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5.7/10
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Agrega una trama en tu idiomaA prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.A prostitute and a drifter find themselves bound together as they make their way through the rural South, doing what they have to do to survive.
- Dirección
- Guionista
- Elenco
Michael V. Gazzo
- Tazio
- (as Michael Gazzo)
Royce D. Applegate
- The Father
- (as Royce Applegate)
Billy Jayne
- The Boy Thief
- (as Billy Jacoby)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
Hi. Long time ago I was on a Swedish ship, a general cargo ship on a trip from England to Brownsville, Texas. It was a bad ship, and it ended in a one-way ticket back to Sweden, paid by the Swedish embassy, but, however, there were some Mexican hookers visiting our ship every day during our stay, very friendly and "speakable", but one day when they came aboard one of them shouted "I'm a movie star", and she explained that she had a part in a film called "Crossroads" (later I found out that it was called Back Roads), featuring Sally Field. As the years went by I looked for this film but never found it, until today(!) 14th March 2007, when they showed it on cable television...fantastic! After all, she wasn't lying! A little story on the first day of spring here in Sweden. Yours Rune Carlsson
I have a soft spot in my heart for road movies that feature lovable losers surviving in the midst of the odds stacked against them. Or perhaps I find this subject matter a guilty pleasure. This genre of drama has been done before and Back Roads wasn't the last movie to do this, although most of them are buddy movies where we have two unlikely male protagonists: Thunderbolt and Lightfoot, Scarecrow, etc. Some films may have segments of this plot within their stories, but Back Roads is pretty much entirely set where our two main characters, Amy (a cheap hooker) and Elmore (A lowlife ex-prize fighter) are out on a lamb trying to make their way to California. Back Roads offers something more special than the usual buddy film for we are treated to the possibility of romance and a deep look into humanity.
Whether you like this movie or not depends entirely on how much sympathy and love you can afford to our main characters. If there is anyone to ever be able to pull off this genteel and earnest feat, it would be Sally field. Yes, Sally Field had the girlish charm with her doll-like big eyes, her tiny figure and endearing pout. She is a hooker with a heart of gold who for some reason has fallen on the fringes of society due to unhealthy and bad life decisions. There was a time in Hollywood when a hooker's character was treated with much more scorn and shame. But at this time in cinema, the early 1980's, Hollywood cast a more fair light on these subjects while treating them with pity and more likability. It's true that prostitutes and low lives are more charming on screen than in real life and we accept this by our own consent. Strangely and perhaps intentionally, Back Roads was marketed as a screwball romantic comedy. What those few viewers saw on screen was a bit more sad and serious with some dark comedy intertwined. Tommie Lee Jones does well and the chemistry between him and Sally is correct. As much as they bicker, make up, break apart and get back together, it all seems so right if not predictable. We root for them. They are not the winners of society, but they win our hearts.
The montage of Amy traveling alone on foot, on buses or hitching rides is accompanied by the melancholy ballad as we see our forlorn heroine looking defeated, blue and lonely. The director allows us to peer into her lonely and desperate soul. Tommie Lee is nothing more than a hapless bum who loses his job, but still has a chance to make a quick buck in a low stakes boxing ring. Sometimes love happens in the worst of circumstances and forces people to address what matters most whether it's from inner desperation or just the innate need for a partner. This is a humble tale of two drifters, who, through their personal journey, learn about love and the need for friendship.
Some people may be turned off by the grubby lifestyle and the sleazy misadventures these two go through. We are treated to the seediness of the redneck south with all of its cheap diners, truck stops, motels and how it looks from a low-budget traveler's perspective. There is also some corny dialogue; "I've seen some squirrel's in my time, but you are at the top of the tree", exclaims Amy when she expresses her disapproval of Elmore's uncouth character. Typical dialogue of this era seems outdated, but it doesn't detract from the overall theme.
The one downfall to this movie is that they couldn't construct a good ending, because the story doesn't really promise that these characters are going to strike it rich once they reach California. The movie simply ends as they stand there hitchhiking while making a poetic statement of how they accept themselves and their love for each other. What matters is not the outcome of their journey, but how they arrive at a personal state of self-acceptance. Movies like Back Roads endear us to the down and out losers. Their ill-fated lives are a not treated as a result of their ignoble character, but rather as a byproduct of their vulnerability and weaknesses.
Whether you like this movie or not depends entirely on how much sympathy and love you can afford to our main characters. If there is anyone to ever be able to pull off this genteel and earnest feat, it would be Sally field. Yes, Sally Field had the girlish charm with her doll-like big eyes, her tiny figure and endearing pout. She is a hooker with a heart of gold who for some reason has fallen on the fringes of society due to unhealthy and bad life decisions. There was a time in Hollywood when a hooker's character was treated with much more scorn and shame. But at this time in cinema, the early 1980's, Hollywood cast a more fair light on these subjects while treating them with pity and more likability. It's true that prostitutes and low lives are more charming on screen than in real life and we accept this by our own consent. Strangely and perhaps intentionally, Back Roads was marketed as a screwball romantic comedy. What those few viewers saw on screen was a bit more sad and serious with some dark comedy intertwined. Tommie Lee Jones does well and the chemistry between him and Sally is correct. As much as they bicker, make up, break apart and get back together, it all seems so right if not predictable. We root for them. They are not the winners of society, but they win our hearts.
The montage of Amy traveling alone on foot, on buses or hitching rides is accompanied by the melancholy ballad as we see our forlorn heroine looking defeated, blue and lonely. The director allows us to peer into her lonely and desperate soul. Tommie Lee is nothing more than a hapless bum who loses his job, but still has a chance to make a quick buck in a low stakes boxing ring. Sometimes love happens in the worst of circumstances and forces people to address what matters most whether it's from inner desperation or just the innate need for a partner. This is a humble tale of two drifters, who, through their personal journey, learn about love and the need for friendship.
Some people may be turned off by the grubby lifestyle and the sleazy misadventures these two go through. We are treated to the seediness of the redneck south with all of its cheap diners, truck stops, motels and how it looks from a low-budget traveler's perspective. There is also some corny dialogue; "I've seen some squirrel's in my time, but you are at the top of the tree", exclaims Amy when she expresses her disapproval of Elmore's uncouth character. Typical dialogue of this era seems outdated, but it doesn't detract from the overall theme.
The one downfall to this movie is that they couldn't construct a good ending, because the story doesn't really promise that these characters are going to strike it rich once they reach California. The movie simply ends as they stand there hitchhiking while making a poetic statement of how they accept themselves and their love for each other. What matters is not the outcome of their journey, but how they arrive at a personal state of self-acceptance. Movies like Back Roads endear us to the down and out losers. Their ill-fated lives are a not treated as a result of their ignoble character, but rather as a byproduct of their vulnerability and weaknesses.
This movie was an upside down love story of two people who were unlikely to end up together. It was great to watch because you know what's going to happen in the end, but you want to see how they get there. The one problem I had with this movie was Sally Field playing a prostitute. It just didn't seem believable to me. Sally Field looks to innocent and sweet to play a character like this. Tommy Lee Jones, on the other hand is just great. He plays the part of a drifter that moves from town to town and does almost everything to survive, but also maintains a good heart towards this woman(Sally Field)that wants nothing to do with him. If you are going to watch it, watch it for Tommy Lee Jones. One other thing, they should of chosen more than just one song for the movie. The theme song plays about 3 or 4 times throughout the movie. This is one movie that I would love to see remade. It's a timeless movie.
Just recently checked out this little known film from 1981 called "Back Roads" and I knew it would be a winner when it had Tommy Lee Jones and Sally Field in it and I was right the chemistry had worked. This is a heartfelt little tale of struggle and a journey of survival it touches your emotions showing that everyone has good in them and life is an unexpected journey. Set in the deep rural south I believe Alabama you have Sally Field as Amy Post a sweet and love like street walking hotel staying hooker who earns 20 dollars for each bang she gives. Things shakeup a little bit when she meets the rough and rugged Elmore Pratt(Tommy Lee Jones) a man who's dreams of becoming a prize fighter has blown up in smoke as now he moonlights as a taxi car washer! After hooking up the two decide to journey out to California the best way they can as money will not stop them. This is an interesting journey in which both each learn respect, love and courage it proves life is a journey of discovery and learning how to love. Overall good little underrated gem to watch.
This little film has hooker Sally Field and drifter Tommy Lee Jones hitting the road together when Jones ruins Field's chances for, ahem, gainful employment in the one-horse Southern town where she lives after he decks a cop who tries to bust her. Along the way the two encounter various predicaments and characters, as well as revealing parts of their pasts. Fascinating study that gives two people on the fringe of society faces and intriguing stories. Keep an eye peeled for Nell Carter as a pistol-packin' waitress. Not a bad way to pass the time.
¿Sabías que…?
- TriviaReportedly, Sally Field and Tommy Lee Jones disliked each other and did not get along during production.
- Citas
Mason: When was your last fight?
Elmore Pratt: I ain't had it yet!
- Bandas sonorasAsk Me No Questions (I'll Tell You No Lies)
Written by Henry Mancini
Lyrics by Alan Bergman and Marilyn Bergman
Performed by Sue Raney
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- How long is Back Roads?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- USD 7,000,000 (estimado)
- Total en EE. UU. y Canadá
- USD 11,809,387
- Fin de semana de estreno en EE. UU. y Canadá
- USD 3,046,339
- 15 mar 1981
- Total a nivel mundial
- USD 11,809,387
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By what name was Back Roads (1981) officially released in India in English?
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