CALIFICACIÓN DE IMDb
6.6/10
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TU CALIFICACIÓN
Un duro expolicía de Nueva York busca sin descanso a su hija adolescente secuestrada, a la que retiene un retorcido psicópata tras confundirla con la hija de un rico hombre de negocios.Un duro expolicía de Nueva York busca sin descanso a su hija adolescente secuestrada, a la que retiene un retorcido psicópata tras confundirla con la hija de un rico hombre de negocios.Un duro expolicía de Nueva York busca sin descanso a su hija adolescente secuestrada, a la que retiene un retorcido psicópata tras confundirla con la hija de un rico hombre de negocios.
- Dirección
- Guionistas
- Elenco
Richard S. Castellano
- Lt. Tonelli
- (as Richard Castellano)
Linda Miller
- Barbara Boyd
- (as Linda G. Miller)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
A great yet undeservedly obscure entry in the New York as Urban Wasteland cinema genre of the 70's and 80's. Put this one in there along with "Fort Apache: The Bronx," "Taxi Driver," the "Death Wish" series, "Escape From New York," Roberta Findlay's "Tenement," and "The Warriors." Recognizing that from the perspective of 2010, our collective image of New York City is no longer like this, after over two decades of sprucing the place up, you young'uns who don't have any memory of that period can get a good snapshot of the rampant fear and paranoia of those days in this film. It gives that same added emotional frisson you would get watching a fictional World War II movie that was made during the War itself, realizing how seriously both the filmmakers and the audiences at that time would have looked upon this fictional presentation as a representation of reality, knowing that lives were still on the line and the whole crappy situation was very much in full effect.
The film's intentions are made clear as within five minutes into the movie, we get terrorism, a woman trying to kill maurading rats with a broom handle, and a hot dog vendor telling the hero, Jim Brolin, "Did you know that 10,000 people left New York last month?" The Psycho of the Hour, the "Juggler" of the title, a racist and a scumbag, kidnaps a little girl and holds her for ransom. Her father is a rich real-estate developer, who Psycho Pants blames for destroying his South Bronx neighborhood by "letting the N*****s and the S****s move in" and destroy all the buildings. Or, so he thinks.
But dummy has kidnapped the wrong girl: she's really the daughter of James Brolin, an ex-cop with an anger management problem and a total lack of fear. Now in order to track down the Psycho, Brolin is unleashed on an apocalyptic Manhattan landscape, where he careens around like a pinball in a pinball machine (contemporary reference there), crashing trucks, stealing police cars, getting in fights with peep show booth bouncers and Puerto Rican gang members, and beating the tar out of all of them. Brolin also gets hold of a psycho cop on his tail, played with eye-bulging glee by Dan "Noon O Clock Shadow" Hedaya, and pushes Hedaya into a pen of vicious, snarling attack dogs, who then proceed to bite him a new one! Yowch!
Meanwhile, character actor great Richard S. Castellano is the lead cop on the case(s), who doesn't have contact with Brolin's character, but is sort of watching him from afar. It's all building up to the final conflict between Brolin and the psychotic kidnapper in an underground bunker full of steam pipes. Yeah, just like every other movie ever made (Terminator 2, Commando, Robocop...I could go on, but I won't).
This is REALLY sleazy and action-packed for a major studio release and I loved it! Plus you get to see some great footage of Manhattan in its grimy prime and the devastated South Bronx landscape.
Sure, the plot is over-the-top and ridiculous; Brolin attacks almost everyone he comes into contact with, including his ex-wife, and he's supposed to be the Good Guy; his daughter is not the most appealing character; and the Police are all portrayed as barely competent idiots. I didn't care. I still enjoyed this movie immensely.
That title does bite the big one, though.
UPDATE: It is my understanding that the rights holder for this movie, who is a small production company, not a major studio, is not interested in releasing this on DVD of Blu-Ray anytime soon. So your only chance at seeing this is digging up an old VHS release and hitting up Goodwill for a working VHS machine.
The film's intentions are made clear as within five minutes into the movie, we get terrorism, a woman trying to kill maurading rats with a broom handle, and a hot dog vendor telling the hero, Jim Brolin, "Did you know that 10,000 people left New York last month?" The Psycho of the Hour, the "Juggler" of the title, a racist and a scumbag, kidnaps a little girl and holds her for ransom. Her father is a rich real-estate developer, who Psycho Pants blames for destroying his South Bronx neighborhood by "letting the N*****s and the S****s move in" and destroy all the buildings. Or, so he thinks.
But dummy has kidnapped the wrong girl: she's really the daughter of James Brolin, an ex-cop with an anger management problem and a total lack of fear. Now in order to track down the Psycho, Brolin is unleashed on an apocalyptic Manhattan landscape, where he careens around like a pinball in a pinball machine (contemporary reference there), crashing trucks, stealing police cars, getting in fights with peep show booth bouncers and Puerto Rican gang members, and beating the tar out of all of them. Brolin also gets hold of a psycho cop on his tail, played with eye-bulging glee by Dan "Noon O Clock Shadow" Hedaya, and pushes Hedaya into a pen of vicious, snarling attack dogs, who then proceed to bite him a new one! Yowch!
Meanwhile, character actor great Richard S. Castellano is the lead cop on the case(s), who doesn't have contact with Brolin's character, but is sort of watching him from afar. It's all building up to the final conflict between Brolin and the psychotic kidnapper in an underground bunker full of steam pipes. Yeah, just like every other movie ever made (Terminator 2, Commando, Robocop...I could go on, but I won't).
This is REALLY sleazy and action-packed for a major studio release and I loved it! Plus you get to see some great footage of Manhattan in its grimy prime and the devastated South Bronx landscape.
Sure, the plot is over-the-top and ridiculous; Brolin attacks almost everyone he comes into contact with, including his ex-wife, and he's supposed to be the Good Guy; his daughter is not the most appealing character; and the Police are all portrayed as barely competent idiots. I didn't care. I still enjoyed this movie immensely.
That title does bite the big one, though.
UPDATE: It is my understanding that the rights holder for this movie, who is a small production company, not a major studio, is not interested in releasing this on DVD of Blu-Ray anytime soon. So your only chance at seeing this is digging up an old VHS release and hitting up Goodwill for a working VHS machine.
This is an amazing movie if you enjoy hoards of that classic New York ghettoness which we all remember from the 70'sand 80's.
Highlights include abandoned housing, crackers, strippers, guys firing shotguns in the middle of the street, a vicious dog mauling and other crazy antics. Other interesting incidents include the Puerto Rican gang fights , car part stripping in what looks like the Bronx, and to top it off the main plot involves the kidnapping of a child
But ladies and gentlemen, this one ain't about the plot, so bust out your favorite beer and sit down for a wild ride down crack street deep in the jungle of the Big Apple!
Highlights include abandoned housing, crackers, strippers, guys firing shotguns in the middle of the street, a vicious dog mauling and other crazy antics. Other interesting incidents include the Puerto Rican gang fights , car part stripping in what looks like the Bronx, and to top it off the main plot involves the kidnapping of a child
But ladies and gentlemen, this one ain't about the plot, so bust out your favorite beer and sit down for a wild ride down crack street deep in the jungle of the Big Apple!
Night of the Juggler (Robert Butler 1980) is an interesting watch. It's not only a tense thriller with good performances, but it's also one of those movies that give a great impression of New York City before the Disneyfication. Not only that: the deterioration of the city is a major theme in the movie.
You see, Gus (Cliff Gorman) is a psychopath who blames City Hall for the squalor he lives in, and the real estate magnates for the destruction of the old neighborhoods. He lives in a derelict building in The Bronx, which was once owned by his family. Now it's a pile of rubble. 'This used to be real nice up here', he says while he walks past mountains of rubble with his young kidnap victim. He's not thinking of moving. 'I'll always live here. No matter how many *racial slur* they send in to burn the place down'.
Gus has come up with a plan: kidnap the daughter of a real estate magnate, take his money and teach him a lesson. But there's a mix-up and he ends up kidnapping the kid of an ex-cop (James Brolin), who starts a frantic manhunt through NYC's underbelly to track down the kidnapper and get his daughter back. Highlights include a brawl in a peep show, a confrontation with some genuine 'Bronx warriors' and Brolin's constant fights with his former colleagues.
It's a good movie. Not a classic by any means, but I liked the fact that the depressing state of the city was not merely a visual backdrop, but also a theme in the picture. For this reason, Night of the Juggler could make for an excellent double bill with the fascinating Wolfen (Michael Wadleigh), which was made the same year and has a similar theme running though its horror story.
You see, Gus (Cliff Gorman) is a psychopath who blames City Hall for the squalor he lives in, and the real estate magnates for the destruction of the old neighborhoods. He lives in a derelict building in The Bronx, which was once owned by his family. Now it's a pile of rubble. 'This used to be real nice up here', he says while he walks past mountains of rubble with his young kidnap victim. He's not thinking of moving. 'I'll always live here. No matter how many *racial slur* they send in to burn the place down'.
Gus has come up with a plan: kidnap the daughter of a real estate magnate, take his money and teach him a lesson. But there's a mix-up and he ends up kidnapping the kid of an ex-cop (James Brolin), who starts a frantic manhunt through NYC's underbelly to track down the kidnapper and get his daughter back. Highlights include a brawl in a peep show, a confrontation with some genuine 'Bronx warriors' and Brolin's constant fights with his former colleagues.
It's a good movie. Not a classic by any means, but I liked the fact that the depressing state of the city was not merely a visual backdrop, but also a theme in the picture. For this reason, Night of the Juggler could make for an excellent double bill with the fascinating Wolfen (Michael Wadleigh), which was made the same year and has a similar theme running though its horror story.
It's quite funny, really
I live in Brussels; the city recently referred to as a "hellhole" by the newly elected (at the time I'm writing this) US President Donald Trump. Judging by this grim & gritty early eighties movie, however, the only genuine hellhole in the world is New York
and that's where Trump lives!
No, seriously, apart from being a fast-paced and darkly entertaining action/thriller, "Night of the Juggler" is primarily an anti-tourist campaign for the city of New York! Nothing you see here will ever make you want to go city-tripping in the Big Apple! We're talking pauperized ghettos, Puerto Rican gang-wars, filthy rancid sex clubs and maniacal, shotgun-wielding and corrupt policemen. Add to this a cast full of unlikable characters, brutal violence, raw editing & camera-work, perverted undertones and genuine adult actresses, and you seemingly have the perfect recipe of a typical '70s exploitation cocktail. But the odd thing is that "Night of the Juggler" isn't just some sleazy and Z-grade drive-in flick, but an actually well- budgeted production from the distinguished Columbia Pictures studios!
The teen daughter of ex-cop turned truck driver Sean Boyd gets kidnapped in broad daylight and in the middle of a crowded Central Park, but nobody reacts or even seems to care. Yes, THAT is the New York City as illustrated in "Night of the Juggler". The kidnapper is a racist pervert named Gus Soltic, but he mistook Boyd's daughter for the daughter of a wealthy real estate contractor that he wants to extort and blame for the downfall of his childhood neighborhood. Whilst Soltic never properly realizes that he took the wrong girl, her father literally races – on foot and by car – through the city. He searches for clues and witnesses, but he also flees for the police because many of his former colleagues hate his guts.
"Night of the Juggler" is a film full of flaws, imbecilities and shortcomings. For example, and like several other reviewers already righteously pointed out, the relationship between the teenage girl and her kidnapper is bizarre and implausible. She doesn't fight back or scream hysterically! She doesn't grab one of the numerous opportunities to escape or call for help! In fact, she doesn't resist at all. Her father doesn't make his own life any easier, neither, since he never properly makes the effort of explaining to the police or potential witnesses what has happened to his daughter. The dialogues are often underdeveloped and the film is overall too long. Particularly the whole climax is too tedious and fairly useless, because it takes place in the sewers and half of the footage is too dark to follow. And yet, I really liked the hefty atmosphere as well as many other things; like the wild taxi ride at the beginning and the gloriously insane character played by Dan Hedaya. He plays a cop who used to be very corrupt and got degraded due to Boyd's testimony, when he sees Boyd popping up in his precinct again he literally goes bonkers! Lead actors James Brolin, Cliff Gorman and Richard Castellano give away more than adequate performances, but they honestly can't match the psychopathic facial expressions linked to Hedaya's acting! Steady direction also, by Robert Butler, who's mainly known for his Disney live-action classics "The Computer Wore Tennis Shoes" and "The Barefoot Executive". Rather than Disney guff, "Night of the Juggler" more fits into the category with other vile NYC thrillers like "Maniac", "Ms. 45" and "The Exterminator".
No, seriously, apart from being a fast-paced and darkly entertaining action/thriller, "Night of the Juggler" is primarily an anti-tourist campaign for the city of New York! Nothing you see here will ever make you want to go city-tripping in the Big Apple! We're talking pauperized ghettos, Puerto Rican gang-wars, filthy rancid sex clubs and maniacal, shotgun-wielding and corrupt policemen. Add to this a cast full of unlikable characters, brutal violence, raw editing & camera-work, perverted undertones and genuine adult actresses, and you seemingly have the perfect recipe of a typical '70s exploitation cocktail. But the odd thing is that "Night of the Juggler" isn't just some sleazy and Z-grade drive-in flick, but an actually well- budgeted production from the distinguished Columbia Pictures studios!
The teen daughter of ex-cop turned truck driver Sean Boyd gets kidnapped in broad daylight and in the middle of a crowded Central Park, but nobody reacts or even seems to care. Yes, THAT is the New York City as illustrated in "Night of the Juggler". The kidnapper is a racist pervert named Gus Soltic, but he mistook Boyd's daughter for the daughter of a wealthy real estate contractor that he wants to extort and blame for the downfall of his childhood neighborhood. Whilst Soltic never properly realizes that he took the wrong girl, her father literally races – on foot and by car – through the city. He searches for clues and witnesses, but he also flees for the police because many of his former colleagues hate his guts.
"Night of the Juggler" is a film full of flaws, imbecilities and shortcomings. For example, and like several other reviewers already righteously pointed out, the relationship between the teenage girl and her kidnapper is bizarre and implausible. She doesn't fight back or scream hysterically! She doesn't grab one of the numerous opportunities to escape or call for help! In fact, she doesn't resist at all. Her father doesn't make his own life any easier, neither, since he never properly makes the effort of explaining to the police or potential witnesses what has happened to his daughter. The dialogues are often underdeveloped and the film is overall too long. Particularly the whole climax is too tedious and fairly useless, because it takes place in the sewers and half of the footage is too dark to follow. And yet, I really liked the hefty atmosphere as well as many other things; like the wild taxi ride at the beginning and the gloriously insane character played by Dan Hedaya. He plays a cop who used to be very corrupt and got degraded due to Boyd's testimony, when he sees Boyd popping up in his precinct again he literally goes bonkers! Lead actors James Brolin, Cliff Gorman and Richard Castellano give away more than adequate performances, but they honestly can't match the psychopathic facial expressions linked to Hedaya's acting! Steady direction also, by Robert Butler, who's mainly known for his Disney live-action classics "The Computer Wore Tennis Shoes" and "The Barefoot Executive". Rather than Disney guff, "Night of the Juggler" more fits into the category with other vile NYC thrillers like "Maniac", "Ms. 45" and "The Exterminator".
Columbia went far over the top with NIGHT OF THE JUGGLER! This has got to be the biggest raunchiest production ever released by them! Late-night junkies who saw this on TBS, listen hard! Go out and find the REAL uncut video release starring James Brolin. You'll see what I mean because all the explicitness of its violent subject matter were heavily cut on TV, making it mediocre by comparison. Brolin is an ex-cop searching for his kidnapped daughter (and some answers!), but he faces both urban gangs and the cops at the same time. This may have been his most ambitious role yet as an actor, as he roughs up almost anybody he encounters! Plenty of mean, dirty, and exciting action keeps boredom away. Its urbanized setting and mystery elements make up for a too simple plot. Surprisingly, it's worth a look....if you can find it!
¿Sabías que…?
- TriviaRobert Butler replaced Sidney J. Furie as director. Furie was the director who was originally hired for this film. Furie quit when it was alleged that Brolin broke his foot, and the producers suggested James Brolin perform the rest of the movie in a cast. The doctor's reports, however, were erroneous. Many of Furie's previous collaborators, including writer Rick Natkin, editor Argyle Nelson Jr. and producer Jay Weston, continued working on the film until it was finished.
- Citas
Gus Soltic: Yoo hoo!
- ConexionesFeatured in Logos de Todo el Mundo: United States of America (aka 'Murica) (2016)
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Detalles
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- Night of the Juggler
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- Presupuesto
- USD 6,500,000 (estimado)
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By what name was Secuestro suicida, pesadilla interminable (1980) officially released in India in English?
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