaviour", the movie has more than one killer, and in fact deals with the question of mind control. In this movie, any of the younger characters can kill at any time, so it's not a question of whodunit. It's more like who's going to go crazy next.

For its cool ideas, occasionally shocking imagery and at least one frightening scene, "Strange Behaviour" is a winner. Unfortunately it is held back by some narrative incoherence and charisma-less lead performances. I still say check it out.

Lastly, I want to say something about the movie's unusual pedigree. It's an American production that was meant to be filmed in Australia, but when the filmmakers couldn't find any cities in Aus that resembled the screenplay's setting in Illinois, they moved the production to New Zealand! How is NZ any more or less Midwestern USA than Australia? And, to top it all off, the movie is considered an "Ozploitation" flick?

No wonder the plotting is a little confusing. The cast and crew probably didn't know where the hell they were, or were supposed to be, or what they were actually making.

Galesberg, Illinois is a sleepy, small town where brutally strange murders are occurring. Sheriff John Brady believes it has something to with some secret experiments being performed on the local teenagers by a collage's psych department led by Dr Gwen Parkinson. Also unknowingly to John, his son Pete has signed up to the program in the hope the money he earns off it, would go a long way for him getting into his preferred collage.

Slashers hey. God love 'em! Well this was around the same time when the craze for it was huge in the horror genre. But that in mind, while I found the New Zealand/Australian co-production "Dead Kids" to follow the conventional methods and clichés. It still manages to hold its own within the sub-genre because of its quirky charm, realistic touch and overall edgy style that sets it apart from many rancid entries. There's something quite compelling about it all, even though the fractured story could have been far more fulfilling in its matter.

Mainly it comes off because the sterling performances are very convincing in setting up their characters, the story's progression is unforeseeable with a unique premise (that could be lifted right out of those early horror 30's and 40's features of mad scientists) and Michael Laughlin's pastel direction has a freshly polish tinge about it that comes off very well in some superbly choreographed scenes that are stylishly unusual (loved the inspired party scene with Lou Christie's "Lighting Strikes"), unnervingly creepy (the scarecrow scene) or just plain suspenseful. If there's one downer to Laughlin's direction though, it's that the most of the imaginatively nasty death/or attack scenes are executed rather sloppily and can look silly. At least they were grisly and had some splatter to spare, but in the long run it wasn't trying to be pointlessly gory or wanting to up the body count.

It's a moody atmosphere that slowly engages the viewer with its mysteriously offbeat vibe and nail biting jolts created from its wholesome reality. Streaming through the script is a welcome slice of humour that has the right sense towards its material. The production is that of low budget, but it doesn't show up prominently with many professional elements working in favour on the project. While the film is set in US, it was actually filmed in New Zealand with a mostly American cast. The picture-perfect setting authentically comes across and makes good of the atmosphere. Louis Horvath's wide scope Panavison cinematography is gorgeously framed with such hypnotic verve and the Tangerine Dream's effectively airy music score has that alienating awe to it.

Australian producer Antony I. Ginnane backed this one and has some other great films under his belt that he managed to get the screen, like "Turkey Shoot", "Patrick", "Harlequin" and "The Survivor". Michael Laughlin would go on to direct "Strange Invaders" and screenwriter Bill Condon would be recognised for penning and directing "Gods and Monsters (1998)". Though, he first kicked of his flair for direction with effectively minor southern Gothic shocker "Sister, Sister (1987)". The performances are particularly fine. Dan Shor is ideal as the Pete and Dey Young has a very appealing presence on screen. Michael Murphy holds it together with an admirably focused turn as sheriff Brady. Fiona Louis really eats it up as the icy Dr Parkinson. Making up the rest in bit parts are Marc McClure, Johnny Guitar, Charles Lane, Arthur Dignam and very warm-hearted Louise Fletcher.

A definite oddity that works a treat in what it sets out to do. Recommended.